What you got here is incredible minimalist japanese records in the same catalogue of an hip-hop compilation called "Sex Rap" and horror B moovie OSTs. Not criticizing the music, but the ironic approach, which in the end is just self-indulgence towards releasing stuff with no coherence or aesthetic whatsoever. Which is what should be required from a serious record label, instead of considering itself too cool for these tasks.

"Irony" in this sense has been the cancer of underground electronic music throughout the last years (see the super hyped, soon-to-be-forgotten "Lo-fi house scene" and related "Dj retarded" name craze). Problem here is that there's some serious music being undervalued, not just worthless "lofi house"; music that should be reissued on a record label that does act like a record label, giving importance to its music and artists by fitting them in a coherent musical and cultural framework.