French photographer Jean-Pierre Leloir (1931-2010) captured some of the most iconic images of jazz life in France during the 1950s and 1960s. Leloir was passionate about music from his early teens and started taking pictures as a 20-year-old. For publications like Jazz Magazine, L’Express and Le Nouvel Observateur, he photographed many of the jazz musicians who visited Paris or made the French capital their home in the 1950s and ‘60s, including Louis Armstrong, Chet Baker, Sydney Bechet, Art Blakey, Donald Byrd, John Coltrane, Miles Davis, Duke Ellington, Ella Fitzgerald, Billie Holiday, Charles Mingus and Lester Young.
“The day Paris was liberated”, wrote Yann Plougastel in Le Monde soon after Leloir’s death, “a GI gave him a photo camera and his life changed forever. He would soon discover jazz at 18 at the Carnot high school, listening to Sidney Bechet, Count Basie and Duke Ellington. In 1949, after a festival that reunited Charlie Parker and Miles Davis at Salle Pleyel, he decided to quit his studies and devote himself exclusively to photography. In May of 1951 he published his first image in the Jazz Hot magazine. It was a portrait of pianist Jef Gilson. It was the very first of hundreds to come…”
To pay homage to Leloir’s work, Jazz Images has selected the most important classic jazz albums to match with his visual genius. The result is this groundbreaking collection consisting of 60 LPs and 46 CDs, beautifully presented all in fold open editions, showcasing the photographer’s work as the common denominator.
All photographs have been carefully selected from Leloir’s immense catalogue. Many had never been published before in any format. All photos demonstrate Leloir’s amazing ability to immortalize performers and to capture candid moments at the airport, in the dressing rooms and at the corridors of the most legendary Paris jazz and concert venues. “I loved the people I photographed, so I made myself as available, yet as discreet as possible,” he said. “I never wanted to be a paparazzi. I wanted them to forget my presence so I could catch those little unexpected moments.”