Conrad Schnitzler – Con
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Conrad Schnitzler's first internationally released LP was initially released in France, followed by licensing of the Egg label in Canada, Germany, Italy, Spain and Japan.
Pistas
| Electric Garden | 11:39 |
| Ballet Statique | 4:58 |
| Zug | 5:26 |
| Metall I | 4:57 |
| Black Nails | 6:13 |
Versiones (12)
| Cat. nº | Artista | Título (Formato) | Sello | Cat. nº | País | Año | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| 90 184, N° 90.184 | Conrad Schnitzler | Con (LP, Album) | Egg, Egg | 90 184, N° 90.184 | France | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| BRCLP 60071 | Conrad Schnitzler | Con (LP) | Egg | BRCLP 60071 | Italy | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 17.1412/4 | Conrad Schnitzler | Con (LP, Album) | Egg | 17.1412/4 | Spain | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 90 040 | Conrad Schnitzler | Con (LP, Album) | Egg | 90 040 | Canada | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 66052 | Conrad Schnitzler | Con (LP, Album) | Egg | 66052 | Germany | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| GP-709 | Conrad Schnitzler | Con (LP, Album) | Egg | GP-709 | Japan | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| GP-709 | Conrad Schnitzler | Con (LP, Album, Promo) | Egg | GP-709 | Japan | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 90 040 | Conrad Schnitzler | Con (LP, Album, RP) | Egg | 90 040 | Canada | 1978 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 14223, 14223 CD | Conrad Schnitzler | Ballet Statique (CD, Album, RE) | Spalax, Spalax | 14223, 14223 CD | France | 1992 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CTCD-556 | Conrad Schnitzler | Con (CD, Album, Ltd, RE, RM) | Captain Trip Records | CTCD-556 | Japan | 2006 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| MM-004LP | Conrad Schnitzler | Ballet Statique (LP, Album, RE) | M=Minimal | MM-004LP | Germany | 2011 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| mm-004cd, mm-004CD, mm-004 | Conrad Schnitzler | Ballet Statique / Con (CD, Album, Ltd, Num, RE, Sli) | M=minimal, M=minimal, M=minimal | mm-004cd, mm-004CD, mm-004 | Germany | 2013 | Vender esta versión | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Críticas Mostrar 5 Críticas más
93wergo
20 de septiembre de 2018
comentando Ballet Statique / Con, CD, Album, Ltd, Num, RE, Sli, mm-004cd, mm-004CD, mm-004
Is the download the complete 60 min. of the Red Cassette or just the 30 min. excerpt included on the CD?
Lapidge
8 de mayo de 2014ultimathulerecords
25 de febrero de 2014
editado over 2 years ago
comentando Ballet Statique, CD, Album, RE, 14223, 14223 CD
comentando Ballet Statique, CD, Album, RE, 14223, 14223 CD
CONRAD SCHNITZLER - BALLET STATIQUE (Spalax 14223) CD 56m
Never heard of a Con album called BALLET STATIQUE? Actually, it was the title he wanted to call his international debut CON (originally released in France, USA and Canada on Egg records in 1978), and this is a reissue of that album plus bonus material.
For many, this was their first experience of Con's music. I remember at the time, 'hmm... he was the other person on TD's ELECTRONIC MEDITATION, and this is all synths and produced by Peter Baumann, curious...'. Of course I bought it and was delighted with the unusual use of sequences, abstract melodies and really cosmic sound. In fact CON was much more an innovative album than I expected. The opening shimmering gliding tones, sparse and gradually gaining form, make Electric Garden an ideal opener. Ballet Statique itself is notably influenced by Peter Baumann. Then there's Zug, zooming along like an express train, and in sharp contrast Metall 1, a swirling gliding mass of electronic tones. Finally Black Nails returns calmly to the Baumann-esque, open barely rhythmic structure of former tracks.
Of course with this CD that's not all, with five shorter complimentary tracks recorded around the same time (originally issued on a volume of the CONTAINER series of cassettes) that make for an even greater listening experience. Curious titles like: Frozen Bubbles or The Sinking of a Melting Drone capture the spirit of this striking otherworldly music perfectly, ending with the eerie twittering and rasping cavernous tones of Underwater Church. Excellent!
From my review in Audion #22, published in July 1992
Never heard of a Con album called BALLET STATIQUE? Actually, it was the title he wanted to call his international debut CON (originally released in France, USA and Canada on Egg records in 1978), and this is a reissue of that album plus bonus material.
For many, this was their first experience of Con's music. I remember at the time, 'hmm... he was the other person on TD's ELECTRONIC MEDITATION, and this is all synths and produced by Peter Baumann, curious...'. Of course I bought it and was delighted with the unusual use of sequences, abstract melodies and really cosmic sound. In fact CON was much more an innovative album than I expected. The opening shimmering gliding tones, sparse and gradually gaining form, make Electric Garden an ideal opener. Ballet Statique itself is notably influenced by Peter Baumann. Then there's Zug, zooming along like an express train, and in sharp contrast Metall 1, a swirling gliding mass of electronic tones. Finally Black Nails returns calmly to the Baumann-esque, open barely rhythmic structure of former tracks.
Of course with this CD that's not all, with five shorter complimentary tracks recorded around the same time (originally issued on a volume of the CONTAINER series of cassettes) that make for an even greater listening experience. Curious titles like: Frozen Bubbles or The Sinking of a Melting Drone capture the spirit of this striking otherworldly music perfectly, ending with the eerie twittering and rasping cavernous tones of Underwater Church. Excellent!
From my review in Audion #22, published in July 1992
Stoffeler10
5 de abril de 2004
comentando Con, LP, Album, 90 184, N° 90.184
Very Peter Baumann of Tangerine Dream influenced album. Which in this case is an advantage. The beats are clear, straight and still groovy. Probably Schnitzlers best work. Less art but more fun. A timeless record.
Mercado online 54 en ventadesde 19,93 €
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Vinyl
por aJerryCornelius
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por Dubai-Bunnies
aliblahblah
24 de octubre de 2018