Inner City ‎– Big Fun

Etichetta:
Virgin ‎– 0-96610
Formato:
Vinyl, 12", 33 ⅓ RPM, Stereo
Paese:
Uscita:
Genere:
Stile:

Elenco tracce Nascondi Accrediti

A1 Big Fun (Magic Juan Mix)
Remix – Magic Juan*
7:39
A2 Big Fun (Duane Bradley Mix)
Remix – Duane Bradley
5:01
B1 Big Fun (12" Remix)
Edited By [Re-edited By] – Master Reese*
7:09
B2 Big Fun (Kick The Pump Mix)
Edited By [Re-edited By] – May Day*
6:41

Società, ecc.

Accrediti

Note

Produced at KMS Recording.
Drive On Music. Tracks licensed via Best Beat Ltd.
Manufactured & distributed by WEA through arrangement with Atlantic Records.
℗1988 10 Records Ltd.

Codice a barre e altri identificatori

  • Barcode (Text): 0 7567-96610-0
  • Barcode (Scanned): 075679661005
  • Matrix / Runout (A Side Runout): ST-DM-55969-55970-1 1-1 PRECISION SRC
  • Matrix / Runout (B Side Runout): ST-DM-55971-55972-1 1-1 PRECISION SRC

Altre versioni (5 di 63) Visualizza tutto

N. cat Artista Titolo (Formato) Etichetta N. cat Paese Anno
KMS 015 Innercity* Big Fun(12") KMS KMS 015 US 1988 Vendi questa versione
VSX1463 Inner City Big Fun(12", Maxi) 10 Records VSX1463 Canada 1988 Vendi questa versione
DMD 1244 Inner City Big Fun(12", Promo) Virgin DMD 1244 US 1988 Vendi questa versione
LJ 010 Inner City vs. Delegation (2) Inner City vs. Delegation (2) - Big Fun(12", S/Sided, Unofficial, W/Lbl) Not On Label LJ 010 2005 Vendi questa versione
none Inner City Big Fun (Remixes)(8xFile, AAC, 256) Play It Again Sam [PIAS] none Europe 2003

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Mark_Anthony

Mark_Anthony

3 novembre 2019

My girlfriend thinks the lyric says "We're havin' meatballs" X-D The previous reviewer is right tho. The bongos in the B1 will murder it any time any place.
rrileyy

rrileyy

10 ottobre 2019
It is wild that this record is still totally smashing dancefloors in 2019. Over 30 years goin!!
bitonti

bitonti

6 novembre 2013
modificato over 7 years ago

the "Kick the Pump Mix" by Derrick May (listed as May-Day) is almost like hearing him DJ live he hits the first synths multiple times like they are in a sampler pad. May then throws in some filter and the "ohh" sample from the vocals for a few min. The mix is aggressive and dramatic you know he's operating back there. Heavy use of delay effect and filters. At one point he stops it with a rub like he's got a finger on the vinyl (but then edits out the beat that he's behind). Really clever stuff, the full "we don't need a crowd" sample doesn't even show up until the 3 minute mark. It's a playful "re-edit" about 119 BPM, call it proto-deep house or slow techno either way move aside cause Derrick May is coming through...