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Beitragende
Laurent Garnier & Carl Craig – The Kings Of Techno
Label: | Rapster Records – RR0063CD, BBE – RR0063CD |
---|---|
Serie: | The Kings Of |
Format: | 2 x CD, Mixed, Digipak |
Land: | Europe |
Veröffentlicht: | |
Genre: | Electronic, Jazz, Rock, Funk / Soul |
Stil: | Garage Rock, Italo-Disco, Soul, Techno, Hip Hop, EBM, Electro, Funk |
Trackliste
The Detroit Perspective | |||
1.1 | Yusef Lateef– | The Plum Blossom | |
1.2 | Dabrye– | Game Over | |
1.3 | Jay Dee– | Beej-N-Dem Pt. 2 | |
1.4 | Aretha Franklin– | Rock Steady | |
1.5 | Arpanet– | NTT DoCoMo | |
1.6 | BFC– | Galaxy | |
1.7 | Instinct (2)– | Just A Feeling | |
1.8 | Carl Craig– | No More Words | |
1.9 | MK*– | Burning | |
1.10 | Hamilton Bohannon– | Me And The Gang | |
1.11 | D.I.E. (Detroit In Effect)*– | Get Up | |
1.12 | ADULT.– | Don't Talk (Redux) | |
1.13 | The Stooges– | No Fun | |
1.14 | Jeff Mills– | Utopia | |
1.15 | Funkadelic– | Bettino's Bounce | |
1.16 | Alice Coltrane– | Journey In Satchidananda | |
1.17 | Underground Resistance– | Amazon (Live) | |
The European Perspective | |||
2-1 | No Artist– | Intro | 2:01 |
2-2 | Art Of Noise*– | Beat Box | 4:38 |
2-3 | Capricorn (3)– | I Need Love (Instrumental) | 3:49 |
2-4 | Nitzer Ebb– | Join In The Chant | 3:26 |
2-5 | Martin Circus– | Disco Circus | 5:03 |
2-6 | Kano– | It's A War | 6:19 |
2-7 | Yellow Magic Orchestra– | Computer Games | 4:08 |
2-8 | Yello– | No More Words | 2:24 |
2-9 | Liaisons Dangereuses– | Peut Être Pas | 3:48 |
2-10 | Alexander Robotnick– | Dance Boy Dance | 2:55 |
2-11 | Choice– | Acid Eiffel | 4:38 |
2-12 | The Black Dog– | Virtual | 3:42 |
2-13 | The Flying Lizards– | Flesh And Steel | 8:05 |
2-14 | Balil– | Nort Route | 5:31 |
2-15 | Visage– | Frequency 7 | 5:00 |
2-16 | Severed Heads– | The Ant Can See Legs | 5:42 |
Unternehmen usw.
- Vertrieb durch – Rough Trade Distribution GmbH – 387.9063.2
- Glass Mastered At – Sonopress – 52028740
- Glass Mastered At – Sonopress – 52028737
- Glass Mastered At – Sonopress
- Copyright © – BBE Records
- Phonographisches Copyright ℗ – Rapster Records
Mitwirkende (Credits)
- Artwork [Ad], Design – Thomas 'Shoes' McCallion*
- DJ Mix – Carl Craig (Titel: 2-1 to 2-16), Laurent Garnier (Titel: 1.1 to 1.17)
- Engineer – Collin Dupuis (Titel: 2-1 to 2-16)
- Photography By – Michael Joseph (4)
Anmerkungen
CD1 is not track-marked. Duration: 68:23.
Track 1.17 Live @ The Rex Club (Paris)
On track 2-13 producer David Cunningham is credited as Chris Cunningham by mistake.
Made in Germany
℗ 1961: 1.1
℗ 1969: 1.13
℗ 1970: 1.16
℗ 1978: 1.10
℗ 1981: 1.15, 2-15
℗ 1982: 2-3
℗ 1983: 2-2, 2-6, 2-10
℗ 1984: 2-16
℗ 1990: 1.6
℗ 1991: 1.8, 2-12
℗ 1993: 2-11
℗ 1994: 1.14
℗ 2000: 2-14
℗ 2001: 1.3
℗ 2002: 2-9
℗ 2003: 1.11
℗ 2004: 1.2
℗ 2006: 2-4
Track 1.17 Live @ The Rex Club (Paris)
On track 2-13 producer David Cunningham is credited as Chris Cunningham by mistake.
Made in Germany
℗ 1961: 1.1
℗ 1969: 1.13
℗ 1970: 1.16
℗ 1978: 1.10
℗ 1981: 1.15, 2-15
℗ 1982: 2-3
℗ 1983: 2-2, 2-6, 2-10
℗ 1984: 2-16
℗ 1990: 1.6
℗ 1991: 1.8, 2-12
℗ 1993: 2-11
℗ 1994: 1.14
℗ 2000: 2-14
℗ 2001: 1.3
℗ 2002: 2-9
℗ 2003: 1.11
℗ 2004: 1.2
℗ 2006: 2-4
Barcode und andere Identifikationsmerkmale
- Barcode: 730003906329
- Labelcode: LC 07306
- Labelcode (Track 1.4): LC 00121
- Labelcode (Track 1.13): LC 00192
- Preiscode: [48]
- Mould-SID-Code: IFPI 0767
- Matrix / Runout (CD1): 52028740/RR0063CD-1 21
- Mastering-SID-Code (CD1): IFPI LP 73
- Matrix / Runout (CD2): 52028737/RR0063CD-2 21
- Mastering-SID-Code (CD2): IFPI LB 45
- Rechtegesellschaft (Track 1.2, 1.3, 1.8): ASCAP
- Rechtegesellschaft (Track 1.7, 1.16): BMI
- Rechtegesellschaft (Track 2-11): SACEM
- ISRC (Track 1.1): US-FI8-62-00420
- ISRC (Track 1.2): US-2J7-06-05020
- ISRC (Track 1.3): GB-EQT-01-00024
- ISRC (Track 1.4): US-AT2-99-02239
- ISRC (Track 1.5): FR-S71-02-00006
- ISRC (Track 1.8): US-PC8-06-01121
- ISRC (Track 1.10): US-IR2-03-00173
- ISRC (Track 1.11): NL-L56-05-00145
- ISRC (Track 1.13): US-EE1-05-01249
- ISRC (Track 1.14): US-AX1-00-00024
- ISRC (Track 1.15): GB-AWA-03-78245
- ISRC (Track 1.16): US-MC1-70-52076
- ISRC (Track 2-4): GB-AJH-06-00497
- ISRC (Track 2-6): IT-C89-90-00019
- ISRC (Track 2-8): DE-F07-83-02100
- ISRC (Track 2-9): DE-E61-02-00506
- ISRC (Track 2-10): IT-F70-83-11112
- ISRC (Track 2-14): GB-BPW-00-00061
- ISRC (Track 2-15): US-UR1-03-00808
Andere Versionen (5 von 8)Alle anzeigen
Titel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Kings Of Techno (2×CD, Promo) | Rapster Records | RR0063 CD | Europe | 2006 | ||
Recently Edited | The Kings Of Techno - Part A (2×12", Compilation) | Rapster Records | RR0063 LP | Germany | 2006 | ||
Recently Edited | The Kings Of Techno - Part B (2×12", Compilation) | Rapster Records | RR0064 LP | Germany | 2006 | ||
Recently Edited | The Kings Of Techno (2×CD, Promo) | Rapster Records | RR0063CD | US | 2006 | ||
The Kings Of Techno (2×CD, Compilation, Mixed) | Rapster Records, Hostess Entertainment Unlimited | RR0063 CD, RR0063CDJ | Japan | 2006 |
Empfehlungen
Rezensionen
Also available as a 2CD jewel case version on the same barcode with same discs and booklet with additional rear cover printed for jewel case

I found the Garnier mix to be a little disappointing all the same and it's all one track which is strange. The Craig disc is superb, with great track selection, but the cartoon style of his voice-over is somewhat bizarre! I played the Craig disc a lot when I bought this package back in 2006. The standout tracks for me are 'Dance Boy Dance' by Alexander Robotnick and 'Computer Games' by Y.M.O.
Was really looking forward to this but was inevitably disapointed. Certainly not as good as the Kings of House comp by MAW.
I prefer the Laurent Garnier mix than Carl Craig's. In all fairness, I find that cd somewhat annoying. All the shouts out during the mixes etc really detract from the listening experience. Some might see them as personal touches, I see them as an annoyance.
It's a shame because the music on both cds' is very high and eclectic. Better than the average compilation but it could have been so much more.
I prefer the Laurent Garnier mix than Carl Craig's. In all fairness, I find that cd somewhat annoying. All the shouts out during the mixes etc really detract from the listening experience. Some might see them as personal touches, I see them as an annoyance.
It's a shame because the music on both cds' is very high and eclectic. Better than the average compilation but it could have been so much more.
Vor 15 Jahren bearbeitet
This is an outstanding effort from 2 of the most important players who have shaped techno / house and dance music in general over the past 20 or so years. Both DJ's have clearly made an effort to create an identity to their mixes, as have been used in their recent mix CD's. Laurent starts opens up with "fly on the wall" brief recordings of conversation, and the set opens with blues and jazz, building to full Detroit techno, much in the style of his previous "Excess Luggage" mix compilation. Gone are the days when you would hear a full techno or house set from Laurent, his DJ sets moved well beyond this and he makes no apologies for the diversity of his track selections. You need to be open minded for this set, and in my opinion it works fantastic. This is his interpritation of the USA sound, and he's got the jazz element spot on, right back to the Motown sound. Carl Craig provides some excellent content from europe (and Japan with YMO), building from Italo disco records, french disco, slowly up to the 90's sounds, and back to cutting edge 80's. As with Laurent, he creates his own unique style much like his recent "Fabric" mix CD, with a running commentary for his tracks, and why he has chosen them. These early tracks are a nightmare to mix, evident as Carl kills the bass and talks over some mixes, but thats OK. Again, you really need an open mind for this mix, and he has done an outstanding job in digging out some obscure records. What is ironic and interesting about this mix is that if you ask any Detroit DJ about their influences during the birth of Detroit techno, a big chunk comes from european imports, mostly Italy and Germany in the late 70's and early 80's. But if you ask the european artists during the birth of the main dance scene in the mid-late 80's, their influence was definitely Chicago and Detroit. They have acheived something different and quirky, and i'd recommend it 100%.