Veröffentlichung
Veröffentlichung bearbeiten
Änderungen prüfen
Änderungen prüfen
Marktplatz
Statistiken
Lists
Beitragende
:format(jpeg):mode_rgb():quality(40)/discogs-images/R-333-1271734671.jpeg.jpg)
Trackliste
| 1-1 | Roel Meelkop– | 1 (Beegee) | 5:06 |
| 1-2 | Artificial Memory Trace– | Infover Composed By – Slavek Kwi | 5:59 |
| 1-3 | Bernhard Günter– | In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) Recorded By, Edited By, Sounds [Additional, Bowed Ventilator], Mixed By, Mastered By – BG* | 10:54 |
| 1-4 | Richard Chartier– | 3particles | 5:02 |
| 1-5 | Nosei Sakata, (*0)*– | Cochler | 5:41 |
| 1-6 | Jason Lescalleet– | Needles | 6:06 |
| 1-7 | Howard Stelzer– | Bend Or Fold | 5:46 |
| 1-8 | Steve Roden / In Be Tween Noise– | 8 Windows (First Version) | 8:37 |
| 1-9 | Josh Russell– | 1000x | 8:02 |
| 1-10 | Pimmon– | Finja Falso Peixes | 3:33 |
| 1-11 | Brekekekexkoaxkoax– | For Gerard Klauder | 3:13 |
| 1-12 | Michael Northam– | Kapla (An Except) | 5:26 |
| 2-1 | Taylor Deupree– | Dopticn | 5:43 |
| 2-2 | Matthew Thomas + Oren Ambarchi– | Stratagem (Distortus) | 1:24 |
| 2-3 | Quockenzocker– | Wonthaggi | 1:12 |
| 2-4 | Ios Smolders*– | Sequenzen (Somehow Inspired By Kh Stockhausen) | 6:32 |
| 2-5 | Kid 606*– | Done/Start | 3:28 |
| 2-6 | Adrian Lee (7)– | (u)n(-)t(i)t(l)e(d) | 6:07 |
| 2-7 | Warsaw (1921)– | Sonarchy Sounding Dilruba, Edited By – Mike Shannon (2) Recorded By – Doug Haire Voice – Miroslaw Rajkowski* Voice, Bullroarer – Jeph Jerman Voice, Sounds [Sonorous Objects] – Suzie Kozawa* Voice, Strings [Stringboards] – Dave Knott | 7:17 |
| 2-8 | Colin Jenkinson + Kevin Schwartz– | Duoic Ecneirepxe | 5:02 |
| 2-9 | Lt Caramel*– | Music Pour Parking Payant | 6:05 |
| 2-10 | Joseph Zitt– | Mouth.midnight | 3:52 |
| 2-11 | Ecclesiastical Scaffolding– | By Winter. It Had To Come To An End | 3:58 |
| 2-12 | Richard Cochrane– | Las Bas (Lower Depths) | 3:06 |
| 2-13 | Dale Anderson (3)– | Lost Velo | 3:36 |
| 2-14 | Rod Stasick– | Obeliskrying | 3:47 |
| 2-15 | Tone Speak– | Tone Shifter | 4:50 |
| Bonus Set | |||
| 3-1 | Roel Meelkop– | 1 (Beegee) | 5:06 |
| 3-2 | Artificial Memory Trace– | Infover Composed By – Slavek Kwi | 5:59 |
| 3-3 | Bernhard Günter– | In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) Recorded By, Edited By, Sounds [Additional, Bowed Ventilator], Mixed By, Mastered By – BG* | 10:54 |
| 3-4 | Richard Chartier– | 3particles | 5:02 |
| 3-5 | Nosei Sakata, (*0)*– | Cochler | 5:41 |
| 3-6 | Jason Lescalleet– | Needles | 6:06 |
| 3-7 | Howard Stelzer– | Bend Or Fold | 5:46 |
| 3-8 | Steve Roden / In Be Tween Noise– | 8 Windows (First Version) | 8:37 |
| 3-9 | Josh Russell– | 1000x | 8:02 |
| 3-10 | Pimmon– | Finja Falso Peixes | 3:33 |
| 3-11 | Brekekekexkoaxkoax– | For Gerard Klauder | 3:13 |
| 3-12 | Michael Northam– | Kapla (An Except) | 5:26 |
| 4-1 | Taylor Deupree– | Dopticn | 5:43 |
| 4-2 | Matthew Thomas + Oren Ambarchi– | Stratagem (Distortus) | 1:24 |
| 4-3 | Quockenzocker– | Wonthaggi | 1:12 |
| 4-4 | Ios Smolders*– | Sequenzen (Somehow Inspired By Kh Stockhausen) | 6:32 |
| 4-5 | Kid 606*– | Done/Start | 3:28 |
| 4-6 | Adrian Lee (7)– | (u)n(-)t(i)t(l)e(d) | 6:07 |
| 4-7 | Warsaw (1921)– | Sonarchy Sounding Dilruba, Edited By – Mike Shannon (2) Recorded By – Doug Haire Voice – Miroslaw Rajkowski* Voice, Bullroarer – Jeph Jerman Voice, Sounds [Sonorous Objects] – Suzie Kozawa* Voice, Strings [Stringboards] – Dave Knott | 7:17 |
| 4-8 | Colin Jenkinson + Kevin Schwartz– | Duoic Ecneirepxe | 5:02 |
| 4-9 | Lt Caramel*– | Music Pour Parking Payant | 6:05 |
| 4-10 | Joseph Zitt– | Mouth.midnight | 3:52 |
Mitwirkende (Credits)
- Artwork – Josh Russell, Richard Chartier, Steve Roden
- Design – Richard Chartier
- Photography By – Carmen Resendez
Anmerkungen
Discs 3 and 4 are copies of 1 and 2, to "please pass on to another curious listener."
Also includes 30 index cards: one for each of the CD tracks, containing biographical info on the musicians involved, and three with illustrations. Everything is packaged in a special paper box.
1-2 composed in Studios C&C (Antwerp) and Crfmw (Liege), 1998, Belgium.
1-3 recording, editing, additional sounds, mixing, mastering at trente oiseaux studio, 1999.
1-4 formed + recorded, August 1999.
1-7 recorded Summer 1999 at Intransitive; based on a performance at WMFO, Tufts University Radio; dedicated to James Coleman and Richard Chartier.
1-8 excerpt from 43 min work; first presented as an installation at the ASU Art Museum Tempe AZ, 1999.
1-9 played live with Zoom Sampletrack ST-224 with prerecorded samples of laboratory equipment recorded with a high-gain surveillance contact microphone; dedicated to Sandy, who made it all possible.
1-11 thanks to Trey Jones for use of his computer.
1-12 small speakers emitting wire drones and incidental movements recorded in a mine shaft located near Kingston, New Mexico; mastered at the Watershed, Austin, Texas; thanks to Joe and Suzanne for the invitation to the Kingston dome.
2-1 constructed with a combination of analog modular synthesizer and synthesis software on a Macintosh G3.
2-3 conceived at night, executed by day…
2-5 made with a guitar and a Mac 3beam, September 1999.
2-6 made over a two day period using a Macintosh G3 with Cubase software, one Digetec Quad 2 and a cheap Walkman.
2-7 recorded live for the 90.3 FM Sonarchy radio broadcast at the Jack Straw Foundation studios, Seattle, WA.
2-10 recorded on the night of 08/20-21/1999.
2-13 created with tracking software/special process.
Also includes 30 index cards: one for each of the CD tracks, containing biographical info on the musicians involved, and three with illustrations. Everything is packaged in a special paper box.
1-2 composed in Studios C&C (Antwerp) and Crfmw (Liege), 1998, Belgium.
1-3 recording, editing, additional sounds, mixing, mastering at trente oiseaux studio, 1999.
1-4 formed + recorded, August 1999.
1-7 recorded Summer 1999 at Intransitive; based on a performance at WMFO, Tufts University Radio; dedicated to James Coleman and Richard Chartier.
1-8 excerpt from 43 min work; first presented as an installation at the ASU Art Museum Tempe AZ, 1999.
1-9 played live with Zoom Sampletrack ST-224 with prerecorded samples of laboratory equipment recorded with a high-gain surveillance contact microphone; dedicated to Sandy, who made it all possible.
1-11 thanks to Trey Jones for use of his computer.
1-12 small speakers emitting wire drones and incidental movements recorded in a mine shaft located near Kingston, New Mexico; mastered at the Watershed, Austin, Texas; thanks to Joe and Suzanne for the invitation to the Kingston dome.
2-1 constructed with a combination of analog modular synthesizer and synthesis software on a Macintosh G3.
2-3 conceived at night, executed by day…
2-5 made with a guitar and a Mac 3beam, September 1999.
2-6 made over a two day period using a Macintosh G3 with Cubase software, one Digetec Quad 2 and a cheap Walkman.
2-7 recorded live for the 90.3 FM Sonarchy radio broadcast at the Jack Straw Foundation studios, Seattle, WA.
2-10 recorded on the night of 08/20-21/1999.
2-13 created with tracking software/special process.