Friends Lovers & Family* – Diamond Lil's
| Sello: | Rising High Records – RSN 80 |
|---|---|
| Formato: | Vinilo, 12", 45 RPM, 33 ⅓ RPM |
| País: | UK |
| Publicado: | |
| Género: | Electronic |
| Estilo: | Trance, Techno, Acid |
Lista de Títulos
| A | Diamond Lil's | 8:30 | |
| AA1 | Alcatrazz | 9:30 | |
| AA2 | Stay In Darkness | 9:06 |
Compañías, etc.
- Masterizado en – Copymasters
- Grabado en – Boundary Row Studios
- Publicado por – Dark Music Ltd
- Copyright fonográfico ℗ – Rising High Productions Ltd.
- Grabado en – The Beatfarm
- Prensado por – Broadcrest Ltd. – PA7626
- Mezclado en – The Beatfarm
- Mezclado en – Boundary Row Studios
- Copyright © – Rising High Productions Ltd.
Créditos
- Mastered By – Miles*
- Producer – Friends Lovers & Family*
Notas
All tracks recorded & mixed at the Beatfarm, Boundry Row Studios, London.
℗ Rising High Productions Ltd 1994
© Rising High Productions Ltd 1994
Side A plays at 45 RPM.
Side AA plays at 33 ⅓ RPM.
Some copies of this record were shipped with an alternative generic company sleeve that lacks the artist/title sticker - see images.
℗ Rising High Productions Ltd 1994
© Rising High Productions Ltd 1994
Side A plays at 45 RPM.
Side AA plays at 33 ⅓ RPM.
Some copies of this record were shipped with an alternative generic company sleeve that lacks the artist/title sticker - see images.
Código de Barras y Otros Identificadores
- Código de Barras (Text): 5 024900 001344 >
- Código de Barras (String): 5024900001344
- Matriz/zona muerta (Etchings Side A): RSN-80-A-1 COPYMASTERS. Miles. PA7626
- Matriz/zona muerta (Etchings Side AA): RSN-80-B-1 PA7626
Otras versiones (1)
Ver Todos| Título (Formato) | Sello | Cat. nº | País | Año | |||
|---|---|---|---|---|---|---|---|
Recientemente editado | Focus EP (12", 33 ⅓ RPM, EP, White Label) | Rising High Records | RSN80 | UK | 1994 |
Recomendaciones
Críticas
This for me marked Rising Highs shift into full blown dare I say it formula trance releases, I remember up til this time I bought every Rising high release with out prior listening however after this point I was selective. Not saying I don't like Diamond Lil's though.
One of the very best of Laurence Elliott-Potter, Diamond's Lil is a mysterious piece that evolves in a pretty gloomy atmosphere at first, with some resonant filtered bassline. But then comes the break. This dark bassline suddenly rises up instead of down, a majestic piano drops some heavenly chord, while a pad lifts the atmosphere. One of simplest and most effective break ever (breaks are an exercise that LE-P is the best at).