Nala SinephroSpace 1.8

Label:Warp Records – WARPLP324
Vinyl, LP, Album
Genre:Electronic, Jazz
Style:Contemporary Jazz, Ambient


A1Space 1
Producer, Synth [Modular Synth], Synth, HarpNala Sinephro
A2Space 2
Composed ByNala Sinephro
Double BassRudi Creswick
DrumsJake Long (3)
GuitarShirley Tetteh
PianoLyle Barton
SaxophoneJames Mollison
SynthNala Sinephro
A3Space 3
Bass [Synth Bass]Wonky Logic
DrumsEddie Hick
ProducerNala Sinephro
Synth [Modular Synth], SynthNala Sinephro
A4Space 4
Composed ByNala Sinephro
Double BassTwm Dylan
DrumsJake Long (3)
KeyboardsLyle Barton
SaxophoneNubya Garcia
SynthNala Sinephro
A5Space 5
GuitarShirley Tetteh
ProducerNala Sinephro
Synth [Modular Synth], Synth, HarpNala Sinephro
B1Space 6
Composed By, ProducerNala Sinephro
DrumsJake Long (3)
SaxophoneJames Mollison
SynthesizerNala Sinephro
B2Space 7
Producer, Synth [Modular Synth], Synth, HarpNala Sinephro
B3Space 8
ProducerNala Sinephro
Synth [Modular Synth], Synth, HarpNala Sinephro

Companies, etc.



With printed inner sleeve and download card.

The initial pressing sold out quickly, and it was repressed in January 2022.

First pressing can be identified by mirrored 1| on Sides A and B.
Repress (Nala Sinephro - Space 1.8) can be identified by mirrored 1+ on Sides A and B.

Barcode and Other Identifiers

  • Barcode: 8 01061 03241 8
  • Matrix / Runout (Runout Side A; "1|" mirrored): BK24585-01 A1 WARPLP324 A 1| BEAU @ TEN EIGHT SEVEN
  • Matrix / Runout (Runout Side B; "1|" mirrored): BK28177-01 B1 WARPLP324 B2 1|

Other Versions (5 of 9)

View All
Title (Format)LabelCat#CountryYear
New Submission
Space 1.8 (8×File, WAV, Album)Warp RecordsWARP324UK2021
New Submission
Space 1.8 (8×File, FLAC, Album)Warp RecordsWARP324UK2021
New Submission
Space 1.8 (8×File, MP3, Album, 320 kbps)Warp RecordsWARP324UK2021
New Submission
Space 1.8 (LP, Album, Test Pressing, White Label)Warp RecordsWARPLP324UK2021
New Submission
Space 1.8 (CD, Album, Stereo)Warp RecordsWARPCD324UK2022



  • Funky_Broadway's avatar
    Edited 5 months ago
    Here to echo the disparity in pressings, mine is an original press and sounds amazing. It’s clean and the bass is deep. Highly recommend getting a copy regardless, this album is incredible.
    • Eirikstim's avatar
      Obviously some discrepancies here as my copy (first press) is perfect as perfect can be.
      • jolyon's avatar
        Sold my vinyl copy because it sounded abysmal. Bought a copy on CD instead and it sounds stunning.
        • Achiller's avatar
          Beautiful music and one of the crappiest pressings I own. Shame.
          • Lawrence.from.Felt's avatar
            So bad the quality of vinyl is a mess. This is golden syrup music. Love it ♥
            • hermiehancock's avatar
              How can 2000+ users have an issue limited to 200 copies? This release is a mess.
              • murQla's avatar
                Great album, worst vinyl pressing i've seen for a long time. Non-fill all the way...Digital download is way to go with this one.
                • streetmouse's avatar
                  Edited one year ago
                  It would be easy to call Space 1.8 minimalist, though there’s hardly anything here that would fit the minimalist format, then again it would be easy to call Space 1.8 understated, when it fact it’s not, leaving me to suggest that it’s some sort of expansive laidback jazz/ambient jazz (nearly avant-garde) with a bit of electronics … electronics that go on far too long in places and become rather boring over several listens. All this had me downloading the album and taking it apart to avoid the nonsensical meanderings that would not let me drift away facedown on my sofa … and then I was happy.

                  All and all, the album’s a romantic collection of fluidity, an adventurous romp through an imaginative pasture located somewhere I’ve never been. There are washes of sound that intersect smoothly with other sounds in a transitory transparent manner that envelop in the most subtle of ways, branching out and folding back in on itself effortlessly, in an almost child like manner of grace and comfort. This is not to say that there are not moments of intensity and abruptness, where the vibrations seem to continue on in one’s mind long after a passage as ended and morphs into another. There are moments of inspirational clarity, there are moments of esoteric befuddlement, moments of confusion and blissful sonic harmony. When all is said and done, there were no essential moments, and that’s a good thing here, as essentially important movements would have one recalling those instead of seeing Space 1.8 as a continuum; a single sweet bite of sugar laced gummy candy.

                  In her fashion, Nala Sinephro suggests that in her world she’s able to bend not only notes, but tones, weaving them as sonic structures of frequency and geometry, all this based on the notion (and perhaps rightly so) that sound is a metaphysical structure that has the ability to move matter, and if not to move matter, certainly to interface with it.

                  *** The Fun Facts: As to the album’s title, 1.8 suggests that volume capacity can be measured as swept volume, displacement volume or breathing volume. You might also consider that you’ll find 1.8GHz on laptop processors, while desktop processors to up to 5GHz.

                  Review by Jenell Kesler
                  • lsmdinesco's avatar
                    Purchased today in San Diego that was put out in the bin this afternoon. This pressing appears to be a first since I see the mirrored 1 without the plus. Seems unlikely, but has anyone posted a photo of what the mirrored 1 or 1+ actually looks like?
                    • heluta's avatar
                      I had been hunting for this album for a long time, so I expected high-quality pressing.
                      Unfortunately, vinyl sound dull, low dynamic range. Lots of pops, especially on the A side.
                      Digital format / streaming is much more pleasing :/


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