- Apetown, Belgium
- Inscrit(e) le 3 avril 2005
Références
- En attente 8
- Références notées 2 242
- Note moyenne 4.39
Marketplace
Statistiques contributeur
- Points de classement 69
- Vote Moyen 3.89
- Votes reçus 9
- Moyenne des 10 derniers jours N/A
- Votes reçus ces 10 derniers jours 0
Groupes
I was Born in 1988 .
I got into the Gabber scene in 1999.
I first listened early rave. After a few years I decided to focus on terrorcore and speedcore.
I started producing in 2001.
Then I got into the 2000s frenchcore and UKcore as we called it.
I got to play regularly at parties since 2006.
I discovered tekno, hardfloor in late 2000s, I listened some breakcore.
In 2008, I had a short period of listening death metal, followed by acid techno. Then started my journey into the world of psychedelic trance.
I started first with full on but quickly delved into the more advanced hypnosys provided by dark and forest psy.
I returned to hardcore in the early 2010s.
I listened and produced a slower type of hardcore with lots of industrial and psychedelic influences.
After 2012 my Dj appearances became very rare.
In the late 2010s, I shortly returned to producing faster hardcore with an experimental orientation.
Around early 2020s I decided to minimize time spent producing. I still collect and explore lots of sounds.
Ever since I got into hardcore gabber in 1999, music obviously had a permanent presence in my life. Ive always continued searching new, experimental sounds, reflecting my mindset and other experiences at the time.
One thing Ive always opposed, is music that is too predictable, commoditized.
I got into the Gabber scene in 1999.
I first listened early rave. After a few years I decided to focus on terrorcore and speedcore.
I started producing in 2001.
Then I got into the 2000s frenchcore and UKcore as we called it.
I got to play regularly at parties since 2006.
I discovered tekno, hardfloor in late 2000s, I listened some breakcore.
In 2008, I had a short period of listening death metal, followed by acid techno. Then started my journey into the world of psychedelic trance.
I started first with full on but quickly delved into the more advanced hypnosys provided by dark and forest psy.
I returned to hardcore in the early 2010s.
I listened and produced a slower type of hardcore with lots of industrial and psychedelic influences.
After 2012 my Dj appearances became very rare.
In the late 2010s, I shortly returned to producing faster hardcore with an experimental orientation.
Around early 2020s I decided to minimize time spent producing. I still collect and explore lots of sounds.
Ever since I got into hardcore gabber in 1999, music obviously had a permanent presence in my life. Ive always continued searching new, experimental sounds, reflecting my mindset and other experiences at the time.
One thing Ive always opposed, is music that is too predictable, commoditized.
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"Germany creation"? My man, this is Belgian! I know there have been some historical "disagreements" on the borders but still. ;)
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A1 is not entirely the same "Hiwatt" as we find on "Magma As Peak 002".
Here we find a reworked version. I prefer the one on XPDIGI here. The tempo is a bit slower, the bassdrum is much deeper and has that more "bouncy" effect on it. Somewhere in the... Voir l'avis en entier |
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Interesting viewpoint, going against the grain in speedcoreland.
I think Tron is as far away as one could be from people like No Name and Taciturne, yet still remain in the same speedcore / hardcore music category. But I think the Fischkopf people and... Voir l'avis en entier |
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When I initially heard the record, I didnt like it too much.
At a much later time, years later, I started to appreciate it more. And especially the track I initially liked the least: B1, once in my youthful search for fast core, the slowest track was... Voir l'avis en entier |
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This is an interesting album. The style of all tracks is monotone minimal techno. Slow, hypnotic, repetitive.
But, something original about Paul Birken's work is that you can hear a lot of funny, funky sample usage. There is a sense of happiness and... Voir l'avis en entier |
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When I initially heard this release, I didn't like it.
Now that I look back on it, this is perhaps no less than one of the most experimental hardcore releases I know off. Joshua's previously released NRTX 05 is far more "straightforward". That one is... Voir l'avis en entier |
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"This Is The Life" captures my attention here.
A typical track of early 2000s Dutch mainstyle, especially on the Megarave label and its sublabels. 150-ish BPM. Lots of Pinhead vocals and some reverb-laden synths create an anthem-like, but still... Voir l'avis en entier |
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Powerful tracks!
Drum N Bass of the type that is experimental and dreamy at the same time! Quite original breakbeat rhythms, very hyperactive, yet at the same, both tracks are guided by dreamy, reverb-laden synths.. A journey into sound.. The artwork... Voir l'avis en entier |
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'91 is truly encapsulating what Rave and House music is all about.
Succinctly produced. '91 is the magic of sound influencing the body. Instigating goose bumps and hypnotizing the mind, bringing you memories of... THE ZONE. Electro-acoustic shamanism. |
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By no means it is the only X-mas-themed gabber release I dig.
But if I had to choose only one, this would be my pick. Because, it has that typical Shockwave-style (originators of terror and speedcore) with a Christmas theme. It just has that little... Voir l'avis en entier |
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Aquatic Wave is my favourite track here. Chill out vibes, of the imaginative dreamy type.
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When played at 33 instead of 45, I discovered that Picture Systa sounds like a downtempo industrial doomy track, which is also quite nice. The track works at both speeds, brutality ensured either way!
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6Bal utilized influences of many styles. One can recognize sounds from psytrance, hardcore, hardtechno, goa, acid,.. all utilized in 4 tracks of a unique mixture crafted by 6bal.
A rare record, a good, unique release on the french label Chapati,... Voir l'avis en entier |
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People seem to complain about bad mastering and editing. But its Uptempo so I dont see what else one ought to expect?
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I found this release a bit disappointing. When I think of Psychik Genocide, I expect some 200 BPM Frenchcore madness.
The CD was probably released to offer some Dutch style tracks to the label and its mostly French freetekno audience. I imagine the CD... Voir l'avis en entier |
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Vostok 5. Excellent example of what GOA trance is at its best.
Goosebumps inducing melodic madness. A journey through sound. |
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What an amazing compilation. one acid banger after another. All legendary tunes that certainly earned their place in any classic list.
An unknown gem! Grab it while you can! |
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This is one of my favo releases. Two typical full on tracks, 2000s style by goa-era veterans Total Eclipse. It's happy without being too cheesy.
When you're in the mood for some bouncy full on, this does the job excellently. This is a genre one... Voir l'avis en entier |
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Snooisnoiz is a more ambient IDM Vibe
Beuken is the more straightforward, hence its name translates to "Banging", although it has a melody that isnt any bit as merciless as its hard, distorted beat! I prefer the tracks Ghetto Funk Acid and Lord Of The... Voir l'avis en entier |
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Quite a lot in the same vein as Mortician. But with less horror samples, and an even dirtier, slimy sound. Deliciously distorted and downtuned guitars, especially the bass. Pushing the limits of dirty, guttural, distorted-bass grind & death metal.
Top. |
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Excellent, interesting concept album. Laurent Hô explores music in all its directions. Slow, faster, harder, more ambient, structured, more experimental.
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The mood on these tracks seems to be one of dreamy ambient and hyperactive percussion, both working together resulting in hypnotic sounds truly stimulating your imagination. Whether listening on your own or in a gathering, intense experiences are...
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G-rated is the banger here! Featured on the Acid Life 1 mix by Acid Junkies! Excellent example of top notch 90s acid techno!
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Experimental artist who brings a lot of influences to the table. From the most ancient percussive rhythms to the most cutting edge electronic technology. Among the many sounds being used, we find a love for doomy synths accompanied by african rhythms...
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Excellent stuff. Distorted, doomy ambient. Somewhat similar to Axhann Sonn, or a more percussion based Lasse Steen, Muslimgauze with more gabber influences???
Seems like the live version is quite different from the original: Orginal version has a more... Voir l'avis en entier |
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Hoikam is a totally underrated hardcore artist. Mostly active in the early 2000s with releases on labels such as B.E.A.S.T. and Epiteth, well-known "underground hardcore" or "terror" labels.
The label "industrial hardcore" gets thrown around quite a... Voir l'avis en entier |
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Finally got my copy.
Almost 25 years later. Nowadays the tracks sound simple. Simple qua technology, dry qua sound. YET.. a big YET.. I don't think it's a bad thing... it has a rawness that is lost in today's top notch software-derived sounds that... Voir l'avis en entier |
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Even 20-25 years after its zenith, the sounds presented on this label continue to stand out in the history of music in general, and of hardcore in particular. Whenever these tracks where featured in a DJ's mix, or on a compilation CD, the tracks...
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I am surprised there hasn't been written a review about this track yet!
A distinct saw-like, hoover-like melody, combined with danceable pounding beats around the 140-160 BPM range. Among many versions and remixes, the best and most well-known... Voir l'avis en entier |
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Excellent release.
4 tracks by the same artist, yet every track in a slightly different style. Helium has one of the more original uses of acid-synths, due to the effects. There is a lot of phase and reverb used, so the whole track gives a hypnotic... Voir l'avis en entier |
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DJ Freak is always a name to turn to when everything else sounds too soft!
The tempo is up, the beats distorted, the voices screaming.. This is why the label is called Headfuck and the artist DJ Freak! Some people get softer over the years, but this... Voir l'avis en entier |
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This has got to be one of Charlotte's most Acid-oriented releases so far.
This may even please fans of acidcore and tekno. The bassdrum is moderately distorted, evoking the analog sounds of old. Amar finishes the EP off in an acid-ambient vibe. |
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There is a lot of synth as well as percussion in each of the 4 tracks.
However what seems to be overarching here, is the utilization of effects, especially the phaser-effects. The overly 'metallic' nature of all breakbeats, the constant phaser... Voir l'avis en entier |
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If you like Acid that's as distorted as Hardcore, but still in the tempo range of solid Techno, this release provides that a solid 4 times! Well done! Quite groovy acid techno, but with a little more distortion to top it off!
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Excellent 4 tracker by Zanthrax as well as under his other alias The Relic.
Each track is a showcase of Maurice's love for slower-tempo hardcore where the emphasis lies on distortion to the max! I first fell in love with Children Of Hell on... Voir l'avis en entier |
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Beatboxing performance, influenced by Thunderdome, even imitating old house samples into it. French people keep giving us the weirdest hardcore. It made me laugh.
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I do own a white label of this.
It was given to me by Tripped himself. The reason is because one of his first live-acts he did, was on a party, where I played one of my first dj-sets as well. (I used the name Digital Entertainment) It was back in... Voir l'avis en entier |
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Charlotte De Witte brings us a variety of sounds.
"Vision" is built around a typical oldschool 909 kick, with some short hats, joined by a melody (synth or snare?) that's as at least distorted as the bassdrum, giving the track a crunchy, heavy... Voir l'avis en entier |
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Excellent works, every track is a journey through distorted ambient, with lots of Industrial and Tribal influences. Might fit well along the work of Muslimgauze, or Northern Electronics, for sessions with dark, intense experimental sounds.
The title... Voir l'avis en entier |
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Excellent release. It brings to mind Hangars Liquides, Underground Perversions releases by Atomhead and Neurocore.
However the rhythm and percussion shows its UK approach, making this work stand out on its own. Finally, in the late 2010s and early... Voir l'avis en entier |
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Quite often, when electronic music is HARD, it's often also boring and monotone.
When electronic music is experimental, it's often not HARD enough to get your fist in the air. Ontal manages to be at once HARD and Experimental. Hard enough to get your... Voir l'avis en entier |
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There was a time when both vinyl and hard quality techno (as opposed to soft techno) were dead.
Apparently, both are alive again, and this label shows how it's done! Sure, the old days were great, but if there's anything that can measure up to that,... Voir l'avis en entier |
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Totally underrated compilation. Sounds of ambient, dub, with "ethnic" influences.
Funky guitars If you like dub, spacey electronics, downtempo chillout grooves... this is it! And it's still findable for a small price! I recommend it. |
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Interestingly, and perhaps unbeknown to most Flemish Belgians themselves, on this record we find 2 banging tracks, of which the 2nd ought to be of interest to the Flemish audience.
The first track (Do it Right) is typical Spanish Hardtrance, Makina... Voir l'avis en entier |
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The voice samples in the Sandman tracks come from "Death Warrant", a movie starring, among others, JC Van Damme.
An old action flick, where masculinity is broadcasted unashamedly on your screen, with a nice touch of heroism and a tale of friendship in... Voir l'avis en entier |
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If you like the combination of fast amen breaks and a speedcore tempo, this record is essential. Typically, this is something that has to come from an obscure french label. Nice.
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