Various – Sound
Label: | Los Angeles Institute of Contemporary Art – none |
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Format: | Vinyl, LP, Compilation |
Land: | US |
Veröffentlicht: | |
Genre: | Electronic |
Stil: | Abstract, Experimental |
Trackliste
A1 | Jim Hobart– | Maraca Instrument | 1:47 |
A2 | Bob Bates (2)– | Force Field | 1:58 |
A3 | Richard Dunlap (2)– | The Rubber Band | 1:58 |
A4 | Joan La Barbara– | Q-uatre Petites Betes | 1:50 |
A5 | Ron George– | Improvisation | 1:54 |
A6 | Ivor Darreg– | Composition For Turkish-Fretless Banjo | 2:08 |
A7 | Bob Wilhite– | Two Spinners | 2:12 |
A8 | Jim Gordon (2)– | Piece For Synthesizers, Computers And Other Instruments | 1:43 |
A9 | Paul De Marinis*– | Pygmy Gamelan Goes To Art | 1:59 |
A10 | Jim Pomeroy– | Back On The Ladder, The Beat Goes On | 2:09 |
A11 | Yoshi Wada– | An Adapted Bag With Sympathy III | 2:02 |
A12 | Christina Kubisch– | Tempo Liquido | 2:02 |
A13 | Gerald Oshita– | Water Preludes | 2:05 |
B1 | Tom Jenkins (4)– | One Man Band | 1:59 |
B2 | Bill Fontana– | Kirribilli Wharf | 2:05 |
B3 | Doug Hollis– | Aeolian Harp | 2:09 |
B4 | Tom Marioni– | Drop Brushing | 1:01 |
B5 | Terry Fox– | Labyrinth Scored For II Cats | 1:56 |
B6 | Tom Recchion– | Solos | 1:50 |
B7 | Alex Bernstein– | L.A. Proper | 1:53 |
B8 | Karen Wolff* / William Kingsbury– | Double Crossing | 1:51 |
B9 | Bruce Fier– | Score For Eleven Infinite Rainbows | 2:02 |
B10 | Susan Rawcliffe– | Trix Ocarinas | 2:02 |
B11 | Will Parsons / Grace Bell– | Road Runner / L.A. | 2:07 |
B12 | Dennis Evans– | Location #2 | 0:53 |
B13 | John Duncan / Michael leDonne-Bhennet*– | Koko Weef 6038 | 1:59 |
Unternehmen usw.
- Aufgenommen bei – Exploratorium, San Francisco
Mitwirkende (Credits)
- Compiled By [Exhibition Curator] – Bob Wilhite, Robert Smith (37)
- Edited By, Producer – Bob Wilhite
Anmerkungen
Album produced for SOUND. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles Institute of Contemporary Art July 14-August 31, 1979. P.S.I. New York, September 30-November 18, 1979.
Sponsored in part by a grant from the museum programs of the national endowment for the arts, a federal agency in Washington, D.C., and the city of Los Angeles Ceta Arts Program.
A2 played on the Fuser, 1979.
A3 composed 1972. A8, A9, A10 composed 1979.
A11 composed May 6, 1979.
A13 composed 1978.
B3 composed 1975-76 at the San Francisco Exploratorium.
B4 composed 1972 in Edinburgh, Scotland.
B9 composed at the Union Gallery, San Jose State University, 1977.
B10 composed at ICA Concert, Larchmont Center for Yoga, L.A. 1978.
A1, A3, A4, A5, A6, A10, A11, A12, B1, B2, B3, B6, B7, B8, B9, B10, B11, B13 selections taken from longer pieces.
B12 subtitled Western Union Sound Studies.
Sponsored in part by a grant from the museum programs of the national endowment for the arts, a federal agency in Washington, D.C., and the city of Los Angeles Ceta Arts Program.
A2 played on the Fuser, 1979.
A3 composed 1972. A8, A9, A10 composed 1979.
A11 composed May 6, 1979.
A13 composed 1978.
B3 composed 1975-76 at the San Francisco Exploratorium.
B4 composed 1972 in Edinburgh, Scotland.
B9 composed at the Union Gallery, San Jose State University, 1977.
B10 composed at ICA Concert, Larchmont Center for Yoga, L.A. 1978.
A1, A3, A4, A5, A6, A10, A11, A12, B1, B2, B3, B6, B7, B8, B9, B10, B11, B13 selections taken from longer pieces.
B12 subtitled Western Union Sound Studies.
Andere Versionen (1)
Alle anzeigenTitel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
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Vor kurzem bearbeitet | Sound (LP, Compilation, Limited Edition, Numbered, Reissue) | États-Unis | etat20 | US | 2022 |
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