Ben UFO Selects Laurie Spiegel / Olof Dreijer – Melodies Record Club 002
| Label: | Melodies International – MRC002 |
|---|---|
| Série: | Melodies Record Club – 002 |
| Format: | Vinyle, 12", 33 ⅓ RPM, 45 RPM, Remastered |
| Pays: | UK |
| Sortie: | |
| Genre: | Electronic, Jazz, Funk / Soul, Folk, World, & Country |
| Style: | Cool Jazz, Free Jazz, Ambient, New Age, Experimental |
Tracklist
| A | Laurie Spiegel– | Drums | 7:09 |
| B | Olof Dreijer– | Echoes From Mamori | 12:59 |
Sociétés, etc.
- Copyright © – Melodies International Ltd.
- Remasterisé à – Metropolis Studios
- Laque coupée à – Metropolis Studios
- Autorisé sous licence par – Laurie Spiegel
- Autorisé sous licence par – Laurie Spiegel Publishing
- Publié par – Unseen Worlds Records
- Publié par – Universal Music Publishing AB
Crédits
- Compiled By – Ben Thomson*
- Design – Atelier Choque Le Goff
- Executive-Producer – Elliot Bernard, Sam Shepherd
- Remastered By, Lacquer Cut By – Matt Colton
Notes
First press comes with a folded A2 insert, with liner notes and interviews from Ben UFO, Laurie Spiegel and Olof Dreijer.
Remastered and cut at half speed... Metropolis Studios.
Side A plays at 45 rpm, & Side B plays at 33 1/3 rpm.
"Drums" composed, produced, performed and recorded... 1974-76 using a computer playing the actual sounds controlling analog synthesis equipment under control of the GROOVE (Generating Realtime Operations On Voltage-controlled Equipment) hybrid system which was developed by Max Matthews and F.R. Moore at Bell Labs. ● Interaction with the computer was through a keyboard, pushbuttons and knobs, as well as complex "algorhythms" written by Spiegel in FORTRAN IV ● Licence courtesy of Laurie Spiegel / Laurie Spiegel Publishing (ASCAP) and Unseen Worlds Records.
"Echoes From Mamori" License courtesy of Olof Dreijer, Olat AB ● For more details: [email protected]
A sound piece commissioned by Adnan Yildiz for the exhibition project "There Is No Audience, an exhibition about public imagination" (22-31 August 2009, Montethermoso, Vitoria-Gastelz, Spain).
Remastered and cut at half speed... Metropolis Studios.
Side A plays at 45 rpm, & Side B plays at 33 1/3 rpm.
"Drums" composed, produced, performed and recorded... 1974-76 using a computer playing the actual sounds controlling analog synthesis equipment under control of the GROOVE (Generating Realtime Operations On Voltage-controlled Equipment) hybrid system which was developed by Max Matthews and F.R. Moore at Bell Labs. ● Interaction with the computer was through a keyboard, pushbuttons and knobs, as well as complex "algorhythms" written by Spiegel in FORTRAN IV ● Licence courtesy of Laurie Spiegel / Laurie Spiegel Publishing (ASCAP) and Unseen Worlds Records.
"Echoes From Mamori" License courtesy of Olof Dreijer, Olat AB ● For more details: [email protected]
A sound piece commissioned by Adnan Yildiz for the exhibition project "There Is No Audience, an exhibition about public imagination" (22-31 August 2009, Montethermoso, Vitoria-Gastelz, Spain).
Code-barres et autres identifiants
- Code-barres: 5053760065906
Recommandations
Released2021 — UKVinyl —12", 33 ⅓ RPM, 45 RPM, Remastered
Released2022 — UKVinyl —12", 45 RPM, Remastered, Stereo
Released2013 — UK, Europe & USVinyl —LP, Album, Compilation, Stereo
Released2009 — UKVinyl —12", EP, 45 RPM, 33 ⅓ RPM
Released2014 — USA & EuropeVinyl —12", 33 ⅓ RPM, Album
Released2016 — UKVinyl —LP, Compilation
Released2017 — UKVinyl —7", 45 RPM, Single
Released2017 — UKVinyl —12", 33 ⅓ RPM, Album, Reissue, Repress
Released2012 — NetherlandsVinyl —12", 33 ⅓ RPM, Reissue
Released2012 — NetherlandsVinyl —LP, Album, Reissue
Avis
I think the A-side works well at 33 as well. One of those tunes that seems acceptable at both speeds.
And of course Olof smashes it as usual.
Modifié il y a 2 anscheck the 2013 jeremy greenspan jiaolong version to hear with electro laced masterfully between
drums builds and builds and then some more
https://www.discogs.com/release/4206122-Jeremy-Greenspan-DrumsDrumsDrums
The Olof record is a masterpiece. Just an incredible piece of music.
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