Nine Days' Wonder ‎– Nine Days' Wonder

Label:
Bacillus Records ‎– 6494 004
Format:
Vinyl, LP, Album, Foam Cover
Land:
Veröffentlicht:
Genre:
Stil:

Trackliste Verberge Mitwirkende

Fermillion (15:41)
A1a Puppet Dance
Viola da Gamba – Martin Lill
A1b Square
A1c Hope?
A1d Morning Spirit
A1e Fermillion Himself
A2 Moss Had Come 3:30
B1 Apple Tree 6:43
Drag Dilemma (12:48)
B2a Monotony 1
B2b Stomach's Choice
B2c Monotony 2
B2d Interlude
B2e Dilemma

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Mitwirkende

Anmerkungen

Recorded january, 1971, in Stommeln

Released in a gatefold foam cover around a gatefold cardboard cover. In the middle is an extra page.

Andere Versionen (5 von 11) Alle anzeigen

Kat.-Nr. Künstler Titel (Format) Label Kat.-Nr. Land Jahr
9861916 Nine Days Wonder* Nine Days' Wonder(LP, Album, RE, Gre) Bacillus Records, Bellaphon 9861916 Germany 2018 Diese Version verkaufen
2C 064-92740 Nine Days' Wonder Nine Days Wonder(LP, Album) Bacillus Records 2C 064-92740 France 1971 Diese Version verkaufen
IM-30 037 Nine Days' Wonder Nine Days Wonder(LP, Album, RE) Bacillus Records, Bellaphon, Imavox IM-30 037 Portugal Unknown Diese Version verkaufen
SHSP 4014 Nine Days Wonder* Nine Days Wonder(LP, Album) Harvest SHSP 4014 UK 1971 Diese Version verkaufen
288·09·106 Nine Days Wonder* Nine Days Wonder(CD, Album, RE) Bacillus Records, Bellaphon 288·09·106 Germany Unknown Diese Version verkaufen

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music_emporium

music_emporium

16. Mai 2018
Originally released in 1971 the first and self-titled album by Nine Days Wonder was one of the very first recordings for the newly found label Bacillus of producer Peter Hauke. Nine Days Wonder with their international line-up consisting of bandfounder and singer Walter Seyffer, Rolf Henning (guitar, piano), Karl Mutschlechner (bass) from Austria, John Earle (vocals saxophone, flute, guitar) from Ireland and drummer Martin Roscoe from England, taking inspiration from Frank Zappa and the Mothers of Invention, King Crimson and Soft Machine. The album's four titles were recorded by top recording engineer Dieter Dirks in his studio in Cologne.
It turned out exceptional, both with regard to music and to artistic form: the music highly complex, with surprising arrangements, ranging from rough guitar riffs to the feel-good sound of acoustic guitar, unisonal baubles of guitar and saxophone, weird and harmonic songs, sudden changes of tempi - the album features such a multitude of facets that multiple hearings are required to appreciate them all, and they certainly make for entertaining listening. A musical fireworks display bubbling over with ideas that need not shun international comparison. From the artistic point of view the band had also come up with quite something.