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The Beach BoysSmile

Label:Brother Records (4) – ST-2580
Format:
Vinyle, LP, Unofficial Release
Pays:
Sortie:
Genre:Rock, Pop
Style:Pop Rock, Psychedelic Rock, Experimental

Tracklist

A1Good Vibrations
Written-ByBrian Wilson, Mike Love
3:35
A2Barnyard
Written-ByBrian Wilson
1:08
A3Do You Like Worms
Written-ByBrian Wilson
3:26
A4Old Master Painter / You Are My Sunshine1:05
A5Wonderful
Lead VocalsCarl Wilson
2:20
A6Bicycle Rider
Written-ByBrian Wilson
0:23
A7Can't Wait Too Long
Written-ByBrian Wilson
6:14
A8Tones
Written-ByBrian Wilson
1:39
A9Cabin Essence (Incorporating Who Ran The Iron Horse And The Grand Coulee Dam)3:37
A10Our Prayer
Written-ByBrian Wilson
1:07
B1George Fell Into His French Horn
Written-ByBrian Wilson
5:55
B2Heroes And Villians3:37
B3Vega-Tables2:21
B4Wind Chimes
Written-ByBrian Wilson
2:35
B5Mrs. O'Leary's Cow
Written-ByBrian Wilson
3:48
B6I Love To Say Da Da
Written-ByBrian Wilson
0:57
B7Holidays
Written-ByBrian Wilson
1:12
B8Surf's Up3:07
B9Child Is Father To The Man1:10
Publicité

Notes

Contains a sheet with production informations, dated July 4th, 1983.

Code-barres et autres identifiants

  • Informations sur la matrice (Side A, etched): A-ST-2580
  • Informations sur la matrice (Side B, etched): B-ST-2580

Autres versions (5 sur 40)

Tout afficher
Titre (Format)LabelCat N°PaysAnnée
Nouvelle proposition
Smile (LP, Unofficial Release)Brother Records (4), Brother Records (4)ST-2580, ST-2580-RE-11985
Nouvelle proposition
The Smile Era Outtakes (CD, Album, Unofficial Release)Quality Compact ProductionsQCP 67001South Korea1989
Nouvelle proposition
Smile (CD, Album, Unofficial Release)SPHINX Records (3)SXCD 008Europe1989
Smile (CD, Unofficial Release)The Early Years02-CD 3317Europe1989
Nouvelle proposition
Good Vibrations: Smile (CD, Album, Unofficial Release)SPHINX Records (3)SXCD 011Europe1990

Avis

  • Avatar de Lovewood
    Lovewood
    • Avatar de flipster
      flipster
      SMiLE, the rock'n'roll worlds greatest unfinished masterpiece? the record that never was, the unreleased waxy genius of Brian Wilson was originally going to be unleashed to the public sometime in the early days of flower power but as most now know that was not the case, the whole project was shelved and left to molder in the forgotten annals of rocking history, the Beach Boys as an entity went downhill to the pop commercial dump, into the trash as fallen heroes of yesterday, striped surfing squares from the plastic city, not at all relevant in the modern 1967 world after Monterey Pop high-jacked popular thinking with 'lefty' social conscience for the young draft dodging college kids and the Beach Boys were definitely now 'out of time' in both senses of the phrase (ironically the Boys were all set to headline Saturday at the Monterey bash but pulled out due to unsound thinking, just another mess up in the strange saga of the Hotshots from Hawthorne C.A)...
      Smiley Smile was released late '67 to a largely disinterested public with the actual SMiLE project all but forgotten as Brian collapsed somewhere near the outskirts of infinity, diving headlong into paranoiac LSD madness for the last time, this time it was as 'serious as a heart attack', Brian stood at the gates of Chaos Central without a floor plan, the layout of his mind warped and wobbled on an hourly basis, nothing was the same anymore, the changes just kept changing too fast in Brians nervous system...

      Into the seventies and a few heads were starting to look back to the sixties and 'discover' the lesser known bands, the more demented, eccentric and esoteric artists of the preceding decade were being looked upon with fresh eyes and listened to with more open ears. This is where the SMiLE mystery returned to the thoughts of a few wondrous types who wished to hear this supposed treasure trove of lost grooves that could equal the Fab4s mid 60s output, Brians equivalent of the Revolver/Pepper discs...
      Somewhere around 1973 Al Jardine spoke to European music press saying SMiLE was being readied for release as a double disc set with a twelve minute version of 'Heroes & Villians', though that was Al making the most of an interview and of course nothing happened...
      Nick Kent wrote a long long piece on Brian and his tribulations in a two part story in the English music paper NME about 1975 and SMilE was at the core of the piece along with tales of sandboxes in the living room, Brians health food store the Radiant Radish and his reluctance to take of his dressing gown...

      Into the late 80's and a few books on Brian and the Beach Boys were popping up in stores and further interest was being aroused in more and more cats who just wanted to hear the original album, not remakes of SMiLE tunes that had drifted onto the market over the years on various B.B albums, SMiLE as a stand alone entity just had to be heard, someone must have the tapes, if only it could be released...

      The nineties arrived and with them the first fully fledged bootlegs of SMiLE, at last it was here for all who could find it to savour the mysteries of this ancient supposed masterpiece. By 1995 some thirteen different boots were available, all full of varying tunes/takes/works in progress that made up SMiLE...
      With the advent of home computers turning everyone and his dog into 'rock'n'roll scientists' the making of different SMiLEs erupted all over the globe with cats taking SMiLE apart and rejigging the various components to give a different feel to the sound of SMiLing...

      SMiLE was a very personal project that Brian felt strongly about and the drugged paranoia he was suffering decided him to abandon it for what now seems a myriad of differing reasons (the usual harping from fellow BBs about the songs being difficult / fires breaking out in the vicinity of the studios / Fab4 making easy headway with their own 'New Pop', the list can become endless as the rumour mongers are still spreading stories) but it has turned into a personal project for all who care to 'have a go' at SMiLing.
      • Avatar de eatafig
        eatafig
        I have one that has three differently colored disks and no labels. It also has a 22x22" poster of the cover and 15 pages of copies of the studio logs. Sound is decent but not overwhelming. Most of the stuff I've heard but one side is supposed to be a party. The cover is just one extra wide pocket for all three disks. Not a gatefold. Until the Box Set came out this was my go-to version.

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