Various – Optimism / Reject (UK D-I-Y Punk and Post-Punk 1977-1981)
Label: | Cherry Red – CRCDBOX74 |
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Format: | |
Pays: | UK |
Sortie: | |
Genre: | Electronic, Rock, Pop |
Style: | Synth-pop, New Wave, Minimal, Experimental, Industrial, Post-Punk, Lo-Fi |
Tracklist
1-1 | Eater (2)– | Michael's Monetary System | 1:45 |
1-2 | The Drones– | You'll Lose | 3:38 |
1-3 | Alternative TV– | Love Lies Limp | 3:07 |
1-4 | The Outsiders (2)– | Freeway | 4:10 |
1-5 | John Cooper Clarke– | Suspended Sentence | 2:51 |
1-6 | 'O' Level– | O Levels | 2:07 |
1-7 | Swell Maps– | Black Velvet | 1:58 |
1-8 | Patrik Fitzgerald– | Optimism/Reject | 1:12 |
1-9 | Attrix– | Hard Times | 4:09 |
1-10 | Subway Sect– | Nobody's Scared | 2:06 |
1-11 | The Freshies– | Washed Up | 3:07 |
1-12 | Skids– | Charles | 2:35 |
1-13 | Angelic Upstarts– | Police oppression | 3:31 |
1-14 | The Art Attacks– | Neutron Bomb | 2:59 |
1-15 | Victim (4)– | Mixed Up World | 3:12 |
1-16 | Essential Logic– | Aerosol Burns | 2:01 |
1-17 | The Tights– | It | 2:42 |
1-18 | Punishment Of Luxury– | The Demon | 4:06 |
1-19 | The Fall– | Bingo-Master | 2:22 |
1-20 | The Cravats– | Situations Vacant | 3:36 |
1-21 | Scritti Politti– | Is And Ought The Western World | 3:46 |
1-22 | pragVEC– | Wolf | 1:49 |
1-23 | The Jerks*– | Cool | 3:12 |
1-24 | The Monochrome Set– | He's Frank | 2:37 |
1-25 | Thomas Leer– | International | 4:03 |
1-26 | Devil's Dykes– | Fruitless | 2:14 |
1-27 | Vice Creems– | 01-01-212 | 2:39 |
1-28 | Nigel Simpkins– | Times Encounter | 1:56 |
2-1 | The Ruts– | H-Eyes | 2:48 |
2-2 | The Dodgems– | Lord Lucan Is Missing | 3:30 |
2-3 | Passage*– | The Competition | 1:40 |
2-4 | Nicky & The Dots– | Girl Gets Nervous | 2:22 |
2-5 | Scissor Fits– | I Don't Want To Work For British Airways | 2:49 |
2-6 | Spizzoil– | Cold City | 2:02 |
2-7 | The Shapes (2)– | (I Saw) Batman (In The Launderette) | 2:39 |
2-8 | Proles– | Stereo Love | 2:05 |
2-9 | The Molesters– | Commuter Man | 5:40 |
2-10 | The Pack (3)– | Heathen | 2:39 |
2-11 | The Raincoats– | In Love | 3:07 |
2-12 | The Tea Set– | Sing Song | 1:36 |
2-13 | Artery (2)– | Mother Moon | 2:17 |
2-14 | Murder The Disturbed– | The Ultimate System | 4:00 |
2-15 | The Family Fodder*– | Playing Golf (With My Flesh Crawling) | 4:32 |
2-16 | The Frantic Elevators– | Every Day I Die | 1:26 |
2-17 | They Must Be Russians– | Nagasaki's Children | 4:16 |
2-18 | Second Layer– | Metal Sheet | 1:22 |
2-19 | Metrophase– | Cold Rebellion | 3:29 |
2-20 | Disturbed (3)– | I Don't Believe | 4:25 |
2-21 | The Door And The Window– | Subculture Fashion Slaves | 3:50 |
2-22 | The Steppes (2)– | God's Got Religion | 2:51 |
2-23 | Gl*xo Babies*– | Christine Keeler | 3:38 |
2-24 | The Associates– | Boys Keep Swinging | 3:39 |
2-25 | 'Fatal' Microbes*– | Beautiful Pictures | 1:50 |
2-26 | Disco Zombies*– | Top Of The Pops | 2:19 |
2-27 | Pneumania– | Exhibition | 2:51 |
3-1 | Au Pairs– | Domestic Departure | 2:22 |
3-2 | English Subtitles– | Reconstruction | 5:03 |
3-3 | Medium Medium– | Them Or Me | 3:55 |
3-4 | Modern Eon– | Choreography | 2:40 |
3-5 | Josef K– | Chance Meeting | 2:55 |
3-6 | The Lines– | On The Air | 3:34 |
3-7 | Mo-Dettes– | Masochistic Opposite | 3:33 |
3-8 | Deep Freeze*– | Minstrel Radio Yoghurt | 2:40 |
3-9 | The Chefs (2)– | You Get Everywhere | 2:42 |
3-10 | The Golinski Brothers– | Bloody | 2:33 |
3-11 | The Lillettes (2)– | Hey Operator | 2:11 |
3-12 | The Bodies– | Art Nouveau | 3:39 |
3-13 | Nightmares In Wax– | Shangri-La | 3:32 |
3-14 | Weird Strings– | Oscar Automobile | 3:07 |
3-15 | Again Again– | Self Employed | 4:27 |
3-16 | The Membranes– | Fashionable Junkies | 1:43 |
3-17 | Manic Jabs– | Autophagous | 2:02 |
3-18 | Blancmange– | Modichy In Aneration | 2:05 |
3-19 | Mystere V's*– | No Message | 3:16 |
3-20 | Eyeless In Gaza– | The Feeling's Mutual | 2:41 |
3-21 | Distributors*– | Lean On Me | 3:39 |
3-22 | Tagmemics– | Chimneys | 4:34 |
3-23 | Rhythm Clicks– | Short Time | 3:10 |
3-24 | Blurt– | Get | 3:44 |
4-1 | Young Marble Giants– | Final Day | 1:43 |
4-2 | Charge– | You Get What You Deserve | 3:04 |
4-3 | The Sisters Of Mercy– | The Damage Done | 3:03 |
4-4 | Girls At Our Best– | Politics! | 3:17 |
4-5 | A Popular History Of Signs– | Justice Not Vengeance | 3:58 |
4-6 | Thompson Twins– | Could Be Her, Could Be You | 3:21 |
4-7 | Fire Engines– | Everything's Roses | 3:17 |
4-8 | Emma Sharpe (2)– | Motorway | 2:00 |
4-9 | The Red Squares (3)– | The Russians Are Coming | 1:51 |
4-10 | The Room (3)– | Motion | 3:02 |
4-11 | The 49 Americans– | Should Be More Ideal | 2:40 |
4-12 | Cult Figures– | I remember | 2:54 |
4-13 | The Higsons– | Insect Love | 3:29 |
4-14 | The Laughing Apple– | Chips For Tea | 2:19 |
4-15 | The Legendary Pink Dots– | Defeated | 2:28 |
4-16 | Marine Girls– | Holiday Song | 2:14 |
4-17 | Normil Hawaiians– | The Return | 3:15 |
4-18 | The Reflections (3)– | Zigzagging | 2:52 |
4-19 | Sad Lovers And Giants– | When I See You | 3:18 |
4-20 | To The Finland Station– | Domino Theory | 3:38 |
4-21 | Vivien Goldman– | Launderette | 3:47 |
4-22 | 23 Skidoo– | Ethics | 3:41 |
4-23 | Screen 3 (2)– | Shades Of Black | 3:18 |
4-24 | The Happy Few– | Plan 9 From Outer Space | 3:35 |
4-25 | The Tesco Bombers– | Break The Ice At Parties | 1:55 |
4-26 | ...And The Native Hipsters– | I Wanna Be Around (Paul) | 2:30 |
Sociétés, etc.
- Copyright © – Cherry Red Records (2)
- Copyright ℗ phonographique – Cherry Red Records (2)
- Autorisé sous licence par – Jade Music
- Publié par – Cherry Red Songs
- Publié par – Complete Music
- Commercialisé par – Cherry Red Records Ltd.
- Distribué par – Cherry Red Records Ltd.
- Pressé par – MPO
Crédits
- Compiled By – John Reed
- Design – Keith Davey
- Producer – John Reed, Richard Anderson
- Sleeve Notes – Andy Peart, Mark Paytress
Notes
This compilation ℗ 2019 Cherry Red Records.
See booklet for full details.
Manufactured in EU / MCPS
Comes with a 64-page booklet.
Booklet typos:
Track info for 2-12 misspells producer 'Hugh Cornwell' as 'Hugh Cornwall'
Track info for 4-11 misspells 'Viv Albertine' as 'Viv Albertein'.
See booklet for full details.
Manufactured in EU / MCPS
Comes with a 64-page booklet.
Booklet typos:
Track info for 2-12 misspells producer 'Hugh Cornwell' as 'Hugh Cornwall'
Track info for 4-11 misspells 'Viv Albertine' as 'Viv Albertein'.
Code-barres et autres identifiants
- Code-barres (Text): 5 013929 107403
- Code-barres (Scanned): 5013929107403
- Informations sur la matrice (CD 1): CA CRCDBOX74CD1 @
- Code mastering IFPI (CD 1): IFPI L039
- Code du moule IFPI (CD 1): IFPI 1263
- Informations sur la matrice (CD 2): CA CRCDBOX74CD2 @
- Code mastering IFPI (CD 2): IFPI L039
- Code du moule IFPI (CD 2): IFPI 122D
- Informations sur la matrice (CD 3): CA CRCDBOX74CD3 @
- Code mastering IFPI (CD 3): IFPI L039
- Code du moule IFPI (CD 3): IFPI 1263
- Informations sur la matrice (CD 4): CA CRCDBOX74CD4 @
- Code mastering IFPI (CD 4): IFPI L039
- Code du moule IFPI (CD 4): IFPI 1285
- Société des droits d'auteur: MCPS
Recommandations
- 2016 UK
CD —Compilation, Remastered
Avis
- Thompson Twins–Could Be Her, Could Be You
This one by the sound of it the original version from the 7" B-side. Great to finally have in a decent quality after the overcompressed horror that is the reissue of "A Product Of... Participation"! - Modifié il y a 5 ansIn the booklet it says for track 2-12 (The Tea Set: Sing Song) that their third single was produced by Hugh Cornwall. Since it was mentioned beforehand that the group supported The Stranglers, I think it has to be Hugh Cornwell.
For track 4-11 (The 49 Americans: Should Be More Ideal) it says that several musicians contributed to the band, one of them being Viv Albertein. I think it should be Viv Albertine.
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