thanks for starting the digitals, sometimes hard to get a hold of the plates

BH15 and BH16 are available at Honest Jon´s now

This label is like the Evil brother of L.I.E.S..

Brasserie Edits Part 1 is shit, don't buy it. Brasserie Edits Part 2 is amazing, buy ten copies. ur welcome for my opinion gizmo

I prefer Viewlexx politics of repressing. I remember times when Alden Tyrell's Love Explosion was selling for stupid price (I had already bought mine at a normal price) and I was more than happy that, thanks to the repress, other people could play it again at a normal price and that the money goes to the label. When I read that "it's future classics that'll be going for loads in a few of years" I don't get it : music is to be shared, played and not a money investment. I don't get people that called themselves antisystem and act like bankster… People who are akin to listen to old music like italo or wave and are also talking about the importance of being there before everybody. Seriously…
Records are pressed at MPO, and pressing 500 records there is the same price as pressing less… So ultra limited release and heavyweigth shit (50 years old lightweights records plays better than recent 180 gr) is just a marketing stunt...

Does Will Bankhead own this label?

What's the point of doing such limited amounts of each release . I mean, ok, for an unknown producer you take some risks, but for Greg Beato, Tuff Sherm, of course Gesloten Cirkel releases, you know that it will be gone very fast.
I don't understand this "fanatic" mantra on each release : no repress, no repress, no repress. I'm sure i'm not the only one thinking that : WE DON'T CARE IF A VINYL GETS A REPRESS. We didn't buy because it's limited and no repress.
All your agit-prop A4 sheets with your antisystem prosecution adress mean nothing : YOU are part of this system, you feed the capitalist sharks sellers here on Discogs and you get probably something out of it.