Jack White (2) ‎– Lazaretto

Etichetta:
Third Man Records ‎– TMR-271
Formato:
Vinyl, LP, Album, Etched, Ultra LP
Paese:
Uscita:
Genere:
Stile:

Elenco tracce Nascondi Riconoscimenti

A1 Three Women
Bass – Dominic DavisDrums – Daru JonesMandolin, Harmonica, Backing Vocals – Cory YountsOrgan [B3], Keyboards – Ikey Owens*Pedal Steel Guitar – Fats KaplinVocals, Piano – Jack White (2)Written By – Jack White/Blind Willie McTell
3:56
A2 Lazaretto
Bass – Dominic DavisDrums – Daru JonesFiddle – Fats KaplinSynth [Korg] – Cory YountsSynth [Moog] – Ikey Owens*Vocals, Electric Guitar – Jack White (2)
3:40
A3 Temporary Ground
Bass – Catherine PopperDrums – Carla AzarFiddle, Backing Vocals – Lillie Mae RischePedal Steel Guitar – Maggie Björklund*Piano – Brooke WaggonerVocals, Acoustic Guitar – Jack White (2)
3:13
A4 Would You Fight For My Love?
Backing Vocals – Ruby AmanfuDrum [African] – Olivia JeanDrums – Daru JonesDrums, Timpani – Carla AzarElectric Bass – Dominic DavisElectric Guitar – Dean FertitaElectric Upright Bass – Bryne Davies*Fiddle – Fats KaplinOrgan [B3], Electric Piano [Rhodes] – Ikey Owens*Piano – Cory YountsPiano, Organ [B3], Synth [Moog] – Brooke WaggonerVocals, Electric Guitar – Jack White (2)
4:10
A5 High Ball Stepper
Backing Vocals, Tambourine – Ruby AmanfuBass – Catherine PopperDrums – Carla AzarElectric Guitar – Jack White (2)Fiddle – Lillie Mae RischePedal Steel Guitar – Maggie Björklund*Piano – Brooke Waggoner
3:45
A6 Untitled
A7 Untitled
Written-By [Uncredited] – Curtis Mayfield
0:56
BA1 Just One Drink
Acoustic Guitar – Maggie Björklund*Backing Vocals – Joshua V. Smith, Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle – Lillie Mae RischePiano – Brooke WaggonerRecorded By [Assistant] – Joshua V. SmithVocals, Electric Guitar, Acoustic Guitar [Intro] – Jack White (2)
2:40
BB1 Just One Drink
Acoustic Guitar – Maggie Björklund*Backing Vocals – Joshua V. Smith, Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle – Lillie Mae RischePiano – Brooke WaggonerRecorded By [Assistant] – Joshua V. SmithVocals, Electric Guitar – Jack White (2)
2:37
B2 Alone In My Home
Backing Vocals – Lillie Mae RischeBacking Vocals, Shaker – Cory YountsDrums – Ben BlackwellElectric Bass, Electric Bass [VI] – Dominic DavisHarp – Timbre CierpkeMandolin – Fats KaplinPiano – Ikey Owens*Recorded By [Assistant] – Mindy WattsVocals, Acoustic Guitar, Maracas, Shaker – Jack White (2)
3:30
B3 That Black Bat Licorice
Backing Vocals – Olivia Jean, Ruby AmanfuClavinet, Organ [Hammond] – Brooke WaggonerDrums – Patrick KeelerElectric Upright Bass – Bryne Davies*Fiddle, Mandolin – Fats KaplinHarp – Timbre CierpkeVocals, Electric Guitar, Percussion – Jack White (2)
3:52
B4 Entitlement
Drums – Ben BlackwellElectric Upright Bass – Dominic DavisHarp – Timbre CierpkeMandolin, Backing Vocals – Cory YountsPedal Steel Guitar – Fats KaplinPiano – Ikey Owens*Vocals, Acoustic Guitar – Jack White (2)
4:06
B5 I Think I Found The Culprit
Backing Vocals, Shaker – Ruby AmanfuBass – Catherine PopperDrums – Carla AzarFiddle, Mandolin – Lillie Mae RischeHarp – Timbre CierpkePedal Steel Guitar – Maggie Björklund*Piano – Brooke WaggonerVocals, Acoustic Guitar – Jack White (2)
3:51
B6 Want And Able
Vocals, Acoustic Guitar, Piano – Jack White (2)
2:34
B7 Untitled
B8 Untitled 0:44

Società, ecc.

Riconoscimenti

Note

The record was pressed in the U.S. and distributed worldwide. So some copies might have different hype stickers on shrink wrap (from the country of distribution).

"Ultra LP" release featuring several special features:
· Tracks A6 and B7 are locked grooves featuring elements from their respective previous tracks. "High Ball Stepper" doesn't end with a faded-out distortion as in the digital versions, it is locked instead.
· Tracks A7 and B8 are hidden tracks pressed on their sides' labels, and play at 78 RPM and 45 RPM respectively, thus making the LP a three speed record.
· Side A's groove is inverted and plays from the inside out.
· "Just One Drink" consists of two different intros, each in its own groove, with both connecting at the body of the song. BA1 is acoustic, BB1 is electric.
· Side B has a matte finish, giving the appearance of an un-played 78 RPM record.
· Vinyl is pressed in flat-edged format.
· Dead wax area on Side A contains a hand-etched hologram by Tristan Duke of Infinity Light Science, the first of its kind on a vinyl record.
· Tracks B3 and B4 are swapped in comparison to the digital editions, and B2 features a slightly longer intro.
· The vinyl was mastered entirely from analog sources with no additional compression used.

Tracks A1 to A5 and BA1/BB1 to B6 are listed continuously from 1 to 11 and play at 33 ⅓ RPM.
Track A7 is an uncredited reworking of 'Pusherman', originally by Curtis Mayfield.
Durations unlisted, approximates obtained by digitizing the vinyl audio.

Jacket features Soft Touch aqueous coating. Record comes in die-cut black paper poly sleeve. Also included are an insert with lyrics and credits, and a digital download card for the album in MP3 format, which also shows info about the hologram.

Some copies have the same label on both sides of record.

----

Published by Third String Tunes (BMI)

Recorded at Third Man Studio in Nashville, TN 2012-2014

Mastered by Bob Ludwig at Gateway Mastering Studios in Portland, ME

Additional Photography: Lewis Hine, Courtesy of the National Archives and Records Administration (photo no. 102-LH-1919)

Jack White is exclusively managed by Ian Montone at Monotone, Inc.

Lazaretto is dedicated to: Florence Green, Voltairine de Cleyre, and Amazing Grace Hopper

Codice a barre e altri identificatori

  • Barcode (Sticker on shrink wrap): 8 88430 63981 2
  • Matrix / Runout (Variant 1: Runout side B, etched): TMR • 271 - B KITCHEN SINK XI
  • Matrix / Runout (Variant 2: Runout side B, etched): TMR • 271 - B KITCHEN SINK
  • Matrix / Runout (Variant 3: Runout side B, etched): TMR • 271 - B ΘT KITCHEN SINK XI
  • Rights Society: BMI

Altre versioni (5 di 22) Visualizza tutto

N. cat Artista Titolo (Formato) Etichetta N. cat Paese Anno
TMR-271 Jack White (2) Lazaretto(LP, Album, Etch, Ltd, Blu) Third Man Records TMR-271 US 2014 Vendi questa versione
88843 06398 2 Jack White (2) Lazaretto(CD, Album, Dig) Third Man Records, Columbia 88843 06398 2 Colombia 2014 Vendi questa versione
88843063982 Jack White (2) Lazaretto(CD, Album) Third Man Records, Sony Music 88843063982 Australia 2014 Vendi questa versione
88843063982 Jack White (2) Lazaretto(CD, Album, Dig) Third Man Records, Sony Music 88843063982 Australia 2014 Vendi questa versione
TMR-271 Jack White (2) Lazaretto(LP, Album, TP, Whi) Third Man Records TMR-271 US 2014 Vendi questa versione

Consigli

Recensioni Mostra tutte le 114 recensioni

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coil1002

coil1002

30 agosto 2019

I hate jack white on a level I cant even explain. I only bought this album for the gimmicks. The angel hologram is very cool. This has to be the worst record pressing I own surface noise so bad its unlistenable. The mixing sounds like it was done win a bucket with a tin can. I never understood why people think this hack is a music genius. Also for someone who claims to be such a record guy and audiophile you would think he would listen to his own pressings to realize the press house he is using is shit.

I have all the same problems with this LP that others have mentioned. Love the gimmicks so I am not terribly disappointed as I think jack whites music is shit and knew I would not be listening to it any way.
eric91478

eric91478

1 luglio 2019
modificato 4 months ago
This record is a pain in the ass to play. The Fidelity is also pretty weak. The gimmicks are just that, gimmicky. I’ll stick to the CD when I want to hear this one, because the material is quite good.
MrWordsWorth

MrWordsWorth

8 giugno 2019
Garbage United pressing - unpleasantly noisy on side one, and way off center on side two. United is about the worst pressing plant going
futurefjp

futurefjp

27 aprile 2019

No one is ever happy? It's his best effort for sure ...
PhetzerIT

PhetzerIT

23 aprile 2019

Thats really one of the records with the most features i've ever seen. Great music and ok mastering. One of the Bonus Tracks require 78 rpm with a normal stylus (bit unfortunate because no new player is able to).
tawilk34

tawilk34

21 aprile 2019

side A sounds quite flat, almost muffled with lots of noise even after cleaning twice. not a great sound quality at all. it's got some cool features, but sounds terrible. hardly paid attention to the actual music because of the poor quality coming through the speakers. Pressing seems slightly off center as I can see considerable sway in stylus head. side B a little better with a little more depth and not as much noise. I think it comes down to piss-poor quality control or standards from the plant.
deceptor

deceptor

3 aprile 2019

Definitely a mixed bag.The gimmicks are really neat, I love the little hologram, and especially love the matte 78 rpm look of the b-side. I commend Jack White for trying to innovate. Unfortunately the pressing quality is a huuuge gamble. A side had surface noise, not enough to ruin the experience but definitely couldn't ignore it. The B side was night and day, tracks B1 and B2 were abysmal, the amount of cracks and pops overpowered the music. However once I got to B3 the pressing got incredibly quiet and it was very enjoyable. They really should have had higher quality control with the pressing. I do not recommend this pressing overall except for the novelty of it. After reading other reviews it seems there's more problems than benefits quality wise with the music.
Side-D

Side-D

28 dicembre 2018

Anyone who's able to place the needle on the first track of this LP without missing the first few seconds or touching the hologram grooves, on the first try, is a master of the turntable. Jack White was out of his mind to not add some dead grooves before "Three Women".
jdlamoreaux

jdlamoreaux

19 dicembre 2018
Just bought two copies each from a different retailer and they both had bad wrinkles in the pressing that produced very noticeable thumping sounds in at least four different places. Really disappointing.
speedingdeacon

speedingdeacon

16 dicembre 2018

Definitely doesn't sound great, even though they boasted a 100% analog process. But, I gotta admit, the long list of little gimmicks made it enjoyable for a few minutes. Can't blame the guy for trying to shake things up a bit, but it was probably just too much for the pressing house to do perfectly all in one LP.