5 Rare Records in World-Renowned DJ Serge’s Collection
Serge is a DJ, producer, record collector, and the founder of Clone Records. From promo pressings to unreleased albums, explore rare releases in Serge’s personal collection.
There are all sorts of ways a record can end up in your collection. Sometimes, you get lucky and happen upon a record you’ve been wanting while casually flipping through stacks. Most of the time, though, it’s the result of dedicated effort. If you’ve ever scored an item that’s been sitting on your Discogs Wantlist for ages, chances are you’ve got a great story to go along with it.
As a world-renowned DJ and founder of Clone Records, a shop and label that champions underground dance music, Serge has quite a few stories behind the unique gems in his record collection. Discogs had the privilege to chat with Serge during the 2023 Haarlem Vinyl Festival about his crate-digging experiences over the years. From record-swapping with other DJs to taking a six-hour round trip after having a nightmare about missing out on a specific record, here are the stories — in his own words — behind five rare releases in Serge’s collection.
Reckless Techno (1990)
by Reckless Ron
One of the records in my collection with some nice memories to it is this promo pressing of Reckless Techno by Reckless Ron. While doing my first gig in Italy in the late ’90s at a party at the Link Club in Bologna, I heard Keith Tucker play it. As a true trainspotter, I went up to him to check out what it was, and he told me it was Reckless Ron on a rare, unreleased white label.
Later that night during my set, I was playing Spacer Woman by Charlie and Keith came up to me to check out what I was playing. I told him what it was and he was as equally excited about what I played as I was about that Reckless Ron record, so he proposed we swap records, which made me the happiest fellow in Italy that day.
Caustic Window LP (1994)
by Caustic Window
This record is one of only 10 copies of an unreleased album by Aphex Twin under the alias Caustic Window. It was only pressed as a test pressing and, ultimately, the label and artist decided not to release it.
In 2014, one of the pressings was listed for sale on Discogs. This led to a Kickstarter being created by fans who negotiated permission from Richard and Rephlex Records to distribute digital copies to everyone who contributed to the Kickstarter. The record itself was then purchased by Markus “Notch” Persson, the creator of the video game Minecraft.
Minimal Nation (1994)
by Robert Hood
I have this blue-labeled promo pressing of one of my favorite techno records that paved the way for most modern techno as we know it today.
I remember I was at the Hotmix store in The Hague when the import box came in. I didn’t miss one import delivery in those days and I got one of the 15 copies that Submerge sent to Hotmix. Later, I swapped the regular pressing for the mispressing of the double pack with tracks by Jeff Mills instead of Robert Hood on the A and B side. Jeff Mills and Robert Hood were doing magic things in those years.
Bizarre Ride II The Pharcyde (1992)
by The Pharcyde
Bizarre Ride II the Pharcyde by The Pharcyde was one of the records that I had to get at the time. I remember having a nightmare about missing out on this record, which was getting released on colored vinyl — something that wasn’t very common in those days. I took a trip to Amsterdam to get my copy from BlackBeat Records the day after that nightmare. It was a six-hour round trip by bus and train, but I got my copy and still cherish it.
I’m Strong (1987)
by Robert Owens
I’m Strong is one of my favorite house records of all time by Larry Heard and Robert Owens. This first pressing comes with beautiful, colorful label art. It was quite hard to find and it always felt special to have it. My first copy was a 1990 two-track pressing from R & S Records, which I bought before I found the original in an obscure store in Antwerp.
At some point, I asked Larry Heard for a license of the vocal and instrumental mix for the Clone Classic Cuts reissue label. He told me he never did an instrumental, but I guaranteed him that I had an instrumental version on R & S Records. He was totally surprised and told me he never did that version, and also that he never licensed anything to R & S Records. So, it is still a mystery as to who did that instrumental. Probably one of the studio guys did it right after they left the studio and sold that recording to Jack Trax in the UK, who licensed it to R & S Records in 1990. Another one of the many tragic stories in which Larry Heard, aka Mr. Fingers, didn’t get paid for his music by the labels who sold it. We ended up signing the record, including the instrumental version, and ever since that deal we have been working together.
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