Reinforced Records

Profile:

NOTE: Catalogue numbers followed the "RIVET 12xx" format from 1992-1996. Upon the 100th release, releases switched to the "RIVET 1xx" format. With the beginning of Reinforced 2nd Wave in the year 2000, cat#s switched to lowercase from "rivet 136" onwards.

Reinforced Records was run by Mark Clair, Gus Lawrence, Dennis McFarlane & Ian Bardouille (aka 4 Hero).
They first met in college in 1987 while all studying electronic engineering (OND). Mark and Ian had already formed a sound system from '86 called Solar Zone.While in college they met an electronic wizard who claimed he could build radio transmitters (Gus), so they put their money together to start a pirate radio station. A determinedly individual approach to the music played ensured that Strong Island Radio soon established a cult following. Enter Dego, one of the best DJs on the station, and the quartet are formed.

At Gus' suggestion, they started to produce hip-hop, with some level of success. Mark was convinced that the cru could record and put records out themselves but, by this time, the UK hip hop scene was fading, due in part to the explosion of House Music but also because of frustration at the perceived failings of the UK scene felt by those within it. So in the Autum of 1989, Mark and Gus formed Reinforced Records.

The first release on the label was 4 Hero's 'Rising Son' produced by Mark, a rough, hip hop beat using the current House sounds incorporated into the beat. The main loop was from the 'Shaft in Africa' soundtrack, and gave the track a 'jungle' sound . Once the track had been recorded on an old broken down 4 track fostex, the guys put money together and pressed and sold 800 copies. The second recording was a track called 'Mr Kirks Nightmare' produced by Mark and Gus. Mr Kirk sold more than 24,000 copies and the rest, as they say, is history. Goldie later joined the label as A&R and sleeve designer.

Through the whole of the 1990's, Reinforced earned, and deserved, a reputation as the most important and innovative Drum n' Bass label in the world. Their limited-edition 'Enforcers' picture discs are now worth more than gold! Maybe a dozen of the scene's most important producers (including Goldie) kick started their music careers with Reinforced...the influence of this label reaches far and wide and now 20 years later... maybe even further.

It is distributed by LOAD Media

Sublabels:

2000 Black, Enforcers, Haters Inc. Records, Manga Beats, Partners Inc., Reflective (2), Reinforced DJ Classic, Reinforced Music, Reinforced Studios, Tom & Jerry

Contact Info:

[email protected]

1992 (obsolete):
Reinforced Records
387-389 Chapter Road, Dollis Hill
London, NW2 5NQ

Fax: 081-459 7634

Links:

reinforcedrecords.co.uk , Bandcamp , reinforced25.com , Facebook , Instagram , X , YouTube , YouTube , MySpace

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4,091 copies

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Reviews

  • lastmarine's avatar
    lastmarine
    Incredible label steeped in history and of vital importance to the scene. ITs the true label of the headz, spawning genre after genre and pionering the left-field sound of broken beat music. Never afraid to go in new directions but also never afraid to hold onto the past. A perfect blend of craftsmanship of the music but most importantly a love of the music not just the fame.

    If you want to explore the perfect blend of hardcore to jungle to techstep to dnb here is your classroom.

    The 90s-93 demonstrate endless classics from thr likes of Manix, 4Hero, Nebula 2, Nick OD, Tek-9, Stretch, Goldie Doc Scott and many more. THe term classic is not used flippantly. THere's a wealth of quailty coming from the early dubplate era of the label under the guise of Goldie and the Rufige Cru using the 'Metal Headz' imprint as the labels official dubplate cuts. Of course we all know where Metalheadz went from there but never overlook where it began!

    94-95 sees only a handful releases but the label hits back with a real style in 96 with some cracking releases. as 97 rolls in 98 I personally think the label is at its weakest point. Many labels produce that distopian tech sound of the Blue Note era far more appealing than Reinforced in my books. Prototype, Headz, Test, Hard Leaders to name a few. Releases from these years seem more aimed at breaking the mainstream leftfield market than appealing to the underground dancefloors.

    the Rivet 2nd wave picking up around 1999 is a another triumph for the label running through till 2004 demonstrating some excellent releases during a period were dnb was at its most underground. ITs true quality dips towards the end of the 2nd wave but the journey there is worth thte investment.
    • timibbitson's avatar
      timibbitson
      I have rivet 142 on white, no artist or song details though
      • Lixx's avatar
        Lixx
        Doesn't matter the year, this label will always be the cream of the crop. So ground breaking and ahead of it's time yet every track off every record still holds up when listened to years later. That's the mark of a great label.
        • willow13's avatar
          willow13
          Rivet 1210 was apparently basic rhythm- the rhyme, which was later remixed on rivet1215 neurosis ep. its on the J4M label, same as nebula 2- seance/atheama.