収録曲
I Feel The Earth Move | 2:57 | ||
So Far Away | 3:55 | ||
It's Too Late | 3:51 | ||
Home Again | 2:27 | ||
Beautiful | 3:05 | ||
Way Over Yonder | 4:42 | ||
You've Got A Friend | 5:07 | ||
Where You Lead | 3:18 | ||
Will You Love Me Tomorrow? | 4:10 | ||
Smackwater Jack | 3:39 | ||
Tapestry | 3:11 | ||
(You Make Me Feel Like) A Natural Woman | 3:47 |
クレジット (6)
- Roland Young (3)Art Direction
- Carole KingArtwork [Tapestry Hand-stitched By]
- Chuck BeesonDesign
- Hank CicaloEngineer
- Jim McCraryPhotography By
- Lou AdlerProducer
バージョン
フィルター
464件のバージョン
画像 | , | – | コレクション、ほしい物リスト、アイテムリスト内 | バージョン詳細 | データ品質 | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | Tapestry LP, Album, Stereo, Gatefold | A&M Records – 85 337 IT, Ode Records (2) – 85 337 IT | Germany | 1971 | Germany — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album | A&M Records – AMLS 2025, Ode Records (2) – AMLS 2025 | UK | 1971 | UK — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album | A&M Records – SLAM 67009, A&M Records – SLAM 67.009, A&M Records – SP 77009, Ode Records (2) – SLAM 67009, Ode Records (2) – SLAM 67.009, Ode Records (2) – SP 77009 | Italy | 1971 | Italy — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Stereo, Smooth Stock Gatefold | Ode Records (2) – ODE SP 77009, Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry 8-Track Cartridge, Album, Stereo | Ode Records (2) – 8T-77009 | US | 1971 | US — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Terre Haute Pressing, Textured Sleeve | Ode Records (2) – SP 77009, Ode Records (2) – ODE SP 77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Stereo | A&M Records – ODE SP 77009, Ode Records (2) – ODE SP 77009, A&M Records – SP 77.009, Ode Records (2) – SP 77.009 | France | 1971 | France — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Santa Maria Pressing, Gatefold | Ode Records (2) – ODE SP 77009, Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Unofficial Release | SAS (6) – SASLP-805 | Malaysia | 1971 | Malaysia — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Stereo, White/Silver Labels | Ode Records (2) – AMLS 2025 | UK | 1971 | UK — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold Sleeve | A&M Records – AMLS 2025, Ode Records (2) – AMLS 2025 | Scandinavia | 1971 | Scandinavia — 1971 | 最近編集された | |||
![]() | Tapestry Cassette, Album, Stereo | A&M Records – ZCAM 2025, Ode Records (2) – ZCAM 2025 | UK | 1971 | UK — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Monarch Press, Gatefold | Ode Records (2) – SP 77009, Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Stereo, Monarch Pressing, Gatefold | Ode Records (2) – SP 77009, Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album | Ode Records (2) – ORS 3104 | Colombia | 1971 | Colombia — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, SX\Terre Haute Pressing | Ode Records (2) – SP 77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album | Ode Records (2) – SP-77009 | India | 1971 | India — 1971 | 新しい投稿 | |||
![]() | Tapestry Reel-To-Reel, 7 ½ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album | Ode Records (2) – OR-77009, A&M Records – OR-77009 | US | 1971 | US — 1971 | ||||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – SP-77009 | Canada | 1971 | Canada — 1971 | ||||
![]() | Tapestry LP, Album, Stereo | A&M Records – SP 77017, Ode Records (2) – ODE 8001 | Brazil | 1971 | Brazil — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Santa Maria | Ode Records (2) – SP 77009 | US | 1971 | US — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album | A&M Records – HDAS 371-60, Ode Records (2) – HDAS 371-60, Hispavox – HDAS 371-60 | Spain | 1971 | Spain — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold | A&M Records – AML-96, Ode Records (2) – AML-96 | Japan | 1971 | Japan — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Stereo, ODE Logo Black Print | A&M Records – AMLS 2025, Ode Records (2) – AMLS 2025 | UK | 1971 | UK — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album | A&M Records – AMLS 2025 | Israel | 1971 | Israel — 1971 | ||||
![]() | Tapestry Cassette, Album | Ode Records (2) – CS-77009 | US | 1971 | US — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Reissue | A&M Records – 85 337 IT, Ode Records (2) – 85 337 IT | Germany | 1971 | Germany — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Reissue, Gatefold | Ode Records (2) – SP-77009 | Canada | 1971 | Canada — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Club Edition, Stereo, Jacksonville Pressing, Gatefold | Ode Records (2) – ODE SP 77009, Ode Records (2) – 93812, Ode Records (2) – SMAS-93812 | US | 1971 | US — 1971 | 新しい投稿 | |||
![]() | Tapestry Cassette, Album | Not On Label – CS-77009 | Canada | 1971 | Canada — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album | A&M Records – SP 77009 | Singapore, Malaysia & Hong Kong | 1971 | Singapore, Malaysia & Hong Kong — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Club Edition, Gatefold | A&M Records – 61 509, Ode Records (2) – 61 509 | Germany | 1971 | Germany — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Gatefold | CBS – AAP 14 | Hong Kong | 1971 | Hong Kong — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – SP-77009, Ode Records (2) – ODE SP 77009 | Canada | 1971 | Canada — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – SP 77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Stereo, White/Silver Labels, Tranco Pressing | Ode Records (2) – AMLS 2025 | UK | 1971 | UK — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – ODE SP 77009, Ode Records (2) – SP-77009 | US | 1971 | US — 1971 | 最近編集された | |||
![]() | Tapestry LP, Album, Gatefold | Ode Records (2) – SP 77009 | US | 1971 | US — 1971 | 新しい投稿 | |||
![]() | Tapestry LP, Album, Stereo, Silver/white labels | Ode Records (2) – AMLS 2025 | UK | 1971 | UK — 1971 | 最近編集された |
おすすめ
レビュー
- I bought a copy of this album where the b side shows "ODE 77018-P4" and the a side shows "ODE 77017-P6". But there's no version with P4. Do I have to open a new entry just for a P4 in the runouts or am I just blind?
- 27日前に編集されましたThis is an excellent sounding pressing indeed. Of course the music is so beautiful but the high quality sound delivers you more than that. It’s an incredible experience. This pressing has “soul”.
- 2か月前に編集されましたThis edition is punchy, crisp, dynamic, has a narrower stereo image than the 8701 of this, Carole King - Tapestry, and a higher output level. Not as detailed, resonant, nor warm as the 8701. So, different but still excellent.
- great disc. there is some distortion on the vocals, although, i read that's just part of the recording.
- Very loud cut (hot cut - not to be confused with loud brickwalled mastering), however my microline stylus does an amazing job doing justice to how the loud master was intended to play.
Extremely dynamic, superb clarity and overall very holographic soundstage. One of my cherished records in my collection. - This 1977 pressing highlights the instruments more cleary than the og pressing when compared side by side.
- My copy has Matrix / Runout: 1A EK34946 14 B, but has only one writing credit for the first 7 tracks on the CD face.
- This is a fine pressing and for pressing quality matches the so called Supervinyl of the one step. The truth is, as the 33's sides play out the performance advantage of the 1 Step simply grows and grows but this is the best 33 ive heard and it only gives away a little in bass and Caroles voice smoothness. This ones alot less expensive though! That being said the SACD cost me even less than both and i think its DSD layer beats the Mofi 33 and 45 vinyl editions anyway!
- Flat sound and bad dynamics
Voice is unexpressive, looks like there’s something between the singer and the microphone
The pops are not omnipresent but really disturbing the listening experience
Overall mediocre pressing, I’m pretty sure the old versions sound way way better.
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