Inner City ‎– Big Fun

Label:
Virgin ‎– 0-96610
Format:
Vinyl, 12", 33 ⅓ RPM, Stereo
Land:
Veröffentlicht:
Genre:
Stil:

Trackliste Verberge Mitwirkende

A1 Big Fun (Magic Juan Mix)
Remix – Magic Juan*
7:39
A2 Big Fun (Duane Bradley Mix)
Remix – Duane Bradley
5:01
B1 Big Fun (12" Remix)
Edited By [Re-edited By] – Master Reese*
7:09
B2 Big Fun (Kick The Pump Mix)
Edited By [Re-edited By] – May Day*
6:41

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Mitwirkende

Anmerkungen

Produced at KMS Recording.
Drive On Music. Tracks licensed via Best Beat Ltd.
Manufactured & distributed by WEA through arrangement with Atlantic Records.
℗1988 10 Records Ltd.

Barcode und andere Identifikationsmerkmale

  • Barcode (Text): 0 7567-96610-0
  • Barcode (Scanned): 075679661005
  • Matrix / Runout (A Side Runout): ST-DM-55969-55970-1 1-1 PRECISION SRC
  • Matrix / Runout (B Side Runout): ST-DM-55971-55972-1 1-1 PRECISION SRC

Andere Versionen (5 von 63) Alle anzeigen

Kat.-Nr. Künstler Titel (Format) Label Kat.-Nr. Land Jahr
KMS 015 Innercity* Big Fun(12") KMS KMS 015 US 1988 Diese Version verkaufen
KMS135 Kevin Saunderson Presents Inner City Kevin Saunderson Presents Inner City - Big Fun (2013 Remixes)(6xFile, WAV) KMS KMS135 USA & Canada 2013
PIASX 025R Inner City Big Fun (Remixes)(12", Promo, W/Lbl, Sti) PIAS UK PIASX 025R UK 2003 Diese Version verkaufen
BF001 Daze (8) vs. Inner City Daze (8) vs. Inner City - Big Fun (D&B Remix)(12", Unofficial, W/Lbl) Not On Label (Inner City) BF001 UK 2003 Diese Version verkaufen
661 749 Inner City Big Fun(CD, Maxi) 10 Records, Virgin 661 749 Europe 1988 Diese Version verkaufen

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Mark_Anthony

Mark_Anthony

3. November 2019

My girlfriend thinks the lyric says "We're havin' meatballs" X-D The previous reviewer is right tho. The bongos in the B1 will murder it any time any place.
rrileyy

rrileyy

10. Oktober 2019
It is wild that this record is still totally smashing dancefloors in 2019. Over 30 years goin!!
bitonti

bitonti

6. November 2013
geändert over 7 years ago

the "Kick the Pump Mix" by Derrick May (listed as May-Day) is almost like hearing him DJ live he hits the first synths multiple times like they are in a sampler pad. May then throws in some filter and the "ohh" sample from the vocals for a few min. The mix is aggressive and dramatic you know he's operating back there. Heavy use of delay effect and filters. At one point he stops it with a rub like he's got a finger on the vinyl (but then edits out the beat that he's behind). Really clever stuff, the full "we don't need a crowd" sample doesn't even show up until the 3 minute mark. It's a playful "re-edit" about 119 BPM, call it proto-deep house or slow techno either way move aside cause Derrick May is coming through...