Tracklist
| I'm Gettin' 'Long Alright | 2:57 | ||
| I Wonder | 2:57 | ||
| Confessin' The Blues | 2:58 | ||
| Romance In The Dark | 3:35 | ||
| C. C. Rider | 2:45 | ||
| Cherry Red | 3:12 | ||
| In The Evenin' | 2:54 | ||
| I Love Paris | 4:06 | ||
| It Could Happen To You | 4:00 | ||
| Bye Bye Blackbird | 4:47 | ||
| Blow Top Blues / Jelly Jelly Blues / Long John Blues | (10:42) | ||
| Blow Top Blues | |||
| Jelly Jelly Blues | |||
| Long John Blues |
Credits (9)
Onzy MatthewsArranged By, Conductor- Jimmy LockhartEngineer [Recording]
Wally HeiderEngineer [Recording]
George PirosMastered By [Mastering Engineer]- RedfernsPhotography By [Front Cover Photo Courtesy Of]
King CurtisProducer
Notes
Previously recorded material that was put together by Atlantic to cash-in on the success Esther Phillips was having with her KUDU albums and singles. Release January 1976.
Versions
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24 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | Confessin' The Blues LP, Album | Atlantic – ATL 50 222 | Germany | 1976 | Germany — 1976 | Recently Edited | |||
 | Confessin' The Blues LP, Album, PR | Atlantic – SD 1680 | US | 1976 | US — 1976 | ||||
 | Confessin' The Blues LP, Album, Stereo | Atlantic – K 50222 | UK | 1976 | UK — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album | Atlantic – W 50222 | Italy | 1976 | Italy — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album | Atlantic – HATS 421-186 | Spain | 1976 | Spain — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album | Atlantic – SD 1680 | Canada | 1976 | Canada — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album, RI | Atlantic – SD 1680 | US | 1976 | US — 1976 | New Submission | |||
 | Confessin' The Blues 8-Track Cartridge, Album, Black shell | Atlantic – TP 1680 | US | 1976 | US — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album | Atlantic – SD 1680, Atlantic – 50.074 | Venezuela | 1976 | Venezuela — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album, MO | Atlantic – SD 1680 | US | 1976 | US — 1976 | Recently Edited | |||
| Confessin' The Blues 8-Track Cartridge, Album, Pink shell | Atlantic – TP 1680 | US | 1976 | US — 1976 | New Submission | ||||
 | Confessin' The Blues LP, Album, White Label | Not On Label – K 50222 | UK | 1976 | UK — 1976 | New Submission | |||
| Confessin' The Blues Cassette, Album, Pink Shell, Black Slider Case | Atlantic – ATL CS 1680 | US | 1976 | US — 1976 | New Submission | ||||
 | Confessin' The Blues LP, Album, Stereo | Atlantic – SD 1680 | Australia | 1976 | Australia — 1976 | New Submission | |||
 | Confessin' The Blues LP, Album, Reissue | Atlantic – ATL 50 521 | Europe | 1978 | Europe — 1978 | New Submission | |||
 | Confessin' The Blues LP, Album, Stereo, Gatefold | Atlantic – ATL 50 521 | Germany | 1978 | Germany — 1978 | New Submission | |||
 | Confessin' The Blues LP, Album, Reissue | Atlantic – 90670-1 | US | 1987 | US — 1987 | New Submission | |||
 | Confessin' The Blues CD, Album, Promo, Reissue | Atlantic – AMCY-1066 | Japan | 1991 | Japan — 1991 | New Submission | |||
 | Confessin' The Blues CD, Album, Reissue | Atlantic Jazz – AMCY-1066 | Japan | 1991 | Japan — 1991 | Recently Edited | |||
 | Confessin' The Blues CD, Reissue | Sequel Records – RSACD 807 | Germany | 1994 | Germany — 1994 | New Submission | |||
 | Confessin' The Blues CD | Atlantic – 7567-90670-2, Rhino Records (2) – 7567-90670-2 | Europe | 2012 | Europe — 2012 | New Submission | |||
 | Confessin' The Blues CD, Album, Limited Edition, Reissue, Remastered | Atlantic – WPCR-27196 | Japan | 2012 | Japan — 2012 | New Submission | |||
 | Confessin' The Blues CD, Album, Reissue | Atlantic Jazz – 7 90670-2, Atlantic Jazz – 90670-2 | US | US | Recently Edited | ||||
 | Confessin' The Blues Cassette, Album | Atlantic – 7 90670-4, Atlantic – 90670-4 | US | US | New Submission |
Recommendations
Reviews
referencing Confessin' The Blues (LP, Album, RI) SD 1680
Good press. Clean and clear sound. Slight background noise. Good channel separation and top-notch orchestral production. The winds sound nice, Esther's voice is deep, and Ellis's guitar on the A-side is wonderful.
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