Various – Ultrablack Of Music II

Label:	Mille Plateaux – MP10
Format:	34 x Datei, WAV, Compilation
Land:	Germany
Veröffentlicht:	9. März 2020
Genre:	Electronic
Stil:	Abstract, Experimental, Drone, Noise

Trackliste

1	Pavel Zhagun*–	Memo	2:15
2	Khem One–	Copperopolis	4:11
3	Antonia S. Manhartsberger–	When Fires Burn	4:16
4	Mijk van Dijk–	Hoffnung Stirbt Zuletzt	7:51
5	B.Ashra–	Gas	3:07
6	Omsk Info, Dr. W–	Sofaacid Reconx_6	6:00
7	Paesaggio–	Melodico	4:24
8	Somnambule–	Euphony Of The Machines	7:29
9	Schmickler* / Rohrhuber*–	Politiken Der Frequenz	7:30
10	svensyntetics–	Ambigue AmFm	11:06
11	A Solar Debris–	Maevan Cellar	5:17
12	Stefan Paulus–	Stratum	14:07
13	Bienoise–	Infinitiny	7:15
14	Zoy Winterstein–	Mira Mar	4:27
15	Stine M–	Undermining	6:05
16	The Allegorist–	Levitating Forms	8:08
17	Echonaut–	Hyroglyph	7:59
18	EPS–	Asymptotic 808	5:45
19	Dr. NoiseM–	Die Monster WG	12:24
20	Thomas Brinkmann–	VIE:KGD	8:07
21	Marcel Daemgen–	Frohes Neues Jahr	5:59
22	Siegfried Kärcher–	Let It Ultrablack Snow	5:44
23	Sifir–	Desonance	7:44
24	DJ Durbin–	Lash Of Love	4:28
25	Automatisme–	Alter-Rate 1	8:02
26	Thomas Köner–	10 000 000 000	8:06
27	Grupo Coral A Voz Do Alentejo Na Quinta Do Conde Feat. Dr. Walker–	Alentejo Ambient Voices 1	6:40
28	bpmf–	Swing In The Sky	5:37
29	Stine M–	Thicket	6:07
30	Dr. W–	1969 - Schatten Der Erinnerung	8:00
31	Woulg–	I Cant Remember What It Feels Like	8:18
32	Gerriet K. Sharma–	Firniss_redux	11:14
33	NicoNote–	Paysage Mélodique Avec Artaud	4:24
34	Bill B. Wintermute–	Calling All. This Is Our Last Cry Before Our Eternal Silence.	3:20

Anmerkungen

This compilation is also part of the book "Ultrablack Of Music":
force-inc.org/p/ultrablack-of-music

When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic - toc - fuck the clock.

Against this backdrop Ultra-Black of Music speculates on the manifold ways in which the objective, inhuman soundworlds, which roar underneath humans’ sensological apparatus, pervade and smoothly colonize our humanoid-alien, affective and cognitive capacities – and how to construct ways out of the mess of the Master Rhythms of Sonic Thanaticist Capital and its stratagems of annihilation and pulpification.

Speculative rhythm productions drive the mathematical ope-rationality and its decisional self-amputations to the edge and create the missing corporeality that rewires our affective capacities and inhibitions by un-mooring, alienating/de-realizing our relations to the killing abstractions (reductive Binarism, identitism/autism), the techgnostical mindset and its mystifications.

Ultrablackened music confronts and pushes us also into the experimentation with this nameless in-between, in which new temporalities can emerge whose winding paths and outcomes can neither be predicted nor guaranteed.

Its cruel love vigorously informed and fueled by the hate in ending this world, as we know and sonically experience it.