Albums

AW-25026 Jaki Liebezeit - Full Circle Cover-Design Holger Czukay, Jah Wobble, Jaki Liebezeit Holger Czukay, Jah Wobble, Jaki Liebezeit - Full Circle (Album) Virgin, Virgin AW-25026 Japan 1981 Diese Version verkaufen
CDSA 54054, C-DSA 54054, EVVA 33012 Jaki Liebezeit - The Oblique Sessions Cover-Design Pascal Comelade, Pierre Bastien, Jac Berrocal, Jaki Liebezeit Pascal Comelade, Pierre Bastien, Jac Berrocal, Jaki Liebezeit - The Oblique Sessions(CD, Album) Les Disques Du Soleil Et De L'Acier, Les Disques Du Soleil Et De L'Acier, EVVA CDSA 54054, C-DSA 54054, EVVA 33012 France 1997 Diese Version verkaufen
30hzc d24 Jaki Liebezeit - Live In Leuven Cover-Design Jah Wobble, Jaki Leiberzeit*, Philip Jeck Jah Wobble, Jaki Leiberzeit*, Philip Jeck - Live In Leuven (Album) 30 Hertz Records 30hzc d24 UK 2004 Diese Version verkaufen
none Jaki Liebezeit - Givt Cover-Design Datenverarbeiter vs. Jaki Liebezeit Datenverarbeiter vs. Jaki Liebezeit - Givt (Album) Not On Label none Germany 2006 Diese Version verkaufen
FUEGO 1555 Jaki Liebezeit - Givt Return Cover-Design Datenverarbeiter Vs. Jaki Liebezeit Datenverarbeiter Vs. Jaki Liebezeit - Givt Return(File, MP3, Album) Fuego FUEGO 1555 Germany 2007
no. 193 Jaki Liebezeit - The Obscure Department Cover-Design Robert Coyne With Jaki Liebezeit Robert Coyne With Jaki Liebezeit - The Obscure Department (Album) Meyer Records no. 193 Germany 2013 Diese Version verkaufen
KLANGBAD 65, Klangbad 65CD Jaki Liebezeit - Flut Cover-Design Irmler* / Liebezeit* Irmler* / Liebezeit* - Flut (Album) Klangbad, Klangbad KLANGBAD 65, Klangbad 65CD Germany 2014 Diese Version verkaufen
no. 195 Jaki Liebezeit - Golden Arc Cover-Design Robert Coyne, Jaki Liebezeit Robert Coyne, Jaki Liebezeit - Golden Arc (Album) Meyer Records no. 195 Germany 2014 Diese Version verkaufen
staubgold 139 Jaki Liebezeit - Akşak Cover-Design Jaki Liebezeit & Holger Mertin Jaki Liebezeit & Holger Mertin - Akşak (Album) Staubgold staubgold 139 Germany 2015 Diese Version verkaufen
MR 211 Jaki Liebezeit - I Still Have This Dream Cover-Design Robert Coyne & Jaki Liebezeit Robert Coyne & Jaki Liebezeit - I Still Have This Dream (Album) Meyer Records MR 211 Germany 2016 Diese Version verkaufen

Singles & EPs

105 117 Jaki Liebezeit - How Much Are They? Cover-Design Jah Wobble, Jaki Liebezeit, Holger Czukay Jah Wobble, Jaki Liebezeit, Holger Czukay - How Much Are They? (Single, Maxi) Island Records 105 117 Germany 1981 Diese Version verkaufen
no. 197 Jaki Liebezeit - Lullaby For Myself / Away With The Fairies Cover-Design Robert Coyne, Jaki Liebezeit Robert Coyne, Jaki Liebezeit - Lullaby For Myself / Away With The Fairies(7", Single, Ltd) Meyer Records no. 197 Germany 2014 Diese Version verkaufen
2754 Jaki Liebezeit - Opera Cover-Design Jaki Liebezeit W/ Werner Kiera Jaki Liebezeit W/ Werner Kiera - Opera(3xFile, MP3, EP) Fuego 2754 Germany 2017

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Arizur

Arizur

24. April 2020
geändert about 1 year ago
Legends and Facts
Sorry guys, Jaki was a great drummer, yeah. But he's overrated. Surprisingly, it has to do with Holger Czukay. He, who mixed the legendary Can-albums Tago Mago & Ege Bamyasi partly with tape looping technique, has heavily contributed to make Jaki a legend. But listen to what is already happening in the last phase of Can (in the new studio): Jaki suddenly hardly plays these driving, hypnotic rhythms anymore (maybe the last time he played in 'November' on 'Out of Reach') but limits himself to his reduced, snare-emphasized playing, with an extremely dry sound and keeps it from the 80s until his death, without growing big, even to get rid of the bassdrum and hi-hat at the end. I don't know about you guys, but that's exactly why I was fed up with the duos with Friedmann, for example. Admittedly, there were always funky exceptions (e.g. 'Drums & Club of Chaos') and interesting projects where Jaki appears (e.g. MIR), but he never found his way back to those hypnotic rhythms that established his legendary reputation - for the simple reason that they were not really his merit. How Holger ''celebrates" Jaki in the studio, can be seen quite well in the Can-Rockpalast concert of 1970, for example. As far as I can remember, Holger recorded the drums with only three microphones in the days of the Innerspace-Studio and remixed it so ingeniously, as if half an orchestra came along... that's exactly how the hammer track 'Hallelujah' sounds! Of course, all members are measured on CAN after the split; in my opinion, no one's projects have reached the density and complexity of that time. Finally, it is impossible to overlook the uniqueness of Holger Czukay, who has shown the greatest and most original creative will. All the others - including Jaki - got stuck somewhere in midfield.

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