Joni Mitchell – Don Juan's Reckless Daughter

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Label:	Asylum Records – BB-701
Format:	2 x Vinyl, LP, Album, SP Pressing
Land:	US
Veröffentlicht:	Dez. 1977
Genre:	Rock
Stil:	Folk Rock, Soft Rock, Jazz-Rock

Trackliste

A1	Overture–Cotton Avenue Drums – John Guerin	6:35
A2	Talk To Me	3:40
A3	Jericho Bongos – Don Alias Drums – John Guerin Soprano Saxophone [Soprano Sax] – Wayne Shorter	3:25
B1	Paprika Plains Drums – John Guerin Orchestrated By, Conductor [Conducted By] – Michael Gibbs Piano – Joni Mitchell Soprano Saxophone [Soprano Sax] – Wayne Shorter	16:19
C1	Otis And Marlena Acoustic Guitar – Joni Mitchell Electric Guitar – Larry Carlton Piano – Michel Colombier Snare [Snare Drum] – John Guerin	4:05
C2	The Tenth World Bongos – Jaco Pastorius Congas, Claves [Clave] – Don Alias Congas, Cowbell – Alejandro Acuna* Congas, Percussion [Coffee Cans] – Manolo Badrena Lead Vocals – Manolo Badrena Surdo [Bass Drum] – Airto* Vocals – Alejandro Acuna, Chaka Khan, Don Alias Written-By – Airto, Alejandro Acuna*, Don Alias, Jaco Pastorius, Joni Mitchell, Manolo Badrena	6:45
C3	Dreamland Congas – Manolo Badrena Cowbell [Cowbells] – Jaco Pastorius Shaker [Shakers] – Alejandro Acuna* Snare [Snaredrum], Percussion [Sandpaper Blocks] – Don Alias Surdo [Bass Drum] – Airto* Vocals – Chaka Khan	4:37
D1	Don Juan's Reckless Daughter Bells [Ankle Bells] – Alejandro Acuna* Other [Split Tongued Spirit] – El Bwyd Shaker – Don Alias	6:40
D2	Off Night Backstreet Drums – John Guerin Orchestrated By [Orchestrator] – Michael Gibbs Vocals – Glenn Frey, J.D. Souther*	3:22
D3	The Silky Veils Of Ardor	4:02

Unternehmen usw.

Plattenfirma – Warner Communications Inc.
Hergestellt durch – Elektra/Asylum/Nonesuch Records
Phonographisches Copyright ℗ – Elektra/Asylum Records
Copyright © – Elektra/Asylum Records
Phonographisches Copyright ℗ – Asylum Records
Gepresst durch – Specialty Records Corporation
Aufgenommen bei – A&M Studios
Aufgenommen bei – Columbia Recording Studios
Aufgenommen bei – Basing Street Studios
Abgemischt bei – A&M Studios
Mastering bei – A&M Studios
Veröffentlicht durch – Crazy Crow Music

Mitwirkende (Credits)

Art Direction – Glen Christensen
Artwork [Artwork On Joni Mitchell's Dress] – Les Krims
Bass – Jaco Pastorius (Titel: A1 to B1, D1, D2)
Design – Joni Mitchell
Engineer [Assistant Engineer] – Robert Ash
Guitar – Joni Mitchell (Titel: A1 to A3, D1, D3)
Mastered By – Bernie Grundman
Photography By – Norman Seeff
Photography By [Photoprints] – Keith Williamson
Recorded By [Orchestra] – Frank Laico
Recorded By, Mixed By – Henry Lewy, Steve Katz (2)
Vocals – Joni Mitchell
Written-By, Composed By – Joni Mitchell (Titel: A1 to C1, C3 to D3)

Anmerkungen

Recorded and Mixed at A&M Studios in Hollywood.
Orchestra recorded at Columbia Studio C in New York.
Additional recording at Basing Street Studio in London.
Mastered at A&M Studios, Los Angeles.

℗ & © 1977 Elektra / Asylum Records - back cover
℗ 1977 by Asylum Records - labels

Mfg. by Elektra/Asylum/Nonesuch Records. A Division of Warner Communications Inc.

Gatefold with printed artwork innersleeves.
Release is auto-coupled: record 1 includes sides A & D, record 2, sides B & C.

Runout variants 2 contains scratched-out parts - full transcription with scratched out parts in brackets:
A-side: BB-701(501)-A SP 1-1
B-side: No erratum
C-side: BB-701-C B(B-501) C SP 1-2
D-side: BB-701-D BB-(501) D SP
Specialty Records Corporation logo in all runouts (large S with the R and C in the loops).

Barcode und andere Identifikationsmerkmale

Matrix / Runout (Side A label): BB-701-A SP
Matrix / Runout (Side B label): BB-701-B SP
Matrix / Runout (Side C label): BB-701-C SP
Matrix / Runout (Side D label): BB-701-D SP
Matrix / Runout (Variant 1, Side A runout): BB-701 A SP 1-1
Matrix / Runout (Variant 1, Side B runout): BB-701 B-3 SP
Matrix / Runout (Variant 1, Side C runout): BB-701 C-3 SP
Matrix / Runout (Variant 1, Side D runout): BB-701 D SP 1-2
Matrix / Runout (Variant 2, Side A runout, etched): BB-701-A SP 1-1
Matrix / Runout (Variant 2, Side B runout, etched): BB-701 B-3 SP
Matrix / Runout (Variant 2, Side C runout, etched): BB-701-C C SP 1-2
Matrix / Runout (Variant 2, Side D runout, etched): BB-701-D D SP
Matrix / Runout (Variant 3, Side A runout): BB-7015̷0̷1̷-A SP 1-3 [SRC stamp]
Matrix / Runout (Variant 3, Side B runout): BB-701 B-3 SP
Matrix / Runout (Variant 3, Side C runout): BB-701-C ̷B̷B̷-̷5̷0̷1̷ C SP 1-2 [SRC stamp]
Matrix / Runout (Variant 3, Side D runout): BB-701-D BB- ̷5̷0̷1̷ D SP 1-2 BB-701-D [SRC stamp]
Matrix / Runout (Variant 4, Side A runout): BB-5̸0̸1̸701-A SP 1-4 [SRC stamp]
Matrix / Runout (Variant 4, Side B runout): BB-701 B-4 SP [SRC stamp] 1-2
Matrix / Runout (Variant 4, Side C runout): BB-701-C B̸B̸-̸5̸0̸1̸ C SP 1-1 [SRC stamp]
Matrix / Runout (Variant 4, Side D runout): BB-701 D-3 SP
Matrix / Runout (Variant 5, Side A runout): BB-5̸0̸1̸701-A SP 1-1 [SRC stamp]
Matrix / Runout (Variant 5, Side B runout): BB-701 B-3 SP
Matrix / Runout (Variant 5, Side C runout): BB-701-C B̸B̸-̸5̸0̸1̸ C SP 1-2 [SRC stamp]
Matrix / Runout (Variant 5, Side D runout): BB-701 BB-5̸0̸1̸ D SP 1-1 [SRC stamp]
Matrix / Runout (Variant 6, Side A runout): BB-701-A 5̸0̸1̸ SP 1-3 [SRC stamp]
Matrix / Runout (Variant 6, Side B runout): BB-701 B-4 SP [SRC stamp] 1-2
Matrix / Runout (Variant 6, Side C runout): BB-701-C B̸B̸-̸5̸0̸1̸ C SP 1-1 [SRC stamp]
Matrix / Runout (Variant 6, Side D runout): BB-701-D BB-̸5̸0̸1̸ D A-2 BB-701-D [SRC stamp]
Matrix / Runout (Variant 7, Side A runout): BB-701-A SP 1-3 [SRC stamp]
Matrix / Runout (Variant 7, Side B runout): BB-701 B-4 SP [SRC stamp] 1-
Matrix / Runout (Variant 7, Side C runout): BB-701-C BB-̸5̸0̸1̸ C SP 1-1 [SRC stamp]
Matrix / Runout (Variant 7, Side D runout): BB-701-D BB-̸5̸0̸1̸ D SP 1-2 BB-701-D [SRC stamp]

Andere Versionen (5 von 58)

Alle anzeigen

	Titel (Format)	Label	Kat.-Nr.	Land	Jahr
Vor kurzem bearbeitet	Don Juan's Reckless Daughter (2×LP, Album)	Asylum Records, Asylum Records	AS 63 003, AS 63003	Germany	1977
Vor kurzem bearbeitet	Don Juan's Reckless Daughter (2×LP, Album, Promo, SP)	Asylum Records	BB-701	US	1977
Neuer Eintrag	Don Juan's Reckless Daughter (2×LP, Album)	Asylum Records	BB-701	Canada	1977
Neuer Eintrag	Don Juan's Reckless Daughter (Cassette, Album)	Asylum Records, Asylum Records	K 463003, K463003	UK	1977
Vor kurzem bearbeitet	Don Juan's Reckless Daughter (2×LP, Album, PRC)	Asylum Records	BB-701	US	1977

Rezensionen

Vancouverlocalpickup 31. Juli 2022
Joni is a Canadian treasure but the blackface probably wasn't the wisest choice.
Talkinfun 30. März 2022
Vor 10 Monaten bearbeitet
Why they don't use the word "masterpiece" I'll never understand. This is her Blonde on Blonde. There's a reason they had to make this a double album. Too much good material. Look at the players. Listen to the record. How Allmusic.com gave this 2 stars or however many they gave it is beyond me. Its brilliant. From Court and Spark through Don Juan are all must own. Some of the songs on Mingus are a little esoteric for my tastes but by Shadows and Light, her live album summing up this period is amazing. It features the band on these albums before she gets into her difficult 80's material. The 70's were golden for Joni. She really couldn't do any wrong, and this album is a masterpiece.
Frances_Rogers 4. Juni 2021
Fantastic record. I lucked into a NM, seemingly unplayed record here for $6, orig press also. Wowza.
w0rldclique 4. Aug. 2018
Vor 4 Jahren bearbeitet
I would agree with spp1680. This album isn’t nearly as bad as critics paint it to be. I came into this record with no expectations because of the fact it’s been dogged many times. Little did I know, it’d become one of my favorite Joni albums. Granted, it’s not as great as other albums she’s released, but that’s not to say it’s horrible or bad. Not even. It’s an incredible release and Joni proved to be an enigma among her contemporaries for taking huge artistic risks and finally reaching full jazz influence by the time Mingus came around.

Jericho, seen previously on her Miles of Aisles live album, is finally given the album treatment with Jaco and Co. And Jaco’s Incredible and spellbinding bass playing gives this song even more buoyancy and gives it an even deeper, darker depth than the Miles of Aisles version with the LA Express.

Also another great one, Talk To Me. Which is comprised predominately of Joni on acoustic and Jaco on bass, having almost a showdown of sorts to see who could get deeper into the guts of the song and it’s spine chilling.

Otis and Marlena is another one of my favorites with instrumentation that harkens to a 70s road trip along the desert with the windows and/or top down.

Joni experiments more with world music and African/Latin influences as she did on The Jungle Line two years prior. The Tenth World is predominately an instrumental, a prelude to Dreamland.

Overall... it’s aged decently well forty years later. I love it! Would love to see a 180G reissue!