Inner City ‎– Big Fun

Label:
Virgin ‎– 0-96610
Format:
Vinyl, 12", 33 ⅓ RPM, Stereo
Country:
Sortie:
Genre:
Style:

Tracklist Masquer Crédits

A1 Big Fun (Magic Juan Mix)
Remix – Magic Juan*
7:39
A2 Big Fun (Duane Bradley Mix)
Remix – Duane Bradley
5:01
B1 Big Fun (12" Remix)
Edited By [Re-edited By] – Master Reese*
7:09
B2 Big Fun (Kick The Pump Mix)
Edited By [Re-edited By] – May Day*
6:41

Sociétés, etc.

Crédits

Notes

Produced at KMS Recording.
Drive On Music. Tracks licensed via Best Beat Ltd.
Manufactured & distributed by WEA through arrangement with Atlantic Records.
℗1988 10 Records Ltd.

Code-Barres et Autres Identifiants

  • Barcode (Text): 0 7567-96610-0
  • Barcode (Scanned): 075679661005
  • Matrix / Runout (A Side Runout): ST-DM-55969-55970-1 1-1 PRECISION SRC
  • Matrix / Runout (B Side Runout): ST-DM-55971-55972-1 1-1 PRECISION SRC

Autres Versions (5 de 63) Tout Afficher

Cat N° Artiste Titre (Format) Label Cat N° Country Année
KMS 015 Innercity* Big Fun(12") KMS KMS 015 US 1988 Vendre cette version
FUN ONE Inner City Big Fun(12", Single, Promo) [PIAS] Recordings FUN ONE Europe 2003 Vendre cette version
KMS 078 Inner City Big Fun (D. Wynn Remixes)(12", Promo, TP) KMS KMS 078 US 2002 Vendre cette version
PIASX025X, 940.0025.138 Inner City Big Fun (Agoria Remix / Kenny Hawkes Remake / The Classic Magic Juan Mix Remake)(12") [PIAS] Recordings, [PIAS] Recordings PIASX025X, 940.0025.138 UK 2003 Vendre cette version
KMS 081 Inner City Big Fun (Remixes)(12", TP) KMS KMS 081 US 2002 Vendre cette version

Recommandations

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Mark_Anthony

Mark_Anthony

3 novembre 2019

My girlfriend thinks the lyric says "We're havin' meatballs" X-D The previous reviewer is right tho. The bongos in the B1 will murder it any time any place.
rrileyy

rrileyy

10 octobre 2019
It is wild that this record is still totally smashing dancefloors in 2019. Over 30 years goin!!
bitonti

bitonti

6 novembre 2013
edité over 7 years ago

the "Kick the Pump Mix" by Derrick May (listed as May-Day) is almost like hearing him DJ live he hits the first synths multiple times like they are in a sampler pad. May then throws in some filter and the "ohh" sample from the vocals for a few min. The mix is aggressive and dramatic you know he's operating back there. Heavy use of delay effect and filters. At one point he stops it with a rub like he's got a finger on the vinyl (but then edits out the beat that he's behind). Really clever stuff, the full "we don't need a crowd" sample doesn't even show up until the 3 minute mark. It's a playful "re-edit" about 119 BPM, call it proto-deep house or slow techno either way move aside cause Derrick May is coming through...