Publicité

EdwardTurning

Label:

Giegling – GIEGLING LP 11

Format:

Vinyle, LP, Album

Pays:

Germany

Sortie:

Genre:

Electronic

Style:

Ambient, Experimental, Deep House

Tracklist

A1Andur
A2Trens
A3Druins
A4Blesser
A5Spell
A6Indouglast
A7Blust I
A8Blust II
B1Paqarin
B2Bloomer
B3Bloon
B4Saag
B5Droume
B6Lokshul
B7Vey
B8Lift
Publicité

Sociétés, etc.

  • Laque coupée àLoop-O Mastering

Crédits

  • Lacquer Cut ByLoop_O*

Notes

16 tracks feels like one big track

Code-barres et autres identifiants

  • Informations sur la matrice (Etched A side runout): giegling LP 11 A 33⅓RPM Loop_O/2021
  • Informations sur la matrice (Etched B side runout): giegling LP 11 B 33⅓RPM Loop_O/2021

Autres versions (1)

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Titre (Format)LabelCat N°PaysAnnée
Nouvelle proposition
Turning (File, MP3, Mixed, 320 kbps, File, MP3, 320 kbps)GieglingGiegling LP 11 MixGermany2021

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Avis

  • Avatar de paredis
    paredis
    That druins tracks might be the most sinister, dark & twisted piece of music I've ever heard. If that doesn't send shivers down your spine I don't know what will.
    • Avatar de gparker777
      gparker777
      Does anyone have track times for the LP release ?
      • Avatar de okshiro
        okshiro
        Modifié il y a 2 ans
        Edward’s Giegling tracks are remarkable for their refusal to isolate individual elements, often starting with the track's beat already in a mostly-finalized state. His previous works as a recording artist often feel as much like 'kosmiche musik' as they do techno or house, focused almost entirely on intriguingly-textured accents being introduced over unchanging loops whose formation concluded long before the listener arrived.

        ‘Turning’ is a departure in more ways than one. Not only do the first two-thirds of the record stay far away from any dance-floor elements, content in restrained ambient meditations on timbre, but also quietly find Edward meeting the listener at the ground floor in many places and walking them through multiple phases of structural development.

        Surely this newfound access must be related to the stripped down nature of the pieces in the face of what we can now conclude is a particularly idiosyncratic beat-making process, but it does not feel like an admission of guilt or exposure of weakness. These structures feel as though they were wrought by a mature composer, and the harmonic patterns they contain are poetically inscrutable enough to be worthy of minimalism's spotlight.

        Giegling’s decision to press it to a single LP highlights the modest nature of the album. None of the 16 abstract tracks are long or aggressive enough to make arrogant demands on the listener, but concerns that the album is mere experimental dithering are allayed as the final third builds back in the direction of driving rhythms. The album concludes at its highest point as the tonal themes presented in the early tracks are refrained with increasingly compelling rhythmic accompaniment. The resulting conclusion is a pleasant crossroads that leaves the listener equally pleased with the prospect of continuing to rise towards the ocean surface of more overtly dance-focused music or returning to the sea floor of ambient and post-minimalism that Edward and the listener met at two-thirds of an hour prior.

        Edward's "Turning" feels very much like a kindred album to Map.ache's 2020 "What Does That Mean?" and is a powerful continuation of the Giegling artists’ response to the changes that the pandemic has brought to our lives, but the chapter is clearly not yet finished being written, and I am sure others will soon discuss that particular topic at great length elsewhere.
        • Avatar de sunshower
          sunshower
          Are the tracks mixed into each other, or just short takes?

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          • En Collection:432
          • En Wantlist:170
          • Note Moyenne:4.51 / 5
          • Notes:49
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