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Max Richter – The Blue Notebooks
| Label: | Deutsche Grammophon – 483 5259, StudioRichter – 483 5259 |
|---|---|
| Format: | 2 x Vinyl, LP, Album, Compilation, Reissue, Stereo, 180g |
| Land: | Europe |
| Veröffentlicht: | |
| Genre: | Electronic, Non-Music |
| Stil: | Modern Classical, Spoken Word, Ambient |
Trackliste
| A1 | The Blue Notebooks | 1:20 | |
| A2 | On The Nature Of Daylight | 6:11 | |
| A3 | Horizon Variations | 1:52 | |
| A4 | Shadow Journal | 8:22 | |
| A5 | Iconography | 3:38 | |
| B1 | Vladimir's Blues | 1:18 | |
| B2 | Arboretum | 2:54 | |
| B3 | Old Song | 2:11 | |
| B4 | Organum | 3:13 | |
| B5 | The Trees | 7:52 | |
| B6 | Written On The Sky | 1:39 | |
| C1 | A Catalogue Of Afternoons | 1:52 | |
| C2 | On The Nature Of Daylight (Orchestral Version) | 6:35 | |
| C3 | Vladimir's Blues 2018 | 1:30 | |
| C4 | On The Nature Of Daylight (Entropy) | 6:53 | |
| D1 | Vladimir's Blues (Jlin Remix) | 3:43 | |
| D2 | Iconography (Knox-Om-Pax Remix) | 4:01 |
Unternehmen usw.
- Phonographisches Copyright ℗ – Deutsche Grammophon GmbH
- Veröffentlicht durch – Mute Song Ltd.
- Veröffentlicht durch – Mute Song International Limited
- Veröffentlicht durch – Decca Publishing
- Veröffentlicht durch – Mute Song
- Veröffentlicht durch – Copyright Control
- Aufgenommen bei – Scoring Stage Babelsberg
- Aufgenommen bei – Air Lyndhurst Studios
- Gepresst durch – Optimal Media GmbH – BI14259
- Acetat-Lack-Schnitt von – Optimal Media GmbH
Mitwirkende (Credits)
- Art Direction – Studio Marek Polewski*
- Artwork – WLP Ltd.
- Cello [Cellos] – Chris Worsey (Titel: A2, A4, B2, B5, C4), Ian Burdge (Titel: C4), Philip Sheppard (Titel: A2, A4, B2, B5)
- Composed By, Producer – Max Richter
- Conductor – Lorenz Dangel (Titel: C2)
- Coordinator [Product Coordinator] – Simão Capitão
- Coordinator [Project Coordinator] – Rebecca Drake-Brockman
- Electronics – Max Richter (Titel: A1, A3 to A5, B2 to B5, D2)
- Engineer [Pro Tools Engineer] – Tom Bailey (2) (Titel: C1, C3, C4)
- Executive-Producer – Christian Badzura, Yulia Mahr
- Lacquer Cut By – KR (3)
- Layout – Erkin Karamemet
- Liner Notes – Wyndham Wallace
- Management [Artist Management] – Steve Abbott
- Mastered By – Götz-Michael Rieth (Titel: D1, D2), Mandy Parnell (Titel: A1 to B6)
- Mixed By – Max Richter (Titel: A1 to B6, C1, C3), Rupert Coulson (Titel: C1, C3, C4)
- Orchestra – Max Richter Orchestra* (Titel: C2)
- Photography By [Cover Photo] – Peter Langer (3)
- Piano – Max Richter (Titel: A1, A3, B1, B3, B5, B6, C1, C3 to D1)
- Product Manager [Product Management] – Nanja Maung Yin
- Read By [Reader] – Tilda Swinton (Titel: A1, A4, B2, B3, B5)
- Recorded By – Philip Bagenal (Titel: A1 to B6, D1, D2), Rupert Coulson (Titel: C1, C3, C4), Steve Parr (Titel: A1, A3 to A5, B1 to B6, D1, D2)
- Viola – John Metcalfe (Titel: A2, A4, B2, B5, C4)
- Violin [Violins] – Louisa Fuller (Titel: A2, A4, B2, B5, C4), Natalia Bonner (Titel: A2, A4, B2, B5, C4)
Anmerkungen
This version with slightly different back sleeve as The Blue Notebooks, corrected track duration (A4) and without download code.
Gatefold sleeve.
Recorded in 2003 (Sides A, B + D)
Recorded at Scoring Stage, Babelsberg, in 2010 (Side C/2)
and at Air Studios London, on 9 January 2018 (Side C/1, 3 + 4)
Published by:
Mute Song Ltd (Side A/1-5, Side B/3-6, Side C/2, Side D/2)
Mute Song International Ltd (Side B/2)
Decca Publishing (Side C/1)
Mute Song (Side C/3 + 4)
Copyright Control (Side B/1, Side D/1)
℗ 2004 (Sides A + B), 2014 (Side C/2) 2018 (Side C/1, 3 + 4, Side D) Deutsche Grammophon GmbH, Berlin
This compilation ℗ 2018
Made in the EU, Printed in the EU
Gatefold sleeve.
Recorded in 2003 (Sides A, B + D)
Recorded at Scoring Stage, Babelsberg, in 2010 (Side C/2)
and at Air Studios London, on 9 January 2018 (Side C/1, 3 + 4)
Published by:
Mute Song Ltd (Side A/1-5, Side B/3-6, Side C/2, Side D/2)
Mute Song International Ltd (Side B/2)
Decca Publishing (Side C/1)
Mute Song (Side C/3 + 4)
Copyright Control (Side B/1, Side D/1)
℗ 2004 (Sides A + B), 2014 (Side C/2) 2018 (Side C/1, 3 + 4, Side D) Deutsche Grammophon GmbH, Berlin
This compilation ℗ 2018
Made in the EU, Printed in the EU
Barcode und andere Identifikationsmerkmale
- Barcode (Text): 00289 483 5259
- Barcode (Scanned): 028948352593
- Labelcode: LC 00173
- Rechtegesellschaft: BIEM/SDRM
- Andere (Cat# LP1): 00289 483 5260 9
- Andere (Cat# LP2): 00289 483 5261 6
- Matrix / Runout (Runout side A, etched): BI14259-01 A2 KR
- Matrix / Runout (Runout side B, etched): BI14259-01 B1 KR
- Matrix / Runout (Runout side C, etched): BI14259-02 C3 KR 4235018
- Matrix / Runout (Runout side D, etched): BI14259-02 D1 KR
Andere Versionen (5 von 21)Alle anzeigen
| Titel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
|---|---|---|---|---|---|---|---|
| The Blue Notebooks (CD, Album) | 130701 | CD13-04 | UK | 2004 | |||
| The Blue Notebooks (CD, Album, Promo) | 130701 | CD 13-04P | UK | 2004 | |||
Neuer Eintrag | The Blue Notebooks (CD, Album) | 130701 | CD13-04 | UK | 2004 | ||
Vor kurzem bearbeitet | The Blue Notebooks (LP, Album, Limited Edition, Remastered, 180gm, DMM) | 130701 | LP13-04X | UK | 2008 | ||
Neuer Eintrag | The Blue Notebooks (12×File, MP3, 320 kbps) | Deutsche Grammophon | none | UK, Europe & US | 2014 |
Empfehlungen
Rezensionen
Unfortunately, the second disc is damaged, so the first tracks are not played. Nothing has changed after cleaning.
Sounds incredible. Dead silent, which is essential since this album has some really quiet sections. And i'm happy to report that even on the louder, more complex songs, it doesnt pop, scratch or have any noticeable noise. Sounds very warm and full as well.
Tested on LP120X.
Tested on LP120X.