Meyer Kupferman – Untitled
| Etichetta: | A Sam Fox Production – SF 1004, Synchrofox Music Library – SF 1004 |
|---|---|
| Formato: | Vinile, LP |
| Paese: | US |
| Uscita: | |
| Genere: | Jazz, Stage & Screen |
| Stile: | Theme, Score |
Elenco tracce
| Jazz (Dramatic/Light) | |||
| A1 | Cool Summer Day | 2:05 | |
| A2 | Loose Libido Boogie | 1:59 | |
| A3 | Cool Flight | 1:50 | |
| A4 | Startling Episode (The Lonely Jungle) | 1:20 | |
| A5 | Jazz Fantastique | 2:30 | |
| A6 | Phantom Riverboat | 2:27 | |
| Dramatic, Tension, Suspense (Modern Scoring) except (*) | |||
| B1 | Propelled Fury | 1:43 | |
| B2 | Driftwood In The Moonlight (*) | 0:59 | |
| B3 | Alcoholic Flight | 2:26 | |
| B4 | Ballad For Lori (*) | 3:09 | |
| B5 | Mysterious Motif | 2:05 | |
| B6 | Terror Into Jazz (*) | 1:37 | |
| B7 | Deep Anxiety | 3:22 | |
| B8 | Frustration | 0:38 | |
| B9 | Nightmare | 2:12 |
Società, ecc.
- Pubblicato da – Sam Fox (2)
- Inciso presso – RCA Records Pressing Plant, Rockaway
Crediti
- Composed By – Meyer Kupferman
Note
Tracks B1-B9 listed as ''Dramatic, Tension, Suspense (Modern Scoring)'' except (*)
B2 Driftwood In The Moonlight (*) (Romantic Ballad)
B4 Ballad For Lori (*) (Slow, Romantic Foxtrot)
B6 Terror Into Jazz (*) (Dramatic Into Big Band Jazz)
Sam Fox Film Rights.
1841 Broadway,
New York,
N.Y. 10023
B2 Driftwood In The Moonlight (*) (Romantic Ballad)
B4 Ballad For Lori (*) (Slow, Romantic Foxtrot)
B6 Terror Into Jazz (*) (Dramatic Into Big Band Jazz)
Sam Fox Film Rights.
1841 Broadway,
New York,
N.Y. 10023
Codice a barre e altri identificatori
- Matrice / Runout (Label Side A): RR4M-4665
- Matrice / Runout (Label Side B): RR4M-4666
- Matrice / Runout (Side A - stamped): RR4M - 4665 - - 1A R
- Matrice / Runout (Side B - stamped): RR4M - 4666 - - 1A R
- Matrice / Runout (Side A - stamped/etched): A/D
- Matrice / Runout (Side B - stamped/etched): A/B
- Società di gestione dei diritti: ASCAP
Recensioni
- This is essentially the soundtrack album* to the (now highly regarded) low budget film noir “Blast Of Silence” (1961). I don’t know whether Kupferman recorded this and Sam Fox licensed to the film producers, or if he wrote it for the film and then got a deal with Fox to attempt to license it to other potential clients. He is listed in the film credits, which makes me think it was written first as the film score. Either way it’s great, an exemplary Crime/Chamber/Progressive Jazz recording; its downbeat disonance matches the cold, dreary look and feel of the film perfectly. Sound quality is excellent.
* it does not included the 2 Dean Sheldon beatnick tracks featured in the Village Gate sequence
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