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Beitragende
Main Source – Breaking Atoms
Label: | Wild Pitch Records – WPL 2004 |
---|---|
Format: | Vinyl, LP, Album |
Land: | US |
Veröffentlicht: | |
Genre: | Hip Hop |
Stil: | Conscious |
Trackliste
A1 | Snake Eyes | 3:30 | |
A2 | Just Hangin' Out | 4:10 | |
A3 | Looking At The Front Door | 4:10 | |
A4 | Large Professor | 3:08 | |
A5 | Just A Friendly Game Of Baseball | 3:22 | |
A6 | Scratch & Kut | 2:57 | |
B1 | Peace Is Not The Word To Play | 3:07 | |
B2 | Vamos A Rapiar | 3:59 | |
B3 | He Got So Much Soul (He Don't Need No Music) | 3:34 | |
B4 | Live At The Barbeque | 4:35 | |
B5 | Watch Roger Do His Thing | 4:22 |
Unternehmen usw.
- Aufgenommen bei – Homeboy Studios
- Aufgenommen bei – Power Play Studios
- Aufgenommen bei – Libra Digital Sound
- Abgemischt bei – Power Play Studios
- Mastering bei – DMS (2)
- Veröffentlicht durch – Frozen Soap Songs
- Veröffentlicht durch – Kahari Music
- Phonographisches Copyright ℗ – Wild Pitch Records, Ltd.
- Copyright © – Wild Pitch Records, Ltd.
- Gepresst durch – Hub-Servall Record Mfg. Corp.
Mitwirkende (Credits)
- Art Direction – Amy V. Fine*
- Design [Cover Concept & Design], Cover – Terry Clarke (4)
- Mastered By – Chris Gehringer
- Mixed By – Anton*
- Photography By – Peter Bodtke
- Photography By [Effects] – George Chevalier (2)
- Producer, Mixed By – Main Source
- Rap – Large Professor
- Recorded By – Anton Pukshansky, Tony Papamichael
- Turntables – K-Cut, Sir Scratch
- Written-By – K. McKenzie*, S. McKenzie*, W. Mitchell*
Anmerkungen
Original first pressing.
Published by Frozen Soap Songs (ASCAP) & Kahari Music (BMI).
Mastered at Hit Factory, DMS.
℗ & © 1991 Wild Pitch Records, Ltd.
Published by Frozen Soap Songs (ASCAP) & Kahari Music (BMI).
Mastered at Hit Factory, DMS.
℗ & © 1991 Wild Pitch Records, Ltd.
Barcode und andere Identifikationsmerkmale
- Barcode (Text): 0 91693-2004-1 9
- Barcode (Scanned): 091693200419
- Matrix / Runout (A-Side Runout Etching): WP-2004 A DMS cg☮︎ HuB
- Matrix / Runout (B-Side Runout Etching): WP-2004 B HuB
- Rechtegesellschaft: ASCAP
- Rechtegesellschaft: BMI
Andere Versionen (5 von 36)Alle anzeigen
Titel (Format) | Label | Kat.-Nr. | Land | Jahr | |||
---|---|---|---|---|---|---|---|
Vor kurzem bearbeitet | Breaking Atoms (CD, Album) | Wild Pitch Records | WPD 2004 | US | 1991 | ||
Vor kurzem bearbeitet | Breaking Atoms (CD, Album, Reissue) | Wild Pitch Records, EMI USA | WPD 2004, CDP-7-97543-2 | US | 1991 | ||
Vor kurzem bearbeitet | Breaking Atoms (Cassette, Album, Dolby HX Pro, B NR) | Wild Pitch Records | E4-97543 | US | 1991 | ||
Vor kurzem bearbeitet | Breaking Atoms (CD, Album, Reissue) | EMI USA | CDP-7-97543-2 | US | 1991 | ||
Breaking Atoms (LP, Album, Promo) | Wild Pitch Records | WP-2004 | US | 1991 |
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A great example of a bunch of people who seem more interested in pressing details than the actual music. Have you people tried stamp collecting?
Vor 3 Jahren bearbeitet
To those who have tried to explain the features of the original pressing of this classic you gave missed 2 obvious details. The barcode on the back of the original press is positioned on the top right of the back cover of the cover with the long sides of the rectangular bar code box running down the cover and not across (as pictured on Discogs). None of the reissues are like this whether they feature a bar code or not.
As for the vinyl the main source logo is outlined on the record label with the relevant run out groove info. The 95 repress is almost identical except for no barcode on back cover or outlined main source logo on record labels as it is just a simple black print (as pictured on Discogs). The 95 repress is rare though but I am not sure whether it is an official repress as some claim it to be.
However which ever version you see buy it if you don't own a copy as a hip hop fan as its an absolute classic in every sense. I never become tired of listening to this as its aged gracefully!!!
As for the vinyl the main source logo is outlined on the record label with the relevant run out groove info. The 95 repress is almost identical except for no barcode on back cover or outlined main source logo on record labels as it is just a simple black print (as pictured on Discogs). The 95 repress is rare though but I am not sure whether it is an official repress as some claim it to be.
However which ever version you see buy it if you don't own a copy as a hip hop fan as its an absolute classic in every sense. I never become tired of listening to this as its aged gracefully!!!

Nowadays several bootlegs exist and there's one official single vinyl repress from 1998 that almost looks the 1st pressing.
If you want to be sure if your copy is the original 1st issue check the following characteristics:
1. 1st pressings will always have the "DMS cg ☮" signature etched in the runout grooves as well as the "HuB" etching.
2. The label of the single vinyl reprint has the same wild pitch logo on white background, but there's a slight difference: 1st pessings have the Main Source logo straight above the center hole, not sideways.
3. I have heard that '98 reissues have a different label adress. Make sure copy will have this Wild Pitch adress on label & sleeve: 231 West 29 Street, NY, NY 1001.
4. A further hint is the front sleeve. Some reprints (not all!) have a blown up photo on the same sized cover. So if the ear of Large Professor is cut off you owe a repress.
If you want to be sure if your copy is the original 1st issue check the following characteristics:
1. 1st pressings will always have the "DMS cg ☮" signature etched in the runout grooves as well as the "HuB" etching.
2. The label of the single vinyl reprint has the same wild pitch logo on white background, but there's a slight difference: 1st pessings have the Main Source logo straight above the center hole, not sideways.
3. I have heard that '98 reissues have a different label adress. Make sure copy will have this Wild Pitch adress on label & sleeve: 231 West 29 Street, NY, NY 1001.
4. A further hint is the front sleeve. Some reprints (not all!) have a blown up photo on the same sized cover. So if the ear of Large Professor is cut off you owe a repress.
Vor 17 Jahren bearbeitet
There are 1001 reasons why everyone should own at least one HipHop LP - this is one of them. Breaking Atoms remains largely undiscovered by many due to the LP being released on the now defunct Wild Pitch label resulting in it being out of print for a long time. The album was pioneering primarily for its excellent production, which made sublime use of the SP1200 - a dedicated sampling drum machines but also from the tight rap skills shown by the Large Professor. In addition, the LP also helped to establish the careers of both Akinyele and Nas. I won't offer a breakdown of the LP track-by-track suffice to say that they're all quality and contain no fillers. Do yourself a favour and check it out.