ZZ Top

ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band consists of guitarist and lead vocalist Billy Gibbons, bassist and co-lead vocalist Dusty Hill, and drummer Frank Beard. The band and its members went through several reconfigurations throughout 1969, achieving their current form when Hill replaced bassist Billy Etheridge in February 1970, shortly before the band was signed to London Records. Etheridge's departure issued primarily from his unwillingness to be bound by a recording contract.

Since the release of the band's debut album in January 1971, ZZ Top has become known for its strong blues roots and humorous lyrical motifs, relying heavily on double entendres and innuendo. ZZ Top's musical style has changed over the years, beginning with blues-inspired rock on their early albums, then incorporating New Wave, punk rock and dance-rock, with heavy use of synthesizers.

ZZ Top was inducted into the Rock and Roll Hall of Fame in 2004. As a group, ZZ Top possesses 11 gold records and 7 platinum (13 multi-platinum) records; their 1983 album, Eliminator, remains the group's most commercially successful record, selling over 10 million units. ZZ Top also ranks 80th in U.S. album sales, with 25 million units.


ZZ Top - First Album アルバムアート ZZ Top First Album (Album) London Records US 1971 このバージョンを出品
ZZ Top - Rio Grande Mud アルバムアート Z Z Top* Rio Grande Mud (Album) London Records US 1972 このバージョンを出品
ZZ Top - Tres Hombres アルバムアート ZZ Top Tres Hombres (Album) London Records South Africa 1973 このバージョンを出品
RL-10-4 ZZ Top - Tres Hombres / Rufus アルバムアート ZZ Top / Rufus ZZ Top / Rufus - Tres Hombres / Rufus(LP, Mono, Transcription) AFRTS RL-10-4 US 1974 このバージョンを出品
ZZ Top - Fandango! アルバムアート ZZ Top Fandango! (Album) London Records US 1975 このバージョンを出品
ZZ Top - Tejas アルバムアート ZZ Top Tejas (Album) London Records UK 1976 このバージョンを出品
ZZ Top - Degüello アルバムアート ZZ Top Degüello (Album) Warner Bros. Records US 1979 このバージョンを出品
ZZ Top - King Biscuit Flower Hour: The Best Of King Biscuit アルバムアート ZZ Top King Biscuit Flower Hour: The Best Of King Biscuit DIR Broadcasting US 1980 このバージョンを出品
ZZ Top - El Loco アルバムアート ZZ Top El Loco (Album) Warner Bros. Records Germany 1981 このバージョンを出品
ZZ Top - Eliminator アルバムアート ZZ Top Eliminator (Album, Comp) Warner Bros. Records, Warner Bros. Records France 1983 このバージョンを出品
Series #27 Show #12 ZZ Top - Jim Ladd Hosts ZZ Top アルバムアート Jim Ladd Hosts ZZ Top Jim Ladd Hosts ZZ Top - Jim Ladd Hosts ZZ Top(LP, Transcription) Innerview Series #27 Show #12 US 1983 このバージョンを出品
ZZ Top - Off The Record Specials With Mary Turner アルバムアート ZZ Top Off The Record Specials With Mary Turner Westwood One US 1984 このバージョンを出品
ZZ Top - Afterburner アルバムアート ZZ Top Afterburner (Album) Warner Bros. Records, Warner Bros. Records US 1985 このバージョンを出品
P.I.M 69 ZZ Top - Pioneers In Music, Texas Hardrockers アルバムアート Stevie Ray Vaughan, The Fabulous Thunderbirds, ZZ Top Stevie Ray Vaughan, The Fabulous Thunderbirds, ZZ Top - Pioneers In Music, Texas Hardrockers(2xLP, Transcription) Pioneers In Music P.I.M 69 US 1986 このバージョンを出品
RS 88-C ZZ Top - Timothy White's Rock Stars: ZZ Top アルバムアート ZZ Top Timothy White's Rock Stars: ZZ Top(2xLP, Transcription) Westwood One Radio Network RS 88-C US 1988 このバージョンを出品
ZZ '89 ZZ Top - Electric Mud: ZZ Top's Tribute To Muddy Waters アルバムアート ZZ Top Electric Mud: ZZ Top's Tribute To Muddy Waters(2xLP, Transcription) Westwood One ZZ '89 US 1989 このバージョンを出品
ZZ Top - Recycler アルバムアート ZZ Top Recycler (Album) Warner Bros. Records, Warner Bros. Records US 1990 このバージョンを出品
none ZZ Top - The ZZ Top Story アルバムアート ZZ Top The ZZ Top Story(3xLP, Transcription) Unistar Radio Programming none US 1990 このバージョンを出品
ZZ Top - In The Studio: "Greatest Hits" アルバムアート ZZ Top In The Studio: "Greatest Hits" The Album Network, The Album Network US 1992 このバージョンを出品
ZZ Top - In The Studio: "Eliminator" アルバムアート ZZ Top In The Studio: "Eliminator" The Album Network US 1993 このバージョンを出品
none ZZ Top - King Biscuit Flower Hour アルバムアート ZZ Top / Joe Satriani ZZ Top / Joe Satriani - King Biscuit Flower Hour(CD, Promo, Transcription) DIR Broadcasting none US 1993 このバージョンを出品
ZZ Top - Antenna アルバムアート ZZ Top Antenna (Album) RCA US 1993 このバージョンを出品
ZZ Top - Off The Record Special アルバムアート ZZ Top Off The Record Special Westwood One US 1992 このバージョンを出品
ZZ Top - Rhythmeen アルバムアート ZZ Top Rhythmeen (Album) RCA US 1996 このバージョンを出品
ZZ Top - XXX アルバムアート ZZ Top XXX (Album) RCA Bulgaria 1999 このバージョンを出品

レビュー 11件のレビューを表示




To me ZZ Top started loosing it around El Loco. But really lost it with Eliminator. I don’t really care for that synth sound. It ruined their music in my opinion.


What is this version of Eliminator where there are handles on top of the record and the physical release is made to look like a handbag? It's a promo release I saw in a record fair but didn't manage to buy


編集 about 1 year ago
be very careful of "new" versions of the first album...it was "remixed" some time in the 90s and was butchered to all hell...the drums went from tight and clean into a reverby mess. Some morons idea of an improvement no doubt. Stick to the original version/pressings


Kinda wish all of their albums sounded like Afterburner. The mix of blues rock and synthesized dance music was brilliant in my opinion. But they were always a blues rock band at heart and that always shone through in everything.
Really wish there was a compilation of their 12" mixes though as the extended mixes of Sleeping Bag and Stages are notoriously difficult to find on CD...


...Ironically the only one without a beard is the drummer called Frank Beard!! Billy Gibbons once said he turned down a million dollars from Gillette to shave off his beard!!

In the more than thirty years that they have been together, ZZ Top have mutated from a hard rocking boogie band into pop culture icons. Some might say, that they are also forward thinking musical geniuses whose appropriation of MTV and melding of Hard Rock to Dance rhythms put them so far ahead of the curve that -- for a while in the mid-1980s -- they seemed poised to take over the world. The band started out in 1970 when singer-guitarist Billy Gibbons got together with drummer Frank Beard and bassist Dusty Hill. Gibbons, only in his early twenties, was already a veteran musician whose previous band The Moving Sidewalks had had regional hit records and had opened for Jimi Hendrix. The band started out playing hard edged, deeply blues based Boogie Rock that cruised on the power of the Hill-Beard rhythm section and Gibbons' powerful vocals and even more powerful guitar. The band toured relentlessly, guided by svengali-like manager Bill Ham, a disciple of Elvis' Colonel Tom Parker. He helped them score a major record deal and created a certain band mythos (access to the band was severly limited; personal biographical information was closely guarded) that lingers to this day. Their third album, Tres Hombres broke things wide open with the smash hit "La Grange," a...
... song driven by an insistent John Lee Hooker boogie riff and Gibbons' squealing guitar solos. They became increasingly popular on the live circuit, breaking attendance records set by The Beatles by 1976. Returning after a three year hiatus in 1979, they emerged with their now-trademark hirsute look and the hard-hitting record Deguello, which included the hit "Cheap Sunglasses." Gibbons' longtime fascination with all sorts of Dance music came into play with Eliminator (1981), which coincided with the rise of the music video as a promotional tool and took the band to new commercial heights. That record was propelled by a sound that wedded Texas Blues guitar heroics to banks of churning synthesizers and sequenced rhythms. It was the sound of money being minted as the singles "Sharp Dressed Man," "Gimme All Your Lovin'," and "Legs" shot up the charts. That the accompanying music videos included hot rod cars, leggy models, and the band doing oddly choreographed dance moves that rendered them at once hip and cartoonishly funny probably helped their album sales. Eliminator and its follow-up Afterburner sold gazillions of records and the band was, for a time, as popular as a band can be. In the 1990s the group's popularity waned some, and they moved away from the sequencers and synthesizers. They went back in the direction of their earlier work. They nonetheless continue to make vital music that draws deeply from the blues and R&B tradition, while always trying to bring something new to it.


Why are all these records in the album section ? They belong to the miscellaneous releases and not to the albums.... Jim Ladd hosts ZZ Top, King Biscuit Flower Hour, In the Studio, ZZ Top's Worldwide Texas Tour and so on....


ZZ Top were influential to the industrial rock sound that was championed by Al Jourgensen / Ministry. The combination of rock guitars, dance synthesizers and driving beats, from their eighties material in particular, was really innovative for its time.
I'll never forget watching the video and listening to "Legs" as a child. Unfortunately, the commercial success sort of tarnished the talent and creativity of the song. It really is a badass tune.

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