Le Orme ‎– Collage

Etichetta:
Philips ‎– 6323 007 L
Formato:
Vinyl, LP, Album, Gatefold
Paese:
Uscita:
Genere:
Stile:

Elenco tracce

A1 Collage 4:42
A2 Era Inverno 5:00
A3 Cemento Armato 8:08
B1 Sguardo Verso Il Cielo 4:12
B2 Evasione Totale 6:56
B3 Immagini 2:58
B4 Morte Di Un Fiore 3:00

Società, ecc.

Riconoscimenti

Note

Released with catalog number 6323 007 L (original) . Later second pressing Le Orme - Collage has 6323 007 A on front cover
Both issued with 6323 007 L on label.
Gatefold laminated sleeve.
Recorded May 17,1971.
Also there is different release with catalog number 6323 007 L with German text around outer ring edge of disc. Le Orme - Collage

Codice a barre e altri identificatori

  • Matrix / Runout (Runout side A, stamped): 6323 007 1 =1 520 06.07.71
  • Matrix / Runout (Runoiut side B, stamped): 6323 007 2=1 520 06.07.71
  • Matrix / Runout (Label side A): 6323 007.1
  • Matrix / Runout (Label side B): 6323 007.2
  • Rights Society: S.I.A.E.

Altre versioni (5 di 25) Visualizza tutto

N. cat Artista Titolo (Formato) Etichetta N. cat Paese Anno
UICY-94523 Le Orme Collage(CD, Album, RE, RM, Unofficial) Mercury (2), Universal Music (3) UICY-94523 Russia Unknown Vendi questa versione
842505 2 Le Orme Collage(CD, Album, RE) Philips 842505 2 Italy 1990 Vendi questa versione
VM LP 173, VMLP173 Le Orme Collage(LP, Album, Ltd, RE, Cle) Vinyl Magic, btf.it VM LP 173, VMLP173 Italy 2015 Vendi questa versione
none Le Orme Collage(CD, Album, RE, RM) Gruppo Editoriale L'Espresso S.p.A. none Italy 2014 Vendi questa versione
6323 007 Le Orme Collage(LP, Album) Philips 6323 007 Brazil 1975 Vendi questa versione

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progfan97402

progfan97402

15 agosto 2011
Collage is Le Orme's first try at progressive rock, after one album of psychedelic pop (Ad Gloriam), and a bunch of singles released as far back as 1967 (many which appeared on L'Aurora Della Orme). By this point, the band was trimmed down to Aldo Tagliapietra, Tony Pagliuca, and Michi Dei Rossi. Now I have to say the picture of Aldo Tagliapietra on the back cover on the far bottom right looks utterly ridiculous. The photo makes him out like he's a screamer on the lines of Ian Gillan or Rob Halford. Not even close. If you're familiar with his singing, his voice is the same as you expect him on other albums. Many people really don't look too fondly on this album. They go for a more raw approach, and Tony Pagliuca often goes for that same fuzzed Hammond organ sound Jon Lord goes for. But the music is nothing like Deep Purple, aside from the organ playing. The title track has what sounds to me like classical themes. There's even a short part played on clavinet, in the classical style (it needs to be noted that Hohner meant the clavinet for the classical market, little did Hohner know the keyboard was most often used in funk, like Steve Wonder's "Superstition" or Herbie Hancock's more funky stuff). Many of the songs are of a more proto-prog direction, than full-on prog, like "Era Inverno" and "Sguardo Verso il Cielo". "Cemento Armato" is most noted for that extended organ solo, in that Jon Lord manner. They really trip me out with "Evasione Totale", with some great spacy organ, and trippy sound effects. "Morte di un Fiore" is more pop-oriented, and probably how Le Orme might have sounded like in 1971 if they didn't progress much further than Ad Gloriam. This was to Italian prog what In the Court of the Crimson King was to prog in general. This album was responsible for launching the Italian prog scene. Certainly people will look towards their following albums, Uomo di Pezza, Felona e Sorona, Contrappunti as better albums, but Collage is not bad, if you don't mind their more raw, often proto-prog approach.