For unofficial entries, please use Thunderdome (2).
A compilation series regarding an event-concept created by ID&T which – on the contrary of what people might believe – did not start out as a gabber/hardcore event at all, as these subgenres didn't exist those days. It started out as a rave offering party people multiple styles and genres and especially a good vibe.
It were Irfan, Duncan & Theo (I. D. & T.) who came up with the idea to throw a massive final exam party on a never-seen-before scale. Hence this rave carried the name "The Final Exam". Its aftermath lead in a split-up between I., D. & T. as Theo didn't pass his final exam.
An idea of a follow-up forced its way into the heads of the two remaining core members of ID&T, as they received a phone call concerning the planning of a second event. Three guys from Drachten managed to book Thialf Heereveen, though after this they ran out of money as well as ideas. A collaboration between them and ID&T was suggested in order to make the rave possible. After a visit at Thialf Heereveen, ID&T (Irfan & Duncan) experienced the building overwhelmingly massive compared to the humans inside it, which lead them into brainstorming a name for the upcoming rave... Big hall became "dome" and the music "thunder", which combined lead to: "The Thunder Dome".
ID&T wanted to stand out from the rest of the party-organizers, so they decided to change their direction towards the harder sound that was emerging and gaining popularity. Whereas Jaydee (Robin Albers) was part of the Final Exam line-up, they now chose DJ Weirdo (Dennis Doeland; basically an old-school friend of Duncan) and four DJs who were known as The Dreamteam. The Dreamteam was made up of DJ Dano (Daniël Leeflang), DJ Gizmo (Ferry Salee), Buzz Fuzz (Mark Vos) and The Prophet (Dov J. Elkabas). They raised Thunderdome's popularity to new and yet unexplored heights.
The Dreamteam also signed a contract with ID&T to release compilation CDs. Although Thunderdome started out as an event-concept and not a sublabel, ID&T saw pretty early the opportunity of selling CDs to its fanbase. Because of this Thunderdome rose to legendary status within no time. As they were making the first Thunderdome CD, Duncan got a call from Buzz Fuzz who was mixing a House Party CD for Arcade. It appeared that Mental Theo (Theo Nabuurs) – who was working for Arcade at the time – wanted to take the name "Thunderdome" and use it for another purposes. Due to these conflicts Thunderdomes I–IV were released over and over on different labels. Eventually ID&T won her concept back and Arcade stayed as the distributor of the compilations, meaning basically free promotion for ID&T. Later distribution was also carried out by labels such as Universal Music/TV and Sony Music Media.
All this leads to an impressive catalogue of released material distributed all over the world. Thunderdome achieved success: awards, re-releases, adoration and glorification. On the other hand they also faced claims of plagiarism and even abandoning its fans when renouncing retirement. Friend of foe, this giant remains a legend and one of a kind.
A compilation series regarding an event-concept created by ID&T which – on the contrary of what people might believe – did not start out as a gabber/hardcore event at all, as these subgenres didn't exist those days. It started out as a rave offering party people multiple styles and genres and especially a good vibe.
It were Irfan, Duncan & Theo (I. D. & T.) who came up with the idea to throw a massive final exam party on a never-seen-before scale. Hence this rave carried the name "The Final Exam". Its aftermath lead in a split-up between I., D. & T. as Theo didn't pass his final exam.
An idea of a follow-up forced its way into the heads of the two remaining core members of ID&T, as they received a phone call concerning the planning of a second event. Three guys from Drachten managed to book Thialf Heereveen, though after this they ran out of money as well as ideas. A collaboration between them and ID&T was suggested in order to make the rave possible. After a visit at Thialf Heereveen, ID&T (Irfan & Duncan) experienced the building overwhelmingly massive compared to the humans inside it, which lead them into brainstorming a name for the upcoming rave... Big hall became "dome" and the music "thunder", which combined lead to: "The Thunder Dome".
ID&T wanted to stand out from the rest of the party-organizers, so they decided to change their direction towards the harder sound that was emerging and gaining popularity. Whereas Jaydee (Robin Albers) was part of the Final Exam line-up, they now chose DJ Weirdo (Dennis Doeland; basically an old-school friend of Duncan) and four DJs who were known as The Dreamteam. The Dreamteam was made up of DJ Dano (Daniël Leeflang), DJ Gizmo (Ferry Salee), Buzz Fuzz (Mark Vos) and The Prophet (Dov J. Elkabas). They raised Thunderdome's popularity to new and yet unexplored heights.
The Dreamteam also signed a contract with ID&T to release compilation CDs. Although Thunderdome started out as an event-concept and not a sublabel, ID&T saw pretty early the opportunity of selling CDs to its fanbase. Because of this Thunderdome rose to legendary status within no time. As they were making the first Thunderdome CD, Duncan got a call from Buzz Fuzz who was mixing a House Party CD for Arcade. It appeared that Mental Theo (Theo Nabuurs) – who was working for Arcade at the time – wanted to take the name "Thunderdome" and use it for another purposes. Due to these conflicts Thunderdomes I–IV were released over and over on different labels. Eventually ID&T won her concept back and Arcade stayed as the distributor of the compilations, meaning basically free promotion for ID&T. Later distribution was also carried out by labels such as Universal Music/TV and Sony Music Media.
All this leads to an impressive catalogue of released material distributed all over the world. Thunderdome achieved success: awards, re-releases, adoration and glorification. On the other hand they also faced claims of plagiarism and even abandoning its fans when renouncing retirement. Friend of foe, this giant remains a legend and one of a kind.
HellBazZ_Davy
August 10, 2023Thunderdome is so iconic that it often becomes a name to refer to the genre itself, and it is the most known compilation.
In retrospect, in the late 2010s and 2020s, we see that Thunderdome, ID&T, hardcore gabber culture, all get the recognition they deserve:
Thunderdome is the first hardcore gabber compilation.
The guys of ID&T, through Thunderdome and their subsequent projects, laid the foundation for Dutch electronic festival scene, now an export product.
And gabber scene is a Dutch cultural product.
Now all of this is recognized in the forms of articles, books, interviews, even documentaries.
And gladly there are journalists, documentary makers who can move beyond the "drug scare", "neonazi" type of articles we saw in the 90s and early 2000s, and also beyond the "Gabber Piet" and other parody like approaches.
Gabber, Thunderdome, Hardcore are now accepted and respected musical, cultural phenomena.
The 2019 documentary "Thunderdome Never Dies" really captures how Thunderdome grew from being a dream by a few boys, into a recognizeable householdname, both a CD compilation and a party, and it eventually became the foundation of Dutch electronic dance culture.
And this was a collective effort, to which every party-visiting and CD- and merch-collecting Gabber contributed his and her part!
Now, if someone were to ask me my favourite CD's, I would not mention the "classical" CD's, which I nowadays find rather dated.
The happy hardcore times?? I'm glad it's over. Everyone was copying each other.
The most interesting CD's to me, are the 5 CD's from 2001-2003.
After all, inventing a new concept once is quite a feat! Re-inventing your concept, and still bring something new, that's really amazing!
Already in 1998, ID&T moved Thunderdome away from the happy, cartoon designs of the mid 90s and steered into a more "industrial" direction, both qua sounds and qua design.
There was a silence in 2000, and in 2001, you had a very industrial, minimal, dark approach arriving.
Thunderdome was reborn!
The "millenium" style was a reorienting.
Everyone really had their own sound, their own melodies, their own kicks.
While the CD graphics were very minimal and "dirty", the music far made for that up in creativity.
X-ess was the compilation man back then.
For us fact-addicts, as far as I know, these are the compilation men: Mental Theo, Weirdo, X Ess. Am I missing someone?
After announcing their final stop and their come-back countless times, Thunderdome still exists into the late 2010s and 2020s.
Compilations aren't really made anymore. What we get since the 2010s are mostly mixed CD's, featuring both "the good old days" sounds of the 90s and millenium era, but also encompassing the newer sounds of the frenchcore, uptempo generations.
This too, is the Thunderdome approach: to explore new things. Never commit oneself only to the old and boring formulae.
As Drokz said: "Thuuuuuundeeeeerdooooome"!