Project Pitchfork

Hamburg-based Project Pitchfork started in 1989, primarly inspired by electronic New Wave artists such as Ultravox, The Human League, Invisible Limits, early Skinny Puppy, and the more pop-oriented era of SPK. Another influence was the New Age movement that included acts like Jean-Michel Jarre and Vangelis. At that date, Pitchfork had become one of the most popular music groups of the German Dark Wave culture.

Between the mid- and late-1990s, the band changed their musical direction to a more trend-oriented style, which was strongly influenced by Rock, Electropop, Techno/Trance, Trip Hop, Breakbeat and Big Beat music. The result of this musical blend has been released on the albums "¡Chakra:Red!" (1997), "Eon:Eon" (1998) and the most successful work "Daimonion" (2001).


none Project Pitchfork - K.N.K.A. Cover-Design Project Pitchfork K.N.K.A.(Cass, Album, Ltd) Not On Label (Project Pitchfork Self-released) none Germany 1990 Diese Version verkaufen
none Project Pitchfork Live 11/90 Hi(Cass) Not On Label (Project Pitchfork Self-released) none Germany 1990 Diese Version verkaufen
LP 21012 Project Pitchfork - Dhyani Cover-Design Project Pitchfork Dhyani (Album) Hypnobeat, Hypnobeat LP 21012 Germany 1991 Diese Version verkaufen
CD 21030 Project Pitchfork - Lam-'Bras Cover-Design Project Pitchfork Lam-'Bras (Album) Hypnobeat CD 21030 Germany 1992 Diese Version verkaufen
CD 21036, 21037 Project Pitchfork - Entities Cover-Design Project Pitchfork Entities (Album) Hypnobeat CD 21036, 21037 Germany 1992 Diese Version verkaufen
210519 Project Pitchfork - Souls / Island Cover-Design Project Pitchfork Souls / Island (MiniAlbum) Hypnobeat 210519 Germany 1993 Diese Version verkaufen
none Project Pitchfork - IO Cover-Design Project Pitchfork IO (Album) Off Beat none Germany 1994 Diese Version verkaufen
SPV 084-25842 Project Pitchfork - α Ω Cover-Design Project Pitchfork α Ω (Album) Candyland Entertainment SPV 084-25842 Germany 1995 Diese Version verkaufen
none Project Pitchfork - ¡Chakra:Red! Cover-Design Project Pitchfork ¡Chakra:Red! (Album) Candyland Entertainment none Germany 1997 Diese Version verkaufen
none Project Pitchfork - Live '97 Cover-Design Project Pitchfork Live '97(CD, Album, Ltd, Met) Candyland Entertainment none Germany 1997 Diese Version verkaufen
3984-24554-2 Project Pitchfork - Eon:Eon Cover-Design Project Pitchfork Eon:Eon (Album) EastWest 3984-24554-2 Germany 1998 Diese Version verkaufen
UPC 8573 87058 2 Project Pitchfork - Daimonion Cover-Design Project Pitchfork Daimonion (Album) EastWest UPC 8573 87058 2 Germany 2001 Diese Version verkaufen
5050466-0789-2-6 Project Pitchfork - Inferno Cover-Design Project Pitchfork Inferno (Album) WEA 5050466-0789-2-6 Europe 2002 Diese Version verkaufen
5050466-9616-2-4, none Project Pitchfork - Live 2003/2001 Cover-Design Project Pitchfork Live 2003/2001(CD, Album, Copy Prot.) WEA, Candyland Entertainment 5050466-9616-2-4, none Europe 2003 Diese Version verkaufen
SPV 087-25810 Project Pitchfork - Kaskade Cover-Design Project Pitchfork Kaskade (Album) Candyland Entertainment SPV 087-25810 Germany 2005 Diese Version verkaufen
PRSA 3003 Project Pitchfork - Dream, Tiresias! Cover-Design Project Pitchfork Dream, Tiresias! (Album) Prussia Records PRSA 3003 Germany 2009 Diese Version verkaufen
TRI 403 CD Project Pitchfork - Continuum Ride Cover-Design Project Pitchfork Continuum Ride (Album) Trisol TRI 403 CD Germany 2010 Diese Version verkaufen
TRI 438 CD Project Pitchfork - Quantum Mechanics Cover-Design Project Pitchfork Quantum Mechanics (Album) Trisol TRI 438 CD Germany 2011 Diese Version verkaufen
TRI 469 CD Project Pitchfork - Black Cover-Design Project Pitchfork Black (Album) Trisol TRI 469 CD Germany 2013 Diese Version verkaufen
none Project Pitchfork - Blood Cover-Design Project Pitchfork Blood (Album) Trisol none Europe 2014 Diese Version verkaufen
none Project Pitchfork - Look Up, I'm Down There Cover-Design Project Pitchfork Look Up, I'm Down There (Album) Trisol none Europe 2016 Diese Version verkaufen
TRI 614 CD Project Pitchfork - Akkretion Cover-Design Project Pitchfork Akkretion (Album) Trisol TRI 614 CD Germany 2018 Diese Version verkaufen
TRI 638 CD Project Pitchfork - Fragment Cover-Design Project Pitchfork Fragment (Album) Trisol TRI 638 CD Germany 2018 Diese Version verkaufen

Singles & EPs

HB 2, MCD 21027 Project Pitchfork - Psychic Torture Cover-Design Project Pitchfork Psychic Torture (Maxi) Hypnobeat, Hypnobeat HB 2, MCD 21027 Germany 1991 Diese Version verkaufen
none Project Pitchfork - Precious New World Cover-Design Project Pitchfork Precious New World(7", Single + Box, Ltd, Num) Hypnobeat none Germany 1991 Diese Version verkaufen

Rezensionen Alle 13 Rezensionen anzeigen

Rezension hinzufügen



14. Juli 2021
geändert 21 days ago
The band has completely exhausted itself over the past 11 years and finally tired even such loyal fans as me. All albums since 2009 just look the same. This is in complete contrast to their old albums of the 90s and 2000s, when each new album was a discovery. It would have been better to continue developing Imatem side project-because it had much more of the spirit of the group than it does now. Now it's just a press for squeezing the last money out of aging fans.


17. Juni 2021
i think project pitchfork sounds like the neon judgement which is fantastic : )~


23. Dezember 2020
geändert 7 months ago
So my fist exposure to Pitchfork was in '96 when I picked up the Cleopatra compilation "The Early Years" on the recommendation of a local shop owner who like me was also a big "electro-industrial" fan. I fell in love with it immediately and and it wasn't long after I had acquired there entire back catalog, and En Garde and Chakra Red that were released shortly after. I've always thought Dhyani to be a little primitive sounding and not as interesting, but I can say with confidence that I love all of their output from Lam-Bras through to Daimonion (with the exception of Steelrose and it's countless remixes that I never much cared for). With Inferno and Cascade I started to lose interest... to me the music started to become more generic and less creative, less interesting. I didn't follow them beyond that, until I went back over the last three years or so and have picked up all the albums released from 2009-2016. Though I have only listened to each a few times, none of them have blown me away, again they seem to be churning out the same generic stuff over and over.. nothing really stands out as special for me.


7. Juli 2020
Since there is some obvious controversy over the opinions on this band, I thought it would be fun to weigh in and see if more people get triggered lol.
I discovered them by a couple of "IO" era tracks I heard on their europian label sampler "The Tyranny Off The Beat" by OffBeat records. The 2 PP tracks it contained (while certainly interesting and unique) did not inspire me to buy anything by them right away (unlike Haujobb's amazing World Window). That type of interest didn't begin to manifest until I heard the mix of their "The Animal" track on "Industrial Revolution: 3rd Edition". That track sill mesmerizes me to this day. So I went to their N. American distro label website (Metropolis) and listened to some audio samples from their most recent release at the time which was "EON:EON". That was enjoyable enough for me to purchase the album and a single. And I stayed a pretty loyal fan of that era (which had PP getting away from the more Puppyesque sound of their early days and trading for a more gothic synthwave sound; staying just dark enough to shake off the dreaded "future-pop" label and keep electro-industrial/EBM fans like me happy. That began to take serious changes starting with "Dream, Tiresias!". Which found Spilles' voice trading actual smooth singing for a much more gravely, dark sound. In addition to the vocals, the instrumentation was also more stripped-down and not as melodic. I wasn't particularly fond of the changes even if I respected them. The album had its moments but I just couldn't get into it like the prior 4 albums. And that has continued with subsequent releases. I also find their theatrics and cover art to be rather derivative, egotistical, and silly. It's like a bad Hot Topic commercial. And it borrows motifs, fashions, and theatrics created by much more influential bands such as Skinny Puppy, NIN, and Marlyn Mansion.


10. August 2014
The first review is so horrible and should be removed for such an epic band as Pitchfork. The reviewer obviously doesn't get them or barely listened to them to make such a harsh opinion and compare them to bands they have little in common with. Almost all the industrial/EBM bands from the 1990s I listened to are now either defunct or releasing mediocre stuff at best. The last 3 full length releases by Project Pitchfork however may be the best things they have ever done, at the least they hold up to their best work of the 1990s. The reviewer under this one however, got it exactly right. There is something to this band unlike any others I have ever listened too. They are not standard EBM, and they do not fit in an exact genre category, which is part of the brilliance of this band. In the 1990s the album IO originally got me into them. It sounded like something actually recorded by aliens, as it doesn't compare to any artist than or now. I could go on for ever about this band, yet like all great things you really cannot put into words how great they are. You cannot listen to one album or one song by this band and get a feel for them whatsoever. It was a slow learning process with them for me. Extremely glad I gave IO those extra spins in the 90s. Originally the song "Bodies" had me interested in checking them out. The one thing to avoid when first trying them is their videos with the most views on youtube like "timekiller" for example. Personally I would start with the song IO and go from there.... Chakra Red is also one of the most unclassifiable albums out there, it is great and to this day sounds like nothing else I have ever heard. I disagree with the first review in their fame status, they are too un-conventional to really ever have a mass following (or at least their best albums are). The masses in my country worship rap and country, so what the hell do the masses know anyway? They masses can keep their crap and I will keep my Pitchfork albums.
Darrel Eschedor


18. Januar 2010
They are the best band I know, and I listen to a lot of very progressive contemporary electronic music. Even their stuff from the 90s is AMAZING. I really mean it, the things they create are literally from the future, not just an imitation of what the future might be i.e. futurism. So, sometimes his titles aren't bang on, but remember English isn't his native tongue. It's almost like Peter Spilles is a medium for an angel, he has these incredible brilliant moments lyric-wise and composition wise, on some tracks it's not at that level. But when it is, it is really better than anything I've ever heard. And like I said I'm constantly listening to today's top European producers.

Best tracks of Projekt Pitchfork imo:

body - spirit
I live your dream
die schlange
song of winds
the future is now
your tempting fantasy
lead and feather


10. Juni 2008
Project Pitchfork was one of my favorite bands in the early nineties because they combined the best sensibilities of the three related styles of music which I favored most at the time: Gothic, Industrial, and Electro.

Obviously, they were not for everyone. For me, however, I appreciated their classical composition as well as their song-writing. It was by far not the most "tough" or dark sounding band out at the time... but the spiritual wisdom of their lyrics intrigued me.

My favorite albums by them are Lam-bras, Entities, and Io.


16. Oktober 2007
I always found Project Pitchfork to have really silly song titles, silly appearance, and mostly silly music over the years. They're not a very good example of EBM although they're commonly lumped into that category. More appropriate I would call them "gothic electronic" music which is somewhere between Sisters of Mercy and A Split Second, if I had to pick two bands. They are still popular to a degree in their home country of Germany but I could never understand why they had such success, none of their music really does it for me. To each their own.

Listen Zur Liste hinzufügen

Mehr Listen anzeigen →

Videos (121) Bearbeiten