| | Beethoven: Symphony No.5 (1926-1927 rec.) / Weber / Mendelssohn / J.S. Bach / Schubert | |
1-1 | | Der Freischütz, Op. 77: Overture | 9:59 |
| | Symphony no. 5 in C minor, Op. 67 | |
1-2 | | I. Allegro Con Brio | 6:25 |
1-3 | | Ii. Andante Con Moto | 11:10 |
1-4 | | III. Allegro | 5:45 |
1-5 | | IV. Allegro - Presto | 8:54 |
1-6 | | A Midsummer Night's Dream, Op. 21: Overture | 12:39 |
1-7 | | Orchestral Suite No. 3, BWV 1068: II. Air | 5:07 |
| | Rosamunde, D. 797 | |
1-8 | | Entracte No. 3 | 5:16 |
1-9 | | Ballet No. 2 | 5:15 |
| | Selections From: Wagner - Schubert - R. Strauss | |
2-1 | | Lohengrin, Act I. Prelude | 9:45 |
| | Tristan Und Isolde | |
2-2 | | Act I. Prelude | 10:31 |
2-3 | | Act III. Isoldes Liebestod | 6:33 |
2-4 | | Rosamunde, D. 797: Overture | 9:53 |
2-5 | | Till Eulenspiegels Lustige Streiche, Op. 28 | 15:00 |
2-6 | | Till Eulenspiegels (Rehearsal) | 8:57 |
| | Selections From: Mendelssohn - Berlioz - Dvořák - J.S. Bach - Rossini - Brahms - Weber | |
3-1 | | The Hebrides, Op. 26 “Fingal's Cave” | 9:52 |
3-2 | | The Hebrides (Rehearsal) | 2:59 |
3-3 | | La Damnation de Faust, Op. 24: Marche Hongroise | 4:20 |
3-4 | | Slavonic Dance In A-flat Major, Op. 46 No. 3 | 4:39 |
| | Brandenburg Concerto No. 3 In G Major, BWV 1048 | |
3-5 | | I. | 7:18 |
3-6 | | III. Allegro | 3:30 |
3-7 | | La Gazza Ladra: Overture | 9:18 |
| | Hungarian Dances | |
3-8 | | No. 1 in G minor | 2:54 |
3-9 | | No. 10 in E major | 2:01 |
3-10 | | Aufforderung Zum Tanz (“Invitation à la Valse”) | 8:24 |
| | Selections From: Wagner - Beethoven - Mozart - Rossini - Weber - J. Strauss II | |
4-1 | | Götterdämmerung, Act III: Siegfried's Funeral March | 8:23 |
4-2 | | Egmont, Op. 84: Overture | 8:34 |
4-3 | | Le Nozze di Figaro, K. 492: Overture | 4:14 |
4-4 | | Die Entführung Aus Dem Serail, K. 384: Overture | 4:51 |
4-5 | | Il Barbiere di Siviglia: Overture | 7:13 |
| | Der Freischütz, Op. 77 | |
4-6 | | Overture | 9:46 |
4-7 | | Act III: Prelude | 3:21 |
| | Serenade No. 13 In G Major, K. 525 “Eine Kleine Nachtmusik” | |
4-8 | | I. Allegro | 4:21 |
4-9 | | II. Romanze. Andante | 5:50 |
4-10 | | III. Menuetto. Allegretto - Trio | 2:01 |
4-11 | | IV. Rondo. Allegro | 3:01 |
4-12 | | Die Fledermaus: Overture | 8:20 |
| | Beethoven: Symphony No. 9 (Live Rec. 1937) | |
| | Symphony No. 9 In D Minor, Op. 125 “Choral” | |
5-1 | | I. Allegro Ma Non Troppo, Un Poco Maestoso | 17:52 |
5-2 | | II. Molto Vivace | 11:28 |
5-3 | | III. Adagio Molto E Cantabile | 20:16 |
5-4 | | IV. Finale: Beginning | 7:02 |
5-5 | | IV. Finale: “O Freunde, Nicht Diese Töne…” | 3:47 |
5-6 | | IV. Finale: Alla Marcia (“Froh, Froh…”) | 3:48 |
5-7 | | IV. Finale: Andante Maestoso | 6:18 |
5-8 | | IV. Finale: End | 4:05 |
| | Selections From: Wagner: Die Walküre Act III | |
| | Die Walküre, Opera: Act III | |
6-1 | | Scene 1. "Hojotoho! Heiaha!” (Walkyries) | 7:12 |
6-2 | | Scene 1. “Schützt Mich Und Helft In Höchster Not!” (Brünnhilde, Sieglinde, Walkyries) | 8:40 |
6-3 | | Scene 2. “Wo Ist Brünnhild', Wo Die Verbrecherin?” (Wotan, Brünnhilde) | 8:25 |
6-4 | | Scene 2. “Hörtet Ihr Nicht, Was Ich Verhängt?” (Wotan, Walkyries) | 2:49 |
6-5 | | Scene 3. “War Es So Schmählich, Was Ich Verbrach” (Wotan, Brünnhilde) | 9:31 |
6-6 | | Scene 3. “So Tatest Du, Was So Gern Zu Tun Ich Begehrt” (Wotan, Brünnhilde) | 8:10 |
6-7 | | Scene 3. “In Festen Schlaf Verschliess' Ich Dich” (Wotan, Brünnhilde) | 2:32 |
6-8 | | Scene 3. “Leb Wohl, Du Kühnes, Herrliches Kind!” (Wotan) | 8:07 |
6-9 | | Scene 3. “Loge, Hör'! Lausche Hieher!” (Wotan) | 7:24 |
| | Selections From: Wagner: Die Götterdämmerung | |
| | Götterdämmerung, Opera (Excerpts) | |
7-1 | | Prolog. Orchestra (after The Norns) | 3:22 |
7-2 | | Prolog. “Zu Neuen Taten, Teurer Helde” (Brünnhilde) | 2:45 |
7-3 | | Prolog. “Mehr Gabst Du, Wunderfrau” (Brünnhilde) | 6:21 |
7-4 | | Prologue. “O Heilige Götter” (Brünnhilde, Siegfried) | 2:49 |
7-5 | | Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) | 7:49 |
7-6 | | Act I, Scene 3. “Höre Mit Sinn, Was Ich Dir Sage!” (Waltraute) | 9:51 |
7-7 | | Act I, Scene 3. “Welch Banger Träume Mären” (Brünnhilde, Waltraute) | 5:39 |
7-8 | | Act I, Scene 3. “Blitz Und Gewölk” (Brünnhilde) | 3:07 |
7-9 | | Act I, Scene 3. “Brünnhild'! Ein Freier Kam” (Brünnhilde) | 6:06 |
7-10 | | Act I, Scene 3. “Jetzt Bist Du Mein” (Siegfried, Brünnhilde) | 2:50 |
8-1 | | Act II, Scene 4. “Heil dir, Gunther!” (chorus) | 1:27 |
8-2 | | Act Ii, Scene 4. “Brünnhild', Die Hehrste Frau” (Gunther, Chorus) | 1:33 |
8-3 | | Act Ii, Scene 4. “Gegrüßt Sei, Teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, Chorus) | 3:57 |
8-4 | | Act Ii, Scene 4. “Einen Ring Sah Ich An Deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) | 2:30 |
8-5 | | Act Ii, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, Chorus) | 5:36 |
8-6 | | Act Ii, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde Chorus) | 2:48 |
8-7 | | Act Ii, Scene 4. “Glaub, Mehr Zümt Es Mich Als Dich” (Siegfried) | 2:28 |
8-8 | | Act Ii, Scene 5. “Welches Unholds List” (Brünnhilde) | 3:25 |
8-9 | | Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) | 3:11 |
8-10 | | Act Ii, Scene 5. “Und Dort Trifft Ihn Mein Speer!” (Brünnhilde, Hagen) | 5:28 |
8-11 | | Act Ii, Scene 5. “So Soll Es Sein!” (Gunther, Brünnhilde, Hagen) | 2:19 |
8-12 | | Act Iii, Scene 3. “Schweigt Eures Jammers Jauchzenden Schwall!” (Gutrune, Brünnhilde) | 3:57 |
8-13 | | Act Iii, Scene 3. “Starke Scheite Schichtet Mir Dort” (Brünnhilde) | 2:24 |
8-14 | | Act Iii, Scene 3. “Wie Sonne Lauter Strahlt Mir Sein Licht” (Brünnhilde) | 2:22 |
8-15 | | Act Iii, Scene 3. “O Ihr, Der Eide Ewige Hüter!” (Brünnhilde) | 3:46 |
8-16 | | Act Iii, Scene 3. “Mein Erbe Nun Nehm' Ich Zu Eigen” (Brünnhilde) | 2:26 |
8-17 | | Act Iii, Scene 3. “Fliegt Heim, Ihr Raben!” (Brünnhilde) | 1:12 |
8-18 | | Act Iii, Scene 3. “Grane, Mein Ross, Sei Mir Gegrüßt!” (Brünnhilde) | 6:14 |
| | Beethoven: Symphony No. 5 - Selections From Wagner: Tristan Und Isolde, Parsifal | |
| | Symphony No. 5 In C Minor, Op. 67 | |
9-1 | | I. Allegro con brio | 7:42 |
9-2 | | Ii. Andante Con Moto | 10:16 |
9-3 | | III. Allegro | 5:48 |
9-4 | | IV. Allegro - Presto | 8:19 |
| | Tristan und Isolde | |
9-5 | | Act I. Prelude | 11:05 |
9--6 | | Act III. Isoldes Liebestod | 6:57 |
| | Parsifal | |
9-7 | | Act I. Prelude | 14:10 |
9-8 | | Act III. Karfreitagszauber | 10:47 |
| | Tchaikovsky: Symphony No. 6 “Pathétique” | |
| | Symphony No. 6 In B Minor, Op. 74 “Pathétique” | |
10-1 | | I. Adagio - Allegro non troppo | 20:07 |
10-2 | | II. Allegro Con Grazia | 8:49 |
10-3 | | III. Allegro Molto Vivace | 9:16 |
10-4 | | IV. Finale. Adagio Lamentoso - Andante | 10:24 |
| | Selections From: Furtwängler - Beethoven - Bruckner - Gluck | |
11-1 | | Symphonic Concerto For Piano & Orchestra In B Minor: Ii. Adagio Solenne | 11:15 |
11-2 | | Cavatina For String Orchestra (after String Quartet No. 13 In B-flat Major, Op. 130) | 8:38 |
11-3 | | Symphony No. 7 In E Major: Ii. Adagio. Sehr Feierlich Und Sehr Langsam | 22:42 |
11-4 | | Alceste: Overture | 8:21 |
| | Brahms: Haydn Variations - Beethoven: Symphony No. 6 “Pastoral” | |
| | Variations On A Theme By Haydn, Op. 56a “St. Antoni Chorale” | |
12-1 | | Theme. Andante | 2:23 |
12-2 | | Variation I. Poco Più Animato | 1:21 |
12-3 | | Variation II. Più Vivace | 1:04 |
12-4 | | Variation III. Con Moto | 2:06 |
12-5 | | Variation IV. Andante Con Moto | 2:59 |
12-6 | | Variation V. Vivace | 0:56 |
12-7 | | Variation VI. Vivace | 1:26 |
12-8 | | Variation VII. Grazioso | 3:47 |
12-9 | | Variation VIII. Presto Non Troppo | 1:04 |
12-10 | | Finale. Andante | 4:03 |
| | Symphony No. 6 In F Major, Op. 68 “Pastoral”: | |
12-11 | | I. Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande. Allegro Non Troppo | 11:26 |
12-12 | | II. Szene Am Bach. Andante Molto Moto | 13:58 |
12-13 | | III. Lustiges Zusammensein Der Landleute. Allegro | 5:47 |
12-14 | | IV. Gewitter, Sturm. Allegro | 3:56 |
12-15 | | V. Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm. Allegretto | 9:15 |
| | Beethoven: Violin Concerto | |
| | Violin Concerto In D Major, Op. 61 (1947 rec.) | |
13-1 | | I. Allegro Ma Non Troppo | 24:06 |
13-2 | | II. Larghetto | 10:56 |
13-3 | | III. Rondo: Allegro (Cadenza: Fritz Kreisler) | 10:08 |
| | Beethoven: Symphony No. 3 “Eroica”, Coriolan Overture | |
| | Symphony No. 3 In E-flat Major, Op. 55 “Eroica” | |
14-1 | | I. Allegro con brio | 16:05 |
14-2 | | II. Marcia Funebre. Adagio Assai | 17:20 |
14-3 | | III. Scherzo - Allegro Vivace | 6:15 |
14-4 | | IV. Finale: Allegro Molto | 12:44 |
14-5 | | II. Marcia Funebre. Adagio Assai: First Side (Take Included In The First Commercial Release) | 5:16 |
14-6 | | Coriolan Overture, Op. 62 | 8:35 |
| | Mozart: Serenade No.13 “Gran Partita” | |
| | Serenade In B-flat Major, For 13 Wind Instruments, K. 361 “Gran Partita” | |
15-1 | | I. Largo. Molto allegro | 6:49 |
15-2 | | II. Menuetto | 5:50 |
15-3 | | III. Adagio | 6:27 |
15-4 | | IV. Menuetto. Allegretto | 3:18 |
15-5 | | V. Romance. Adagio | 5:29 |
15-6 | | VI. Tema Con Variazioni | 8:54 |
15-7 | | VII. Finale: Molto Allegro (Rondo) | 3:27 |
| | Brahms: Symphony No. 1 (1947 Rec.) | |
| | Symphony No. 1 In C Minor, Op. 68 | |
16-1 | | I. Un Poco Sostenuto - Allegro | 14:47 |
16-2 | | II. Andante Sostenuto | 10:37 |
16-3 | | III. Un Poco Allegretto E Grazioso | 5:06 |
16-4 | | IV. Adagio - Allegro Non Troppo, Ma Con Brio | 16:33 |
| | Brahms: Symphony No. 2 (1948 Rec.) | |
| | Symphony No. 2 In D Major, Op. 73 | |
17-1 | | I. Allegro Non Troppo | 15:17 |
17-2 | | II. Adagio Non Troppo | 10:54 |
17-3 | | III. Allegretto Grazioso. Quasi Andantino - Presto Ma Non Assai | 5:58 |
17-4 | | IV. Allegro Con Spirito | 9:01 |
| | Symphony No. 2 In D Major, Op. 73 | |
17-5 | | I. 12080-1 (Alternate Take) | 3:08 |
17-6 | | I. 12082-1 (Alternate Take) | 2:56 |
17-7 | | II. 12083-1 (Alternate Take) | 3:43 |
17-8 | | III. 12086-1 (Alternate Take) | 4:47 |
| | Mozart: Symphony No. 40 - Selections from: Wagner: Die Götterdämmerung, Act III - Mendelssohn: Hebrides Overture | |
| | Götterdämmerung: Act III, Scene 3: Immolation Scene | |
18-1 | | “Starke Scheite Schichtet Mir Dort” (Brünnhilde) | 2:25 |
18-2 | | “Wie Sonne Lauter Strahlt Mir Sein Licht” (Brünnhilde) | 2:31 |
18-3 | | “O Ihr, Der Eide Heilige Hüter!” (Brünnhilde) | 3:46 |
18-4 | | “Mein Erbe Nun Nehm' Ich Zu Eigen” (Brünnhilde) | 2:33 |
18-5 | | “Fliegt Heim, Ihr Raben!” (Brünnhilde) | 1:16 |
18-6 | | “Grane, Mein Ross, Sei Mir Gegrüsst!” (Brünnhilde) | 2:38 |
18-7 | | The Hebrides, Op. 26 “Fingal's Cave” | 10:12 |
| | Symphony No. 40 In G Minor, K. 550 | |
18-8 | | I. Molto Allegro | 7:03 |
18-9 | | II. Andante | 8:31 |
18-10 | | III. Menuetto. Allegretto | 4:27 |
18-11 | | IV. Allegro Assai | 4:38 |
| | Wagner: Selections from: Siegfried Idyll, Tannhäuser, Die Götterdämmerung, Der Fliegende Holländer | |
19-1 | | Siegfried Idyll | 17:04 |
19-2 | | Tannhäuser: Overture | 14:05 |
19-3 | | Götterdämmerung: Siegfried's Rhine Journey | 11:53 |
19-4 | | Der Fliegende Holländer: Overture | 11:46 |
| | Brahms: Haydn Variations - Selections From: Wagner - Berlioz - Mozart - Brahms | |
| | Variations On A Theme By Haydn, Op. 56a “St. Antoni Chorale” | |
20-1 | | Theme. Andante | 2:09 |
20-2 | | Variation I. Poco Più Animato | 1:17 |
20-3 | | Variation II. Più Vivace | 0:59 |
20-4 | | Variation III. Con Moto | 2:07 |
20-5 | | Variation IV. Andante Con Moto | 2:46 |
20-6 | | Variation V. Vivace | 0:53 |
20-7 | | Variation VI. Vivace | 1:22 |
20-8 | | Variation VII. Grazioso | 3:17 |
20-9 | | Variation VIII. Presto Non Troppo | 0:58 |
20-10 | | Finale. Andante | 3:56 |
20-11 | | Die Walküre: Act III. Ride Of The Walkyries | 5:20 |
20-12 | | La Damnation de Faust, Op. 24: Marche Hongroise | 4:28 |
| | Serenade No. 13 In G Major, K. 525 “Eine Kleine Nachtmusik” | |
20-13 | | I. Allegro | 4:21 |
20-14 | | II. Romanze - Andante | 4:49 |
20-15 | | III. Menuetto - Allegretto | 2:12 |
20-16 | | IV. Rondo - Allegro | 3:06 |
| | Hungarian Dances | |
20-17 | | No. 1 In G Major | 3:07 |
20-18 | | No. 3 In F Major | 2:32 |
20-19 | | No. 10 In E Major | 1:54 |
| | Die Meistersinger Von Nürnberg | |
20-20 | | Act I. Prelude | 9:44 |
20-21 | | Act Iii. Dance Of The Apprentices | 2:45 |
| | Brahms: Violin Concerto - Wagner: Lohengrin (Prelude To Act I) | |
21-1 | | Lohengrin, Act I: Prelude | 9:09 |
| | Violin Concerto In D Major, Op. 77 | |
21-2 | | I. Allegro Non Troppo | 22:02 |
21-3 | | II. Adagio | 9:53 |
21-4 | | III. Allegro Giocoso, Ma Non Troppo Vivace - Poco Più Presto | 8:04 |
| | Beethoven: Symphony No. 7 (1950 Rec.) -Schubert: Symphony No. 8 “Unfinished” | |
| | Symphony No. 7 In A Major, Op. 92 | |
22-1 | | I. Poco Sostenuto - Vivace | 12:58 |
22-2 | | II. Allegretto | 10:16 |
22-3 | | III. Presto - Assai Meno Presto | 8:39 |
22-4 | | IV. Allegro Con Brio | 7:02 |
| | Symphony No. 8 In B Minor, D. 759 “Unfinished” | |
22-5 | | I. Allegro Moderato | 11:30 |
22-6 | | II. Andante Con Moto | 12:09 |
| | R. Strauss: Death and Transfiguration - J. Strauss II: Kaiser-Waltzer - Beethoven: Symphony No.4 | |
23-1 | | Death And Transfiguration, Op. 24 | 24:23 |
23-2 | | Kaiser-Walzer, Op. 437 | 9:35 |
| | Symphony No. 4 In B-flat Major, Op. 60 (1950 Rec.) | |
23-3 | | I. Adagio - Allegro Vivace | 10:53 |
23-4 | | II. Adagio | 12:17 |
23-5 | | III. Allegro Vivace - Trio: Un Poco Meno Allegro | 5:55 |
23-6 | | IV. Allegro Ma Non Troppo | 7:24 |
| | Selections From: Wagner - Weber - Schubert - Tchaikovsky - Strauss - Mozart | |
24-1 | | Götterdämmerung: Act III: Siegfried's Funeral March | 8:41 |
24-2 | | Die Meistersinger Von Nürnberg: Act III. Prelude | 6:37 |
24-3 | | Oberon, J. 306: Overture | 10:01 |
| | Rosamunde | |
24-4 | | Entracte No. 3 | 4:52 |
24-5 | | Ballet Music No. 2 | 4:59 |
| | Serenade In C Major, Op. 48 | |
24-6 | | II. Valse: Moderato | 4:21 |
24-7 | | IV. Finale: Tema Russo | 7:52 |
| | Pizzicato Polka | |
24-8 | | With Glockenspiel | 2:51 |
24-9 | | Without Glockenspiel | 2:46 |
| | Die Zauberflöte (Arias Of The Queen Of The Night) | |
24-10 | | Act I. “O Zittre Nicht, Mein Lieber Sohn!” | 4:42 |
24-11 | | Act II. “Der Hölle Rache” | 2:59 |
| | Tchaikovsky: Symphony No. 4 (1951 Rec.) - Overtures From: Schubert Rosamunde - Cherubini Anacréon | |
25-1 | | Rosamunde: Overture | 10:44 |
| | Symphony No. 4 In F Minor, Op. 36 | |
25-2 | | I. Andante Sostenuto - Moderato Con Anima | 19:18 |
25-3 | | II. Andantino In Modo di Canzona | 10:19 |
25-4 | | III. Scherzo. Pizzicato Ostinato, Allegro | 5:56 |
25-5 | | IV. Finale: Allegro Con Fuoco | 9:20 |
25-6 | | Anacréon: Overture | 9:42 |
| | J. Haydn: Symphony No.94 "Surprise" / Nicolai / R. Schumann / Smetana | |
| | Symphony No. 94 In G Major, Hob. I:94 “Surprise” | |
26-1 | | I. Adagio - Allegro | 7:06 |
26-2 | | II. Andante | 7:46 |
26-3 | | III. Menuet - Allegro - Trio - Menuet | 4:06 |
26-4 | | IV. Finale: Vivace | 4:01 |
26-5 | | The Merry Wives Of Windsor: Overture | 8:41 |
26-6 | | Manfred, Op. 115: Overture | 12:25 |
26-7 | | Má Vlast: No. 2. Vltava “The Moldau” | 12:35 |
| | Beethoven: Piano Concerto No.5 "Emperor"/ Felix Mendelssohn: Violin Concerto | |
| | Piano Concerto No. 5 In E-flat Major, Op. 73 “Emperor” | |
27-1 | | I. Allegro | 20:44 |
27-2 | | II. Adagio, Un Poco Mosso | 7:51 |
27-3 | | III. Rondo (Allegro) | 10:28 |
| | Violin Concerto In E Minor, Op. 64 | |
27-4 | | I. Allegro Molto Appassionato | 12:32 |
27-5 | | II. Andante | 7:50 |
27-6 | | III. Allegretto Non Troppo - Allegro Molto Vivace | 6:45 |
| | Beethoven: Symphony No.9 "Choral" (Live Rec. 1951) | |
| | Symphony No. 9 In D Minor, Op. 125 “Choral” | |
28-1 | | Hall ambience | 1:11 |
28-2 | | I. Allegro Ma Non Troppo, Un Poco Maestoso | 17:47 |
28-3 | | Hall Ambience | 0:55 |
28-4 | | II. Molto vivace | 11:59 |
28-5 | | Hall ambience | 0:34 |
28-6 | | III. Adagio Molto E Cantabile | 19:39 |
28-7 | | IV. Finale: Beginning | 6:59 |
28-8 | | IV. Finale: “O Freunde, Nicht Diese Töne…” | 3:51 |
28-9 | | IV. Finale: Alla Marcia (“Froh, Froh…”) | 4:00 |
28-10 | | IV. Finale: Andante Maestoso | 5:59 |
28-11 | | IV. Finale: End And Applause | 4:19 |
| | Schubert: Symphony No.9 "The Great" (1951 Rec.) | |
| | Symphony No. 9 In C Major, D. 944 “The Great” | |
29-1 | | I. Andante - Allegro Ma Non Troppo | 14:41 |
29-2 | | II. Andante Con Moto | 17:16 |
29-3 | | III. Scherzo: Allegro Vivace | 11:15 |
29-4 | | IV. Finale: Allegro Vivace | 11:42 |
| | Furtwängler: Symphony No.2 / J. Haydn: Symphony No.88 | |
| | Symphony No. 2 In E Minor | |
29-5 | | I. Assai Moderato | |
30-1 | | II. Andante Simplice | 12:42 |
30-2 | | III. Allegro - Moderato - Allegro | 16:21 |
30-3 | | IV. Langsam - Moderato Andante | 28:44 |
| | Symphony No. 88 In G Major, Hob. I:88 | |
30-4 | | I. Allegro | 6:52 |
30-5 | | II. Largo | 6:19 |
30-6 | | III. Menuetto | 4:21 |
30-7 | | IV. Allegro Con Spirito | 3:38 |
| | Wagner: Götterdämmerung (Brünnhilde Immolation Scene) / Mahler: Lieder Eines Fahrenden Gesellen | |
| | Götterdämmerung: Act Iii, Scene 3: Immolation Scene (Brünnhilde) | |
31-1 | | “Starke Scheite Schichtet Dort” (Brünnhilde) | |
31-2 | | “Wie Sonne Lauter Strahlt Mir Sein Licht” (Brünnhilde) | |
31-3 | | “O Ihr, Der Eide Heilige Huter!” (Brünnhilde) | |
31-4 | | “Mein Erbe Nun Nehm'ich Zu Eigen” (Brünnhilde) | |
31-5 | | “Fliegt Heim, Ihr Raben!” (Brünnhilde) | |
31-6 | | “Grane, Mein Ross, Sei Mir Gegrüsst” (Brünnhilde) | |
| | Lieder Eines Fahrenden Gesellen | |
31-7 | | I. Wenn Mein Schatz Hochzeit Macht | 4:18 |
31-8 | | II. Ging Heut' Morgen übers Feld | 4:49 |
31-9 | | III. Ich Hab' Ein Glühend Messer | 3:31 |
31-10 | | IV. Die Zwei Blauen Augen | 5:52 |
| | Beethoven: Symphony No.1 & No.6 (1952 rec.) | |
| | Symphony No. 1 In C Major, Op. 21 | |
32-1 | | I. Adagio Molto - Allegro Con Brio | 7:57 |
32-2 | | II. Andante Cantabile Con Moto | 7:24 |
32-3 | | III. Menuetto: Allegro Molto E Vivace | 3:52 |
32-4 | | IV. Adagio - Allegro Molto E Vivace | 6:27 |
| | Symphony No. 6 In F Major, Op. 68 “Pastoral” | |
32-5 | | I. Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande. Allegro Non Troppo | 11:55 |
32-6 | | II. Szene Am Bach. Andante Molto Moto | 13:26 |
32-7 | | III. Lustiges Zusammensein Der Landleute. Allegro | 5:58 |
32-8 | | IV. Gewitter, Sturm. Allegro | 4:08 |
32-9 | | V. Hirtengesang. Frohe, Dankbare Gefühle Nach Dem Sturm. Allegretto | 9:23 |
| | Beethoven: Symphony No. 3 "Eroica" (1952 rec.) | |
| | Symphony No. 3 In E-flat Major, Op. 55 “Eroica” | |
33-1 | | I. Allegro Con Brio | 16:11 |
33-2 | | II. Marcia Funebre. Adagio Assai | 17:22 |
33-3 | | III. Scherzo - Allegro Vivace | 6:30 |
33-4 | | Iv. Finale: Allegro Molto | 12:17 |
| | Beethoven: Symphony No. 4 / Wagner: Tannhäuser Overture | |
| | Symphony No. 4 In B-flat Major, Op. 60 | |
34-1 | | I. Adagio - Allegro Vivace | 10:39 |
34-2 | | II. Adagio | 11:40 |
34-3 | | Iii. Allegro Vivace - Trio: Un Poco Meno Allegro | 5:58 |
34-4 | | IV. Allegro Ma Non Troppo | 7:37 |
34-5 | | Tannhäuser: Overture | 13:56 |
| | Beethoven: Violin Concerto (1953 Rec.), Romance No.1 & 2 | |
| | Violin Concerto In D Major, Op. 61 | |
35-1 | | I. Allegro Ma Non Troppo | 24:01 |
35-2 | | II. Larghetto | 9:41 |
35-3 | | III. Rondo: Allegro (Cadenza: Fritz Kreisler) | 10:31 |
35-4 | | Romance No. 1 In G Major, Op. 40 | 7:39 |
35-5 | | Romance No. 2 In F Major, Op. 50 | 9:38 |
| | R. Schumann: Symphony No.4 / Franck: Symphony In D Minor | |
| | Symphony No. 4 In D Minor, Op. 120 | |
36-1 | | I. Ziemlich langsam - Lebhaft | 11:51 |
36-2 | | II. Romanze. Ziemlich Langsam | 5:22 |
36-3 | | III. Scherzo. Lebhaft - Etwas Zurückhaltend | 5:57 |
36-4 | | IV. Langsam - Lebhaft | 8:05 |
| | Symphony In D Minor, FWV 48 | |
36-5 | | I. Lento - Allegro Non Troppo | 18:13 |
36-6 | | II. Allegretto | 10:34 |
36-7 | | III. Allegro Non Troppo | 10:44 |
| | Bartok: Violin Concerto No.2 | |
| | Violin Concerto No. 2 In B Minor, Sz. 112 | |
37-1 | | I. Allegro Non Troppo | 16:01 |
37-2 | | II. Andante Tranquillo | 10:02 |
37-3 | | III. Allegro Molto | 11:40 |
| | Beethoven: Symphony No.5 (1954 Rec.) | |
| | Symphony No. 5 In C Minor, Op. 67 | |
38-1 | | I. Allegro Con Brio | 8:39 |
38-2 | | II. Andante Con Moto | 11:22 |
38-3 | | III. Allegro | 6:03 |
38-4 | | IV. Allegro - Presto | 9:49 |
| | Wagner: Selection from Götterdämmerung / R. Strauss: Don Juan, Till Eulenspiegels / Liszt: Les Préludes | |
| | Götterdämmerung (Orchestral Extr.) | |
39-1 | | Act III: Siegfried's Funeral March | 9:17 |
39-2 | | Prologue: Siegfried's Rhine Journey | 12:01 |
39-3 | | Don Juan, Op. 20 | 18:42 |
39-4 | | Till Eulenspiegels Lustige Streiche, Op. 28 | 16:13 |
39-5 | | Les Préludes, S. 97 | 15:40 |
| | Prelude And Overtures: Wagner / Weber / Gluck / Beethoven | |
40-1 | | Lohengrin: Act I. Prelude | 9:57 |
40-2 | | Der Freischütz, Op. 77: Overture | 10:48 |
40-3 | | Euryanthe, Op. 81: Overture | 9:32 |
40-4 | | Alceste: Overture | 8:53 |
40-5 | | Iphigénie En Aulide: Overture | 10:07 |
40-6 | | Leonore Overture No. 2, Op. 72a | 15:58 |
| | J.S. Bach: Matthäus-Passion, BWV 244 | |
| | Matthäus-Passion, BWV 244 | |
41-1 | | First Part. Hall Ambience | 1:12 |
41-2 | | First Part. No. 1 Chorus: “Kommt Ihr Töchter” (Chorus) | 8:14 |
41-3 | | First Part. No. 2 Recitative: “Da Jesus Diese Rede Vollendat Hatte” (Evangelist, Jesus) | 0:54 |
41-4 | | First Part. No. 3 Chorus: “Herzliebster Jesu” (Chorus) | 1:40 |
41-5 | | First Part. No. 4 Recitative: “Da Versammeleten Sich Die Hohepriester” (Evangelist) | 0:32 |
41-6 | | First Part. No. 5 Chorus: “Ja Nicht Auf Das Fest” (Chorus) | 0:17 |
41-7 | | First Part. No. 6 Recitative: “Da Nun Jesus War Zu Bethanien” (Evangelist) | 0:38 |
41-8 | | First Part. No. 7 Chorus: “Wozu Dienet Dieser Unrat?” (Chorus) | 0:37 |
41-9 | | First Part. No. 8 Recitative: “Da Das Jesus Merkete, Sprach Er Zu Ihnen” (Evangelist, Jesus) | 1:57 |
41-10 | | First Part. No. 9 Arioso: “Du Lieber Heiland Du” (alto) | 1:24 |
41-11 | | First Part. No. 10 Aria: “Buß Und Reu” (alto) | 5:18 |
41-12 | | First Part. No. 11 Recitative: “Da Ging Hin Der Zwölfen Einer” (Evangelist, Judas) | 0:43 |
41-13 | | First Part. No. 12 Aria: “Blute Nur, Du Liebes Herz!” (Soprano) | 5:40 |
41-14 | | First Part. No. 13 Recitative: “Aber Am Ersten Tage Der Süßen Brot” (Evangelist, Chorus) | 0:16 |
41-15 | | First Part. No. 14 Chorus: “Wo Willst Du, Dass Wir Dir Bereiten” (Chorus) | 0:28 |
41-16 | | First Part. No. 15 Recitative: “Er Sprach” (Evangelist, Jesus, Chorus) | 2:01 |
41-17 | | First Part. No. 16 Chorus: “Ich Bin's, Ich Sollte Büßen” (Chorus) | 1:31 |
41-18 | | First Part. No. 17 Recitative: “Er Antwortete Und Sprach” (Evangelist, Jesus, Judas) | 4:09 |
41-19 | | First Part. No. 18 Recitative: “Wiewohl Mein Herz In Tränen Schwimmt” (Soprano) | 1:53 |
41-20 | | First Part. No. 20 Recitative: “Und Da Sie Den Lobgesang Gesprochen Hatten” (Evangelist, Jesus) | 1:32 |
41-21 | | First Part. No. 20 Recitative: “Und Da Sie Den Lobgesang Gesprochen Hatten” (Evangelist, Jesus) | 1:56 |
41-22 | | First Part. No. 21 Chorus: “Erkenne Mich, Mein Hüter” (Chorus) | 1:18 |
41-23 | | First Part. No. 22 Recitative: “Petrus Aber Antwortete Und Sprach Zu Ihm” (Evangelist, Jesus, Peter) | 2:12 |
41-24 | | First Part. No. 24 Recitative: “Da Kam Jesus Mit Ihnen Zu Einem Hofe” (Evangelist, Jesus) | 3:07 |
41-25 | | First Part. No. 25 Recitative: “O Schmerz” (Evangelist, Chorus) | 6:24 |
41-26 | | First Part. No. 26 Aria: “Ich Will Bei Meinem Jesu Wachen” (Tenor, Chorus) | 0:57 |
41-27 | | First Part. No. 27 Recitative: “Und Ging Hin Ein Wenig” (Evangelist, Jesus) | 1:33 |
41-28 | | First Part. No. 28 Recitative: “Der Heiland Fällt Vor Seinem Vater Nieder” (Bass) | 1:36 |
41-29 | | First Part. No. 30 Recitative: “Und Er Kam Zu Seinen Jüngern” (Evangelist, Jesus) | 2:03 |
41-30 | | First Part. No. 31 Chorus: “Was Mein Gott Will, Das G'scheh Allzeit” (Chorus) | 2:41 |
41-31 | | First Part. No. 33 Duo: “So Ist Mein Jesus Nun Gefangen” (Soprano, Alto, Chorus) | 4:43 |
41-32 | | First Part. No. 34 Recitative: “Zu Der Stund Sprach Jesus Zu Den Scharen” (Evangelist, Jesus) | 1:21 |
41-33 | | First Part. No. 35 Chorus: “O Mensch, Bewein Dein Sünde Groß” (Chorus) | 8:27 |
42-1 | | Second Part. No. 36 Aria: “Ach! Nun Ist Mein Jesus Hin!” (Alto, Chorus) | 5:47 |
42-2 | | Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist) | 0:42 |
42-3 | | Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest) | 0:36 |
42-4 | | Second Part. No. 42 Recitative: “Und Der Hohepriester Antwortete Und Sprach Zu Ihm” (Evangelist, Jesus, High Priest) | 1:52 |
42-5 | | Second Part. No. 43 Recitative: “Da Speieten Sie Aus In Sein Angesicht” (Evangelist, Chorus) | 0:47 |
42-6 | | Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (Chorus) | 1:43 |
42-7 | | Second Part. No. 45 Recitative: “Petrus Aber Saß Draußen Im Palast” (Evangelist, First And Second Maid) | 1:21 |
42-8 | | Second Part. No. 46 Recitative: “Da Hub Er An, Sich Zu Verfluchen Und Zu Schwören” (Evangelist, Peter) | 1:35 |
42-9 | | Second Part. No. 47 Aria: “Erbarme Dich” (Alto) | 9:00 |
42-10 | | Second Part. No. 52 Recitative: “Jesus Aber Stund Vor Dem Landpfleger” (Evangelist, Jesus, Pilate) | 1:06 |
42-11 | | Second Part. No. 53 Chorus: “Befiehl Du Deine Wege” (Chorus) | 2:00 |
42-12 | | Second Part. No. 54 Recitative: “Auf Das Fest Aber Hatte Der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's Wife) | 2:52 |
42-13 | | Second Part. No. 56 Recitative: “Der Landpfleger Sagte” (Evangelist, Pilate) | 0:14 |
42-14 | | Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (Soprano) | 1:42 |
42-15 | | Second Part. No. 58 Aria: “Aus Liebe Will Mein Heiland Sterben” (Soprano) | 5:11 |
42-16 | | Second Part. No. 59 Recitative: “Sie Schrieen Aber Noch Mehr Und Sprachen” (Evangelist, Pilate, Chorus) | 2:21 |
42-17 | | Second Part. No. 60 Recitative: “Erbarm Es Gott!” (Alto) | 1:46 |
42-18 | | Second Part. No. 62 Recitative: “Da Nahmen Die Kriegsknechte Des Landpflegers” (Evangelist, Chorus) | 1:46 |
42-19 | | Second Part. No. 63 Chorus: “O Haupt Voll Blut Und Wunden” (Chorus) | 1:23 |
43-1 | | Second Part. No. 64 Recitative: “Und Da Sie Ihn Verspottet Hatten” (Evangelist) | 1:00 |
43-2 | | Second Part. No. 65 Recitative: “Ja Freilich Will In Uns Das Fleisch Und Blut” (Bass) | 0:46 |
43-3 | | Second Part. No. 66 Aria: “Komm, Süßes Kreuz” (Bass) | 9:23 |
43-4 | | Second Part. No. 67 Recitative: “Und Da Wurden Zween Mörder” (Evangelist, Chorus) | 2:21 |
43-5 | | Second Part. No. 68 Recitative: “Desgleichen Schmäheten Ihn Auch Die Mörder” (Evangelist) | 0:15 |
43-6 | | Second Part. No. 69 Recitative: “Golgatha, Unselges Golgatha!” (Alto) | 2:33 |
43-7 | | Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, Chorus) | 2:50 |
43-8 | | Second Part. No. 72 Chorus: “Wenn Ich Einmal Soll Scheiden” (Chorus) | 2:37 |
43-9 | | Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, Chorus) | 0:39 |
43-10 | | Second Part. No. 74 Recitative: “Am Abend, Da Es Kühle War” (Bass) | 2:40 |
43-11 | | Second Part. No. 76 Recitative: “Und Joseph Nahm Den Leib” (Evangelist) | 0:39 |
43-12 | | Second Part. No. 77 Recitative: “Nun Ist Der Herr Zur Ruh Gebracht” (Soprano, Alto, Tenor, Bass, Chorus) | 2:40 |
43-13 | | Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (Chorus) | 8:33 |
| | Wagner: Tristan Und Isolde, Opera | |
| | Tristan Und IsoldeTenor Vocals [Ein Seeman], Tenor Vocals [Ein Hirt] – Rudolf Schock Tenor Vocals [Ein Seeman], Tenor Vocals [Ein Hirt] – Rudolf Schock | |
44-1 | | Act I. Prelude | 11:04 |
44-2 | | Act I, Scene 1. “Westwärts Schweift Der Blick” (Seeman, Isolde, Brangäne) | 6:17 |
44-3 | | Act I, Scene 2. “Frisch Weht Er Wind Der Heimat Zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) | 10:21 |
44-4 | | Act I, Scene 3. “Weh, Ach Wehe! Dies Zu Dulden!” (Isolde, Brangäne) | 9:20 |
44-5 | | Act I, Scene 3. “Da Friede, Sühn' Und Freundschaft” (Isolde, Brangäne, Chorus) | 12:32 |
44-6 | | Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) | 7:55 |
44-7 | | Act I, Scene 5. “Herr Tristan Trete Nah!” (Tristan, Isolde) | 9:39 |
44-8 | | Act I, Scene 5. “War Morold Dir So Wert” (Tristan, Isolde, Chorus) | 11:25 |
45-1 | | Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, Chorus) | 7:36 |
45-2 | | Act II. Prelude | 2:44 |
45-3 | | Act II, Scene 1. “Hörst Du Sie Noch?” (Isolde, Brangäne) | 12:36 |
45-4 | | Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) | 10:24 |
45-5 | | Act II, Scene 2. “O Eitler Tagesknecht” (Tristan, Isolde) | 9:30 |
45-6 | | Act II, Scene 2. “O Sink Hernieder, Nacht Der Liebe” (Tristan, Isolde) | 5:49 |
45-7 | | Act II, Scene 2. “Einsam Wachend In Der Nacht” (Brangäne) | 3:27 |
45-8 | | Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) | 7:57 |
45-9 | | Act II, Scene 2. “So Starben Wir, Um Ungetrennt” (Tristan, Isolde, Brangäne) | 8:42 |
45-10 | | Act II, Scene 3. “Rette Dich, Tristan!” (Tristan, Kurwenal, Melot) | 2:10 |
46-1 | | Act II, Scene 3. “Tatest Du's Wirklich?” (Marke, Tristan) | 7:52 |
46-2 | | Act II, Scene 3. “Dies Wundervolle Weib” (Marke, Tristan) | 6:12 |
46-3 | | Act II, Scene 3. “O König, Dass Kannich Dir Nicht Sagen” (Tristan, Isolde, Melot) | 10:06 |
46-4 | | Act III. Prelude | 7:22 |
46-5 | | Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) | 10:54 |
46-6 | | Act III, Scene 1. “Dünkt Dich Das? Ich Weiß Es Anders” (Kurwenal, Tristan) | 11:05 |
46-7 | | Act III, Scene 1. “Isolde Kommt!” (Tristan) | 3:23 |
46-8 | | Act III, Scene 1. “Noch Ist Kein Schiff Zu Sehn!” (Kurwenal, Tristan) | 11:19 |
46-9 | | Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) | 8:35 |
47-1 | | Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) | 3:30 |
47-2 | | Act III, Scene 2. “O Diese Sonne!” (Tristan, Isolde) | 3:51 |
47-3 | | Act III, Scene 3. “Ich Bin's, Ich Bin's” (Isolde) | 6:28 |
47-4 | | Act III, Scene 3. “Kurwenal! Hör! Ein Zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) | 9:49 |
47-5 | | Act III, Scene 3. “Mild Und Leise Wie Es Lächelt” (Isolde) | 7:15 |
| | Beethoven: Fidelio, Opera | |
| | Fidelio,Op.62 | |
48-1 | | Act I. Overture | 6:38 |
48-2 | | Act I. Duet: “Jetzt, Schätzchen, Sind Wir Allein” (Jaquino, Marzelline) | 5:13 |
48-3 | | Act I. Aria: “O Wär'ich Schon Mit Dir Vereint” (Marzelline) | 4:44 |
48-4 | | Act I. Quartet: “Mir Ist So Wunderbar” (Marzelline, Leonore, Jaquino, Rocco) | 4:48 |
48-5 | | Act I. Aria: “Hat Man Nicht Auch Gold Beineben” (Rocco) | 3:01 |
48-6 | | Act I. Trio: “Gut, Söhnchen, Gut” (Marzelline, Leonore, Rocco) | 7:23 |
48-7 | | Act I. March | 2:16 |
48-8 | | Act I. Aria: “Ha! Welch Ein Augenblick!” (Pizarro, Chorus) | 3:24 |
48-9 | | Act I. Duet: “Jetzt, Alter” (Pizarro, Chorus) | 4:59 |
48-10 | | Act I. Recitative And Aria: “Abscheulicher!” (Leonore) | 7:59 |
48-11 | | Act I, Finale. “O Welche Lust” (Chorus, 1st Prisoner, 2nd Prisoner) | 7:25 |
48-12 | | Act I, Finale. “Nun Sprecht, Wie Ging's” (Leonore, Rocco) | 6:00 |
48-13 | | Act I, Finale. “Ach, Vater, Vater Eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, Chorus) | 2:45 |
48-14 | | Act I, Finale. “Leb'wohl, Du Warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, Chorus) | 4:47 |
49-1 | | Act II. Introduction | 4:05 |
49-2 | | Act II. Aria: “Gott, Welch Dunkel Hier!” (Florestan) | 7:31 |
49-3 | | Act II. Melodram: “Wie Kalt Ist Es” (Leonore, Rocco) | 2:15 |
49-4 | | Act II. Duet: “Nur Hurtig Fort, Nur Frisch Gegraben” (Leonore, Rocco) | 4:40 |
49-5 | | Act II. Trio: “Euch Werde Lohn In Bessern Welten” (Leonore, Florestan, Rocco) | 6:42 |
49-6 | | Act II. Quartet: “Er Sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) | 5:22 |
49-7 | | Act II. Duet: “O Namenlose Freude!” (Leonore, Florestan) | 2:48 |
49-8 | | Act II. Leonore Overture No. 3 | 15:19 |
49-9 | | Act II. Finale: “Heil sei dem Tag!” (Chorus) | 2:00 |
49-10 | | Act II. Finale: “Des Besten Königs Wink Und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, Chorus) | 4:43 |
49-11 | | Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, Chorus) | 3:01 |
49-12 | | Act II. Finale: “Wer Ein Holdes Weib Errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, Chorus) | 4:00 |
| | Wagner: Die Walküre, Opera | |
| | Die Walküre | |
50-1 | | Act I. Prelude | 3:56 |
50-2 | | Act I, Scene 1. “Was Herd Dies Auch Sei” (Siegmund, Sieglinde) | 9:32 |
50-3 | | Act I, Scene 1. “Einen Unseligen Labtest Du” (Siegmund, Sieglinde) | 3:57 |
50-4 | | Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) | 10:15 |
50-5 | | Act I, Scene 2. “Die So Leidig Los Dir Beschied” (Siegmund, Sieglinde, Hunding) | 10:19 |
50-6 | | Act I, Scene 3. “Ein Schwert Verhiess Mir Der Vater” (Siegmund) | 6:13 |
50-7 | | Act I, Scene 3. “Schläfst Du, Gast?” (Siegmund, Sieglinde) | 6:54 |
50-8 | | Act I, Scene 3. “Winterstürme Wichen Dem Wonnemond” (Siegmund, Sieglinde) | 10:13 |
50-9 | | Act I, Scene 3. “Wehwalt Heisst Du Fürwahr?” (Siegmund, Sieglinde) | 5:13 |
51-1 | | Act II. Prelude | 2:04 |
51-2 | | Act II, Scene 1. “Nun Zaüme Dein Ross, Reisige Maid!” (Wotan, Brünnhilde) | 2:53 |
51-3 | | Act II, Scene 1. “Der Alte Sturm, Die Alte Müh” (Wotan, Fricka) | 10:22 |
51-4 | | Act II, Scene 1. “Siegmund Gewann Es Sich Selbst In Der Not” (Wotan, Fricka) | 7:35 |
51-5 | | Act II, Scene 2. “Schlimm, Fürcht' Ich, Schloss Der Streit” (Wotan, Brünnhilde) | 10:03 |
51-6 | | Act II, Scene 2. “Ein Andres Ist's” (Wotan, Brünnhilde) | 10:56 |
51-7 | | Act II, Scene 2. “O Sag, Künde, Was Soll Nun Dein Kind?” (Wotan, Brünnhilde) | 7:33 |
51-8 | | Act II, Scene 3. “Raste Nun Hier; Gönne Dir Ruh'!” (Siegmund, Sieglinde) | 11:47 |
52-1 | | Act II, Scene 4. “Siegmund! Sieh Auf Mich” (Siegmund, Brünnhilde) | 9:39 |
52-2 | | Act II, Scene 4. “So Grüsse Mir Walhall” (Siegmund, Brünnhilde) | 10:35 |
52-3 | | Act II, Scene 5. “Zauberfest Bezähmt Ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) | 9:14 |
53-1 | | Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) | 8:06 |
53-2 | | Act III, Scene 1. “Schützt Mich, Und Helft In Höchster Not!” (Walkyries, Brünnhilde, Sieglinde) | 10:04 |
53-3 | | Act III, Scene 2. “Wo Ist Brünnhild', Wo Die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) | 9:56 |
|