Blur – Parklife
Label: | Food – FOODLPX10, Parlophone – 5099962484213 |
|---|---|
Format: | |
Land: | UK |
Veröffentlicht: | |
Genre: | Rock |
Stil: | Indie Rock, Britpop |
Trackliste
| A1 | Girls & Boys | |
| A2 | Tracy Jacks | |
| A3 | End Of A Century | |
| B1 | Parklife | |
| B2 | Bank Holiday | |
| B3 | Badhead | |
| B4 | The Debt Collector | |
| B5 | Far Out | |
| C1 | To The End | |
| C2 | London Loves | |
| C3 | Trouble In The Message Centre | |
| C4 | Clover Over Dover | |
| D1 | Magic America | |
| D2 | Jubilee | |
| D3 | This Is A Low | |
| D4 | Lot 105 |
Unternehmen usw.
- Phonographisches Copyright ℗ – Parlophone Records Ltd.
- Copyright © – Parlophone Records Ltd.
- Aufgenommen bei – Matrix Maison Rouge Studios
- Aufgenommen bei – RAK Studios
- Veröffentlicht durch – Universal/MCA Music Ltd.
- Veröffentlicht durch – Copyright Control
- Veröffentlicht durch – Illegal Songs, Inc.
- Veröffentlicht durch – Universal/MCA Music
- Remastering bei – Abbey Road Studios
- Plattenfirma – Warner Music Group
- Gepresst durch – Optimal Media GmbH – BC76293
Mitwirkende (Credits)
- Backing Vocals, Electric Guitar, Acoustic Guitar, Clarinet, Saxophone, Percussion – Graham Coxon
- Bass Guitar, Noises [Crowd Noise] – Alex James (2)
- Coordinator [Coordination & Maintenance] – Jason Guiness Cox*
- Design [Always Led - Quick Away - Strong Finish] – Stylorouge
- Drums, Percussion, Noises [Crowd Noise], Programmed By [Some Programming] – Dave Rowntree
- Engineer – John Smith (4)
- Keyboards [Vintage Keys], Effects [Sound Effects], Programmed By [Some Programming] – Stephen Street
- Music By – James*, Albarn*, Rowntree*, Coxon*
- Photography By [Front] – Bob Thomas (8), Brunskill
- Photography By [Quick Away - Wide - All Other - Photo] – Paul Postle
- Remastered By – Frank Arkwright
- Remastered By [With] – Stephen Street
- Vocals, Backing Vocals, Electric Organ [Hammond], Synthesizer [Moog], Strings [Machine Strings], Harpsichord, Melodica, Vibraphone, Recorder, Programmed By [Some Programming] – Damon Albarn
Anmerkungen
Gatefold cover, with plain die-cut red inner sleeves.
Laetitia Sadier appears courtesy of Stereolab.
All tracks recorded in Fulham, London at Maison Rouge between November 1993 & January 1994, except "To the End", recorded at RAK Studios, St. John's Wood, London.
Remastered at Abbey Road Studios, London.
Digital remaster ℗ 2012 The copyright in this sound recording is owned by Parlophone Records Ltd.
© 2012 Parlophone Records Ltd.
A1, C1: Universal / MCA Music Ltd.
A2: MCPS Ltd. / Illegal Songs Inc.
A3, B1, B2, D3: Universal / MCA Music
B3, C3, D1, D2, D4: Copyright Control
B4, B5, C2, C4: Illegal Songs Inc.
Misprint on back cover, Bank Holiday credits publishing to "Universal / MCA MusiC".
NB re "new" pressings: please see the almost identical release, Blur - Parklife, identifiable as 2018 repress of this one from the "BI" as opposed to "BC" runout matrix. See Optimal Media GmbH for more info on pressing codes/years.
Similar release, Blur - Parklife credits p&c to EMI Records Ltd; omits "A Warner Music Group Company" on back cover.
Blur - Parklife, same as this version but on yellow vinyl.
Made in the EU.
www.blur.co.uk
Laetitia Sadier appears courtesy of Stereolab.
All tracks recorded in Fulham, London at Maison Rouge between November 1993 & January 1994, except "To the End", recorded at RAK Studios, St. John's Wood, London.
Remastered at Abbey Road Studios, London.
Digital remaster ℗ 2012 The copyright in this sound recording is owned by Parlophone Records Ltd.
© 2012 Parlophone Records Ltd.
A1, C1: Universal / MCA Music Ltd.
A2: MCPS Ltd. / Illegal Songs Inc.
A3, B1, B2, D3: Universal / MCA Music
B3, C3, D1, D2, D4: Copyright Control
B4, B5, C2, C4: Illegal Songs Inc.
Misprint on back cover, Bank Holiday credits publishing to "Universal / MCA MusiC".
NB re "new" pressings: please see the almost identical release, Blur - Parklife, identifiable as 2018 repress of this one from the "BI" as opposed to "BC" runout matrix. See Optimal Media GmbH for more info on pressing codes/years.
Similar release, Blur - Parklife credits p&c to EMI Records Ltd; omits "A Warner Music Group Company" on back cover.
Blur - Parklife, same as this version but on yellow vinyl.
Made in the EU.
www.blur.co.uk
Barcode und andere Identifikationsmerkmale
- Barcode (String): 5099962484213
- Barcode (Text): 5 099962 484213
- Labelcode: LC0542
- Rechtegesellschaft: SDRM / BIEM
- Andere (Cat#, record 1): 5099962484312
- Andere (Cat#, record 2): 5099962484411
- Matrix / Runout (Side A label): FOODLPX10-A
- Matrix / Runout (Side B label): FOODLPX10-B
- Matrix / Runout (Side C label): FOODLPX10-C
- Matrix / Runout (Side D label): FOODLPX10-D
- Matrix / Runout (Side A runout): BC76293-01 A1 5099962484213 S = +
- Matrix / Runout (Side B runout): BC76923-01 B1 5099962484213 7 1X
- Matrix / Runout (Side C runout): BC76293-02 C1 6248421
- Matrix / Runout (Side D runout): BC76293-02 D1 6248421
Andere Versionen (5 von 109)
Alle anzeigen| Titel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
|---|---|---|---|---|---|---|---|
Vor kurzem bearbeitet | Parklife (CD, Album) | Food, Food | FOODCD 10, 7243 8 29194 2 1 | Europe | 1994 | ||
Vor kurzem bearbeitet | Parklife (CD, Album) | SBK Records, SBK Records, Food, Food | 7243-8-29194-2-1, K2-29194 | US | 1994 | ||
Vor kurzem bearbeitet | Park Life = パーク・ライフ (CD, Album) | EMI, EMI, Food, Food | TOCP-8226, TOCP 8226 | Japan | 1994 | ||
| Parklife (LP, Album) | Food, Food | FOODLP 10, 7243 8 29194 1 4 | UK | 1994 | |||
Vor kurzem bearbeitet | Parklife (CD, Album, Stereo) | Food, Parlophone | FOODCD 10, 7243 8 29194 2 1 | Europe | 1994 |
Empfehlungen
2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered
Rezensionen
Perfect sound on my copy. The zoetrope is rad, but the double LP allows for more breathing room. Very happy to finally have some Blur in the vinyl collection courtesy of Signal Records in Chicago- I do not think I have heard this album sound any better - stunning!
- My version has the center label of side C and D on both records. Does anyone else have that?
This pressing is simply fantastic and smokes the CD I have. There is so much more depth to it and I feel like I am listening to the album for the first time again.
Vor 7 Jahren bearbeitetListening to this iconic album on vinyl. The pressing is superlative and no surface noise at all!
Veröffentlichung
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