Gal Costa

Maria Da Graça Costa Penna Burgos
Born September 26, 1945 in Salvador, Bahia, Brazil, is a Brazilian singer of popular music.

Gal Costa was born on September 26, 1945 on Barra, one of the most traditional neighbourhoods of Salvador, to Mariah Costa Penna (d. 1993) and Arnaldo Burgos (d. 1960). During her pregnancy, Mariah spent hours concentrated listening to classical music, as in a ritual, with the intention that her child would become interested in music. Gal never met her father, who died when she was 15 years old.
When she was 10, Gal befriended sisters Sandra and Andréia Gadelha, future wives of singer-songwriters Gilberto Gil and Caetano Veloso, respectively. At 14, she first listened to João Gilberto's "Chega de Saudade" on the radio and became interested in Bossa Nova. She then went on to work as a clerk on Salvador's main record store to get closer to music. At 18, she was introduced to Caetano Veloso by Andréa Gadelha, engaging with him in a deep friendship that still lasts.

Costa debuted her professional career on the night of August 22, 1964 on the concert Nós, por exemplo, where she performed alongside Veloso, Gil, Maria Bethânia and Tom Zé, among others. The concert inaugurated the Vila Velha Theatre in her hometown. During the same year, she also performed in Nova Bossa Velha, Velha Bossa Nova, at the same place and with the same singing partners. She then left Salvador to live in the house of her cousin Nívea in Rio de Janeiro, following the footsteps of Bethânia, whose concert, Opinião, had become a huge hit on the town.
Costa's first professional recording happened on Bethânia's debut album, released in 1965. It was the duet "Sol Negro", written by Bethânia's brother, Caetano Veloso. She then released her first singles through RCA Records, "Eu vim da Bahia", written by Gil, and "Sim, foi você", written by Veloso. On the following year, Costa met Gilberto personally and participated on TV Rio's 1st International Music Festival performing "Minha Senhora", written by Gil and Torquato Neto. It failed to captivate the Festival's audience.
Costa's first album Domingo was released on 1967 through Philips Records. It was also Veloso's debut. Costa stayed on the label, which later became Polygram, until 1983. One song released from this album, "Coração Vagabundo", became a huge hit. On the same year, Costa also performed two songs on the 2nd International Music Festival, which was then hosted by Rede Globo. They were "Bom Dia", written by Gil and Nana Caymmi and "Dadá Maria", written by Renato Teixeira. The latter was performed with Sílvio César on the Festival and with Teixeira on the recording.
In 1968, Costa became a part of the Tropicalismo movement. She recorded four songs on Tropicália: ou Panis et Circenses. They were "Mamãe coragem", written by Veoloso and Torquato Neto, "Parque industrial", by Tom Zé, "Enquanto seu lobo não vem", by Veloso, and "Baby", also by Veloso. The latter became Costa's first nationwide solo hit, becoming a classic of Brazilian popular music. On the same year, she participated on the 3rd International Music Festival, performing "Gabriela Mais Bela", written by Roberto and Erasmo Carlos. In November, she participated on Rede Record's 4th Music Festival, performing the song "Divino Maravilhoso", by Gil and Veloso. The song also became a nationwide hit and a classic song of popular music.
On 1969, Costa released her eponymous solo debut album, which included "Baby" and "Divino Maravilhoso". The album is considered a Tropicalismo classic, balanced between Brazilian stylizations and North American psychedelic influences. It also featured Costa's third and fourth solo hits, Jorge Ben Jor's "Que pena (Ele já não gosta mais de mim)" and Veloso's "Não identificado", respectively. On the same year, she recorded her second solo album, titled Gal, and featuring the hits "Meu nome é Gal", by Roberto and Erasmo Carlos, and "Cinema Olympia", by Veloso. The album served as the basis for the repertoire of the concert Gal!.
Her next album, Legal, was not as far from the mainstream as its predecessor, and a live album the following year again balanced smooth Brazilian sounds with heavy rock. In 1973, the cover of Costa's album Índia was censored due to her wearing a risqué red bikini. Costa has recorded songs composed by a number of Brazil's most popular songwriters such as Tom Jobim, Ben, and Erasmo Carlos. In 1982 the single "Festa Do Interior" from the double album Fantasia became her biggest ever hit, going multi-platinum by the end of the year. Costa appeared in the 1995 film The Mandarin (O Mandarim) as the singer Carmen Miranda. She has recorded songs in Portuguese, Spanish and English.
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Gal Costa - Domingo album art Gal* E Caetano Veloso Gal* E Caetano Veloso - Domingo (Album) Philips Brazil 1967 このバージョンを出品
Gal Costa - Gal Costa album art Gal Costa Gal Costa (Album) Philips, Philips Brazil 1969 このバージョンを出品
Gal Costa - Gal album art Gal Costa Gal (Album) Philips Brazil 1969 このバージョンを出品
Gal Costa - Legal album art Gal Costa Legal (Album) Philips Brazil 1970 このバージョンを出品
Gal Costa - -Fa-Tal- (Gal A Todo Vapor) album art Gal Costa -Fa-Tal- (Gal A Todo Vapor) (Album) Philips, Philips Brazil 1971 このバージョンを出品
Gal Costa - Índia album art Gal Costa Índia (Album) Philips Brazil 1973 このバージョンを出品
Gal Costa - Temporada De Verão (Ao Vivo Na Bahia) album art Caetano Veloso - Gal Costa - Gilberto Gil Caetano Veloso - Gal Costa - Gilberto Gil - Temporada De Verão (Ao Vivo Na Bahia) (Album) Philips Brazil 1974 このバージョンを出品
Gal Costa - Cantar album art Gal* Cantar (Album) Philips Portugal 1974 このバージョンを出品
Gal Costa - Doces Bárbaros album art Caetano* / Gal* / Gil* / Bethânia* Caetano* / Gal* / Gil* / Bethânia* - Doces Bárbaros (Album) Philips Portugal 1976 このバージョンを出品
Gal Costa - Gal Canta Caymmi album art Gal Costa Gal Canta Caymmi (Album) Philips Brazil 1976 このバージョンを出品
Gal Costa - Caras E Bocas album art Gal Costa Caras E Bocas (Album) Philips Portugal 1977 このバージョンを出品
Gal Costa - Agua Viva album art Gal Costa Agua Viva (Album) Philips Brazil 1978 このバージョンを出品
Gal Costa - Gal Tropical album art Gal Costa Gal Tropical (Album) Philips, Philips Japan 1979 このバージョンを出品
Gal Costa - Aquarela Do Brasil album art Gal Costa Aquarela Do Brasil (Album) Philips, Philips Portugal 1980 このバージョンを出品
Gal Costa - Fantasia album art Gal Costa Fantasia (Album) Philips Japan 1981 このバージョンを出品
Gal Costa - Minha Voz album art Gal Costa Minha Voz (Album) Philips, Philips Portugal 1982 このバージョンを出品
Gal Costa - Baby Gal album art Gal Costa Baby Gal (Album) Philips, Philips Brazil 1983 このバージョンを出品
40.374 Gal Costa - Brasil Es Gal  album art Gal Costa Brasil Es Gal (LP, Album) Philips 40.374 Venezuela 1983 このバージョンを出品
Gal Costa - Profana album art Gal Costa Profana (Album) RCA Brazil 1984 このバージョンを出品
8186581.0 Gal Costa - Mi Nombre Es Gal album art Gal Costa Mi Nombre Es Gal(LP) Polystar (3) 8186581.0 Peru 1984 このバージョンを出品
Gal Costa - Bem-Bom album art Gal Costa Bem-Bom (Album) RCA, RCA Portugal 1985 このバージョンを出品
Gal Costa - Lua De Mel Como O Diabo Gosta album art Gal Costa Lua De Mel Como O Diabo Gosta (Album) RCA Brazil 1987 このバージョンを出品
Gal Costa - Rio Revisited album art Antonio Carlos Jobim, Gal Costa Antonio Carlos Jobim, Gal Costa - Rio Revisited (Album) Verve Digital Japan 1987 このバージョンを出品
Gal Costa - Plural album art Gal Costa Plural (Album) RCA, RCA Venezuela 1990 このバージョンを出品
Gal Costa - Gal Costa album art Gal Costa Gal Costa (Album) RCA Brazil 1992 このバージョンを出品

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If you see any early Gal Costa album just get it, at the level of Veloso, Gil, Os Mutantes... etc... also wow, never seen so many pictures of an artist's page on discogs, but she is Gorgeous!

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