The Who

Perfil:
English rock band formed in Hammersmith, London in 1964.

They were inducted into Rock And Roll Hall of Fame in 1990 (Performer).

Members:
Roger Daltrey – lead and backing vocals, rhythm guitar, harmonica, percussion (1964–1983, 1985, 1988, 1989, 1996–present)
Pete Townshend – lead and rhythm guitar, backing and lead vocals, keyboards (1964–1983, 1985, 1988, 1989, 1996–present)

Current touring musicians:
Zak Starkey – drums, percussion (1996–present)
Simon Townshend – guitar, backing vocals (1996–1997, 2002–present)
Loren Gold – keyboards, backing vocals (2012–present)
Jon Button – bass guitar (2017–present)

Former members:
John Entwistle – bass guitar, horns, keyboards, backing and lead vocals (1964–1983, 1985, 1988, 1989, 1996–2002; died 2002)
Doug Sandom – drums (1964; died 2019)
Keith Moon – drums, backing and lead vocals (1964–1978; died 1978)
Kenney Jones – drums (1978–1983, 1985, 1988, 2014)
Sítios:
Apodos:
Miembros:
Variaciones:

Artista

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Albums

LAT 8616 My Generation — The Who The Who My Generation (Album) Brunswick, Brunswick LAT 8616 Southern Rhodesia 1965 Vender esta versión
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623 025 The Who — The Who The Who The Who (Album) Polydor, International Polydor Production 623 025 Germany 1966 Vender esta versión
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593 002, LPHM 593002 A Quick One — The Who The Who A Quick One (Album) Reaction 593 002, LPHM 593002 New Zealand 1966 Vender esta versión
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184116 The Who Sell Out — The Who The Who The Who Sell Out (Album) Track Record 184116 Germany 1967 Vender esta versión
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184 216/17 Tommy — The Who The Who Tommy (Album, Comp) Track Record 184 216/17 Germany 1969 Vender esta versión
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6-9175 Live At Leeds — The Who The Who Live At Leeds (Album) Track Record, Polydor 6-9175 US 1970 Vender esta versión
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DL 79182 Who's Next — The Who The Who Who's Next (Album) Track Record DL 79182 US 1971 Vender esta versión
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2406 007 Tommy - Part 1 — The Who The Who Tommy - Part 1 (Album) Track Record 2406 007 UK 1972 Vender esta versión
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914 625 Tommy - Part 2 — The Who The Who Tommy - Part 2 (Album) Track Record 914 625 South Africa 1969 Vender esta versión
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MCAT2-10004 Quadrophenia — The Who The Who Quadrophenia (Album) Track Record MCAT2-10004 US 1973 Vender esta versión
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3191 116 Odds & Sods — The Who The Who Odds & Sods (Album, Comp) Track Record 3191 116 Greece 1974 Vender esta versión
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CN 1988/S Profile - The Who — The Who The Who Profile - The Who(3xLP, Transcription) BBC Transcription Services CN 1988/S UK 1974 Vender esta versión
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none The Who By Numbers — The Who The Who The Who By Numbers (Album) Polydor, Polydor none France 1975 Vender esta versión
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73725, 73726 Nightbird & Company: Cosmic Connections — The Who The Who, Neil Sedaka, Raspberries, Robert Lamm The Who, Neil Sedaka, Raspberries, Robert Lamm - Nightbird & Company: Cosmic Connections(2xLP, Transcription) Army Reserve, Army Reserve 73725, 73726 US 1975 Vender esta versión
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SA-010 One-Hour Radio Special - The Making Of The Who One-Hour Radio Special - The Making Of "Tommy" 1975(LP, Transcription) Polydor SA-010 USA & Canada 1975 Vender esta versión
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Show #14 Innerview Headphone Experience Part 1 — The Who The Who Innerview Headphone Experience Part 1(LP, Transcription) Innerview Show #14 US 1976 Vender esta versión
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Show #15 Innerview Headphone Experience Part 2 — The Who The Who Innerview Headphone Experience Part 2(LP, Transcription) Innerview Show #15 US 1976 Vender esta versión
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none The Who — The Who The Who / Alison Steele The Who / Alison Steele - The Who(LP, Transcription) DWJ Associates none US 1977 Vender esta versión
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MCA-3050 Who Are You — The Who The Who Who Are You (Album) Polydor, Polydor MCA-3050 Canada 1978 Vender esta versión
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PD-2-6235 Quadrophenia (Original Motion Picture Soundtrack From The Who Film) — The Who The Who Quadrophenia (Original Motion Picture Soundtrack From The Who Film) (Album, Comp) Polydor PD-2-6235 US 1979 Vender esta versión
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MCA2-11005 The Kids Are Alright — The Who The Who The Kids Are Alright (Album) Polydor MCA2-11005 US 1979 Vender esta versión
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none Who Are The Who (Radio Special) — The Who The Who Who Are The Who (Radio Special)(2xLP, Promo, Transcription) MCA Records none Canada 1980 Vender esta versión
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WHOT 1 Filling In The Gaps — The Who The Who Filling In The Gaps Warner Bros. Records WHOT 1 UK 1981 Vender esta versión
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3100 591 Face Dances — The Who The Who Face Dances (Album) Polydor 3100 591 Netherlands 1981 Vender esta versión
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RR-151, RR-152 The Who — The Who The Who The Who(LP, Transcription) Rock & Religion, Rock & Religion RR-151, RR-152 US 1981 Vender esta versión

Añadir reseña

mikeh69

mikeh69

28 de diciembre de 2021
editado 9 months ago
Will Pete Townshend please release the video tape and remix multi track Tanglewood 1970.. Cause Tull just did there's and their performance sucked... Pete just received 100 million bucks ... He's fucking lazy... Why can The Who just release everything pre 1978 for Christ sakes... I don't care about a NEW album or a NEW tour... Roger can't sing for shit ... No John No Keith... Hello I am a BOT ..
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Rich.C

Rich.C

19 de enero de 2017
More than any band before them, the Who transformed rock 'n' roll into the weapon of choice for the generation gap struggles of the 1960s. Playing up tensions between young and old in teen anthems "My Generation," "The Kids Are Alright," and a cover of Eddie Cochran's "Summertime Blues," this combativeness quickly became the band's hallmark. Roger Daltrey's perilous mic-swinging, Pete Townshend's ill-tempered guitar-smashing, and Keith Moon's "gonzo" drumming all bolstered the band's thuggish, working-class youth image -- and suggested it was more than image.
As Mod's heyday waned, Townshend began pushing the band in more adventurous directions, which culminated in the first proper Rock Opera, Tommy (1969). In one fell swoop, the band upgraded their standing from "average Joe's" to intelligentsia. Emboldened by Tommy's success, Townshend's songwriting became increasingly self-centered and confessional. While "Behind Blue Eyes" and "Love, Reign O'er Me" are simply sublime, much of the Who's '70s material is bogged down by the band's internal conflicts and Townshend's downward spiral into alcohol and drug abuse.
The public began to feel that the band had simply overstayed its welcome. Fans had a hard time forgiving the spokesmen of angry youth for getting old, and the band seems to have had a difficult time forgiving themselves.
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