3 Key Collaborative Moments from Phil Collins’ Career
Collaboration has always played an integral role in Phil Collins’ career. Learn more about three of the artist’s most interesting features.
Phil Collins has always been a collaborative artist — from his early Flaming Youth days, to his rise to stardom with Genesis, and throughout his massive solo career. That spirit is necessary when you’re in a band, but once you’ve struck out on your own and scored some serious worldwide hits — well, you don’t really have to get along with anyone and can demand top billing on everything you touch.
Collins, however, has collaborated with others at every point in his career and it doesn’t matter whether he’s center stage or tucked behind a drum kit. It seems like he’s been able to do it all with humility.
“Some would say I’ve lived a charmed life,” he said. “I’ve done what I wanted for most of it, and got paid well for doing something I’d have done for nothing — playing the drums. During that time, I’ve played with most of my heroes [and] most have become close friends.”
These collaborative moments are so integral to Collins’ body of work that in 2018, he released a four-disc box set, Plays Well With Others. It features tracks he’s appeared on in one form or another throughout his career, along with an incredibly diverse set of musical partners from all over the stylistic and demographic map. Below are three key moments that best illustrate Collins’ collaborative spirit.
The Biggest:
The Prince’s Trust Concert (1987)
If you’re talking about historic collaborations, very few could eclipse this one. While the Beatles never got back together, this moment come pretty close to matching the star power of a Fab Four reunion. During a charity concert in 1987, 60 percent of the musicians who originally appeared on “While My Guitar Gently Weeps” — George Harrison, Ringo Starr, and Eric Clapton — jumped on stage to reprise the song.
The backing band pushed things over the top. Collins, Elton John, and Jeff Lynne were among those sitting in. That’s a lot of star power — and two Traveling Wilburys, if you’re counting — on a single stage. If you throw in the night’s other performers, such as Bryan Adams, Spandau Ballet, Ben E. King, and Dave Edmunds, an already heavy bill gets even heavier.
The Coolest:
Another Green World (1975)
If your entry point to Collins was prime prog-era Genesis, this collaboration might seem less shocking. On the other hand, if your primary point of reference for Collins is the artist talking about his poor dance moves or who will be in his heart, then hearing him on an album with one of popular music’s coolest experimentalists might raise an eyebrow.
After doing a track on Brian Eno‘s 1974 album Taking Tiger Mountain (By Strategy), Collins was asked to contribute in a larger role on 1975’s universally acclaimed Another Green World. Collins was a commodity at the time, but he was far from a star. Alongside a cast of characters including John Cale of the the Velvet Underground and Robert Fripp of King Crimson, Collins was just one of the guys on this minimalist touchstone.
The Weirdest:
Urban Renewal (2001)
“As I understand it, the publishers of my songs were getting, and had been getting for a long time, requests from many urban R&B singers to cover my songs,” Collins wrote in the liner notes of 2001’s Urban Renewal, a hip-hop and R&B tribute album with tracks from Ol’ Dirty Bastard, Brian McKnight, and Brandy. “It seems that from those requests for permission to change, alter, adapt, or almost rewrite my songs, came an idea to someone somewhere that perhaps — contrary to critical opinion — I may be hipper than previously suspected!”
There’s one track in particular that stands out in the mix — “In The Air Tonite,” a duet between Lil’ Kim and Collins. While neither the single or the album were big hits, the song still stands out in Collins’ catalog as the most far-flung collaboration he’s been involved in.
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