R.E.M. – Out Of Time
Label: | Warner Bros. Records – 7599-26496-1, Warner Bros. Records – WX 404 |
---|---|
Format: | Vinyl, LP, Album, Stereo |
Land: | Europe |
Veröffentlicht: | |
Genre: | Rock |
Stil: | Alternative Rock |
Trackliste
Time Side | |||
A1 | Radio Song | 4:12 | |
A2 | Losing My Religion | 4:26 | |
A3 | Low | 4:55 | |
A4 | Near Wild Heaven | 3:17 | |
A5 | Endgame | 3:48 | |
Memory Side | |||
B1 | Shiny Happy People | 3:44 | |
B2 | Belong | 4:03 | |
B3 | Half A World Away | 3:26 | |
B4 | Texarkana | 3:36 | |
B5 | Country Feedback | 4:07 | |
B6 | Me In Honey | 4:06 |
Unternehmen usw.
- Plattenfirma – Warner Bros. Records Inc.
- Plattenfirma – Time Warner
- Copyright © – R.E.M./Athens Ltd
- Phonographisches Copyright ℗ – R.E.M./Athens Ltd
- Veröffentlicht durch – Night Garden Music
- Veröffentlicht durch – Unichappell Music, Inc.
- Veröffentlicht durch – Copyright Control
- Aufgenommen bei – Bearsville Studios
- Aufgenommen bei – John Keane Studios
- Aufgenommen bei – Soundcape Studio
- Abgemischt bei – Paisley Park Studios
- Mastering bei – Precision Mastering
- Mastering bei – Specialty Records Corporation
- Gepresst durch – Record Service Alsdorf
- Produziert von – Warner Music Manufacturing Europe
Mitwirkende (Credits)
- Arranged By [String & Horn Arrangement] – Mark Bingham
- Cello – Andrew Cox (4), Elizabeth Murphy*
- Coordinator – Ian Kimmet
- Design [Packaging] – Michael Stipe, Tom Recchion
- Double Bass – Ralph Jones (5)
- Engineer [Basic Tracks] – Mike Reiter*, Scott Litt
- Engineer [Mixing] – Dave Friedlander, Tom Garneau
- Engineer [Overdubs] – John Keane
- Engineer [Strings] – Ted Malia
- Management [Interagent To Ben Katchor] – Jem Cohen
- Management [Interagent To Ed Rogers] – David Greenberger, The Duplex Planet*
- Management [Office Assistance] – B.C. Johnson*, D.B. Kilpatrick, E.M. Carter
- Mastered By – Stephen Marcussen
- Orchestrated By [Orchestral Liaison] – Jay Weigel
- Performer [Additional Player] – KRS-1*, Kate Pierson, Kidd Jordan, Peter Holsapple
- Performer [And] – Bertis E. Downs, IV*, Jefferson Holt
- Performer [R.E.M.] – Bill Berry (2), Michael Stipe, Mike Mills, Peter Buck
- Producer – R.E.M., Scott Litt
- Songwriter [All Songs] – Berry*, Stipe*, Mills*, Buck*
- Technician [Drum Assistance] – Bill Thomson
- Technician [Tech Assistance] – Microwave (9)
- Viola – Paul Murphy (5), Reid Harris
- Violin – David Arenz, David Braitberg, David Kempers (2), Ellie Arenz
Anmerkungen
The rim text on this version does not cover the full circumference of the labels.
For the version with the full label text see Out Of Time.
℗ 1991 R.E.M. / Athens, Ltd.
© 1991 R.E.M. / Athens, Ltd.
Made in Germany by Warner Music Manufacturing Europe
Cat# 7599-26496-1 is the German release,
Cat# WX 404 is the United Kingdom release
Released with a printed inner sleeve with credits and photos.
Ruouts description, as identified by their specific pattern:
The original Direct Metal Master was produced at Precision Mastering ('Precision'). Those masters were then plated at Specialty Records Corporation (country code 'SP-GER'), whose stampers had been used for pressing by Record Service Alsdorf ('R/S Alsdorf').
For the version with the full label text see Out Of Time.
℗ 1991 R.E.M. / Athens, Ltd.
© 1991 R.E.M. / Athens, Ltd.
Made in Germany by Warner Music Manufacturing Europe
Cat# 7599-26496-1 is the German release,
Cat# WX 404 is the United Kingdom release
Released with a printed inner sleeve with credits and photos.
Ruouts description, as identified by their specific pattern:
The original Direct Metal Master was produced at Precision Mastering ('Precision'). Those masters were then plated at Specialty Records Corporation (country code 'SP-GER'), whose stampers had been used for pressing by Record Service Alsdorf ('R/S Alsdorf').
Barcode und andere Identifikationsmerkmale
- Barcode (Text): 0 7599-26496-1 2
- Barcode: 075992649612
- Labelcode: LC 0392
- Preiscode: Ⓤ
- Preiscode (France): WE 391
- Rechtegesellschaft: GEMA/BIEM
- Rechtegesellschaft: BMI
- Andere (Back sleeve, embossed): [Warner 'W' Logo]
- Matrix / Runout (Variant 1: side A runout stamped): R/S Alsdorf 759 926496-1-A
- Matrix / Runout (Variant 1: side B runout stamped): R/S Alsdorf 759 926496-1-B
- Matrix / Runout (Variant 2: side A runout): R/S Alsdorf 759 926496-1-A2 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision 40
- Matrix / Runout (Variant 2: side B runout): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-INTL-SET I-DMM SP I-I SP GER 21 Precision
- Matrix / Runout (Variant 4: side A runout): R/S Alsdorf 759 926496-1-Axx 8 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision
- Matrix / Runout (Variant 4: side B runout): R/S Alsdorf 759 926496-1-Bxx 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision
- Matrix / Runout (Variant 5: side A runout): R/S Alsdorf 759 926496-1-A2 x J-26496-A-INTL-SET I-DMM SP I-3 SP 96
- Matrix / Runout (Variant 5: side B runout): R/S Alsdorf 759 926496-1-B xx 1-26496-A-INTL-SET I-DMM SP 1-I GER Precision 88
- Matrix / Runout (Variant 6: side A runout): R/S Alsdorf 759 926496-1-A2, 1-26496-A-INTL-SET I - DMM S.P. 1-3 SP-GER 13 Precision
- Matrix / Runout (Variant 6: side B runout): R-S Alsdorf 759 926496-1-Bx, 1-26496-B-INTL-SETI-DMM SP 1-1 SP GER Precision 40
- Matrix / Runout (Variant 7: side A runout): R/S Alsdorf 759 926496-1-A3, 1-26496-A-INTL-SET I - DMM S.P. 1-4 SP-GER 13 Precision
- Matrix / Runout (Variant 7: side B runout): R-S Alsdorf 759 926496-1-Bx, 1-26496-B-INTL-SETI-DMM SP 1-1 SP GER Precision 39
- Matrix / Runout (Variant 8: side A runout): R/S Alsdorf 759 926496-1-A x 1-26496-A-INTL-SET I-DMM SP 1-1 SP-GER Precision 15
- Matrix / Runout (Variant 8: side B runout): R/S Alsdorf 759 926496-1-B x 1-26496-B-INTL-SET I DMM 1 SP-GER Precision 53
- Matrix / Runout (Variant 9: side A runout): R/S Alsdorf 759 926496-1-Ax 1-26496-A-INTL-SET I DMM SP -1 SP-GER Precision 18
- Matrix / Runout (Variant 9: side B runout): R/S Alsdorf 759 926496-1-Bx 162[x]6496-B-INTL-SET I DMM 1 SP-GER Precision
Andere Versionen (5 von 219)
Alle anzeigenTitel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
---|---|---|---|---|---|---|---|
Out Of Time (LP, Album) | Warner Bros. Records, Warner Bros. Records | 670.9323, 01276 | Brazil | 1991 | |||
Vor kurzem bearbeitet | Out Of Time (Cassette, Album, Club Edition) | Warner Bros. Records | W4 26496 | Canada | 1991 | ||
Vor kurzem bearbeitet | Out Of Time (CD, Album, SRC) | Warner Bros. Records | 9 26496-2 | US | 1991 | ||
Vor kurzem bearbeitet | Out Of Time (Cassette, Album, Unofficial Release) | Unison (2) | none | Bulgaria | 1991 | ||
Vor kurzem bearbeitet | Out Of Time (Cassette, Album) | Warner Bros. Records, Warner Bros. Records | 7599-26496-4, WX 404C | Europe | 1991 |
Empfehlungen
Rezensionen
- A very powerful version of this modern classic.Mid range is strong and places the band and vocals in your room.Separation and transparency are good,clarity is like nothing I've heard in a long time.Bass lovers also get their full share.Dynamics are breathtaking,and DMM further adds to the almost overwhelming performance of this record.So this is a perfect recording- perfect yes,but not audiophile.
It's hard to put a finger on it,but it almost sounds to me like there's too much of everything.Also the clean and perfect sound got tiring on my ears.By the time I was well into side B it kind of felt like listening to a CD.
So I'm really on the fence about this one.
Of course it is stunning to hear Vinyl perform like this,and it sure is a recording to successfully show off your equipment.But to me there's something missing here,a quality often described as analog or artisan.
I'm aware of course of the controversy that's been going on ever since the dawn of digital audio;no room to dwell on that here.
To each his own; and since analog productions abound and are up for market ubiquitously,I'm gonna pass on this one. - I just got this very cheep ( must have been a lot of vinyl pressed?) sounds lovely! Dead quite . Sounds better than my CD.
- This LP was cut from the CD master.
If you make a digital recording of the LP at at least 48 kHz and look at a spectogram you will see that there's a sharp cut-off just above 20 Kzh. I've done this with both the American and the European LP.
So, this means that if you like how this LP sounds over the CD, it's simply because you prefer the frequency response of your phono cartridge, the effect of rumble, less channel separation in the cartridge, etc.
There's absolutely nothing wrong with preferring that, but it's simply a preference and not higher fidelity. Unless using a very poor converter (and they're much less common than many people believe) digitization is an inaudible process. I have yet to meet a person who claimed that digitization is audible who has actually properly tested that claim. - This is a fantastic album, a big breakthrough for REM, and this is a great sounding, high quality German pressing.
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