The Cinematic Orchestra – Every Day
Label: | Ninja Tune – ZEN 59 |
---|---|
Format: | 2 x Vinyl, LP, Album |
Land: | UK |
Veröffentlicht: | |
Genre: | Electronic, Jazz |
Stil: | Future Jazz, Contemporary Jazz |
Trackliste
A1 | All That You Give | 6:05 | |
A2 | Burn Out | 10:09 | |
B3 | Evolution | 6:33 | |
B4 | Man With The Movie Camera | 9:07 | |
C5 | All Things To All Men | 11:00 | |
D6 | Flite | 6:32 | |
D7 | Everyday | 10:15 |
Unternehmen usw.
- Phonographisches Copyright ℗ – Ninja Tune
- Copyright © – Ninja Tune
- Vertrieb durch – Vital (2)
- Abgemischt bei – Soho Recording Studios
- Mastering bei – Sony Music Studios, London
- Acetat-Lack-Schnitt von – Alchemy Soho
- Aufgenommen bei – Four Seasons Media Productions
- Aufgenommen bei – Blows Yard Studios
- Aufgenommen bei – AIM Studios
- Aufgenommen bei – Moolah Rouge Studios
- Gepresst durch – Damont
Mitwirkende (Credits)
- Acoustic Bass – Phil France (Titel: A1 to B4, D7)
- Design – Openmind
- Drums – Luke Flowers
- Electric Bass – Phil France (Titel: B4 to C6)
- Electric Piano – John Ellis (Titel: A2, B3)
- Electric Piano [Rhodes] – Phil France (Titel: C6)
- Electronics – Patrick Carpenter (Titel: A1, B4)
- Engineer [1st Engineer] – Steve Higdon (Titel: A1, B3)
- Engineer [2nd Engineer] – Brian Bayley (Titel: A1, B3)
- Harp – Rhodri Davis* (Titel: A1, C5)
- Lacquer Cut By – Martin Giles
- Liner Notes – Gilles Peterson
- Management – Rhythm & Business*
- Mastered By – John Davis (4)
- Mixed By – Alan Maudsley*
- Mixed By [Assisted By] – Chris Willcock
- Percussion – Milo Fell (Titel: A1, C6)
- Photography By – Carl Fox
- Piano [Accoustic Piano] – John Ellis (Titel: C5)
- Producer – Phil France (Titel: A1, B3 to C5)
- Recorded By – Jamie Finch
- Recorded By [Drums Recorded By] – Greg Morgan
- Soprano Saxophone – Tom Chant (Titel: B4, C5)
- Supervised By [Sound Supervison] – Soca Casual*
- Synthesizer [Moog] – John Ellis (Titel: D7)
- Turntables – Patrick Carpenter (Titel: B3, B4)
- Written-By – Phil France
- Written-By, Producer, Mixed By – J.Swinscoe*
Anmerkungen
Made in England.
Exactly the same runout notes like ZEN 59X.
A1: Track duration printed 6:40.
A2: Track duration printed 9:30.
B3: Track duration printed 6:30.
B4: Track duration printed 9:15.
C5: Track duration printed 11:10.
D6: Track duration printed 6:30.
D7: Track duration printed 10:00.
BPM is not provided on the record.
BPM:
A1: 61-64 | A2: 56-59
B3: 83 | B4: 133-144
C5: 75-76
D6: 135-139 | D7: 80
Exactly the same runout notes like ZEN 59X.
A1: Track duration printed 6:40.
A2: Track duration printed 9:30.
B3: Track duration printed 6:30.
B4: Track duration printed 9:15.
C5: Track duration printed 11:10.
D6: Track duration printed 6:30.
D7: Track duration printed 10:00.
BPM is not provided on the record.
BPM:
A1: 61-64 | A2: 56-59
B3: 83 | B4: 133-144
C5: 75-76
D6: 135-139 | D7: 80
Barcode und andere Identifikationsmerkmale
- Matrix / Runout (Side A): ZEN 59 A-2 [email protected] DAMONT
- Matrix / Runout (Side B): ZEN 59 B-2 DAMONT
- Matrix / Runout (Side C): ZEN 59 C-1 ZEN 59 C DAMONT
- Matrix / Runout (Side D): ZEN 59 D-1 ZEN 59 D DAMONT
- Barcode (Printed): 5 021392 245188
- Barcode (Scanned): 5021392245188
Andere Versionen (5 von 20)
Alle anzeigenTitel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
---|---|---|---|---|---|---|---|
Vor kurzem bearbeitet | Every Day (CD, Album) | Ninja Tune, Ninja Tune | zen CD59, zen CD 59 | UK | 2002 | ||
Vor kurzem bearbeitet | Every Day (CD, Album) | Beat Records | BRC-54 | Japan | 2002 | ||
Vor kurzem bearbeitet | Every Day (CD, Album, Reissue) | Ninja Tune | ZEN CD59B | UK | 2002 | ||
Vor kurzem bearbeitet | Every Day (2×LP, Album) | Ninja Tune | ZEN 59 X | UK | 2002 | ||
Every Day (CD, Album, Reissue, Misprint) | Ninja Tune | ZENCD 59 B | USA & Canada | 2002 |
Empfehlungen
Rezensionen
- When i listen this album at first time,i was overwhelmed.
Particuraly first and second music are good.
These supply me relux time. - For me this is one of the greatest albums ever made. I come back to it year after year and it still sounds fresh. Not to sound cheesy but it takes you on a journey. It is a complete album with each track complimenting each other. Fontella Bass' vocals are an instrument weaving together the beautiful compositions. If I ever do listen to one of these tracks in isolation its "All Things To All Men". Roots Manuva's adds an edge of the contemporary to what could otherwise be a record from the 70's. That being said it is well worth listening to John Barry (Petulia) and Carlos Santana & Alice Coltrane (Angel of Air) who have been sampled on "All Things To All Men" and "All That You Give" respectively. They're big old samples but that doesn't for a minute take anything away from how good Everyday is. A truly awesome album.
- Vor 16 Jahren bearbeitetWhat an album ! i love this it really gets the emotions going. Beautiful music by the Cinematic Orchestra as always but for this album they had the wonderful vocal talents of Fontella Bass. It really does bring tears to the eyes listening to this and that is exactly what Fontella bass was doing singing "all that you give" ...crying, as this song had special meaning to her as her husband had past away.