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Tracklist
The Inner Side | |||
Eternal | 1:28 | ||
Understanding The Inner Mind's Eye | 3:04 | ||
Syntax Era | 4:39 | ||
Classic Material | 4:00 | ||
Daily Reminder | 3:40 | ||
A Quarter To Cutthroat | 4:54 | ||
Connections | 4:03 | ||
What's Next? | 4:38 | ||
The Mind's Side | |||
Droppin' It-4-1990-Ever | 0:29 | ||
Time Will Tell | 4:59 | ||
Bass Is Loaded | 4:30 | ||
Spontaneous (13 MC's Deep) | 4:39 | ||
Noisy Meditation | 4:16 | ||
The End Is Near | 4:24 | ||
Zearocks | 1:24 | ||
The Difference | 5:29 | ||
The Final Solution | 0:36 |
Credits (5)
- Alan Scott PlotkinEngineer [Engineered By]
- Kevin 'Red Light' Reynolds*Engineer [Engineered By]
- Rob 'Void'Engineer [Engineered By]
- Kevin 'Red Light' Reynolds*Mixed By
- Michael LavinePhotography By
Versions
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15 versions
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![]() | T.I.M.E. - The Inner Mind's Eye CD, Album | Elektra – 9 61382-2, Elektra – 61382-2 | US | 1993 | US — 1993 | Recently Edited | |||
![]() | T.I.M.E. (The Inner Mind's Eye) 2×LP, Album | Elektra – 9 61382-1 | US | 1993 | US — 1993 | Recently Edited | |||
![]() | T.I.M.E. - The Inner Mind's Eye Cassette, Album | Elektra – 7559-61382-4 | Germany | 1993 | Germany — 1993 | Recently Edited | |||
![]() | T.I.M.E. - The Inner Mind's Eye CD, Album | Elektra – 7559-61382-2 | Germany | 1993 | Germany — 1993 | Recently Edited | |||
![]() | T.I.M.E. (The Inner Mind's Eye) Cassette, Album, Club Edition | Elektra – 9 61382-4, Elektra – 61382-4 | US | 1993 | US — 1993 | ||||
![]() | T.I.M.E. - The Inner Mind's Eye CD, Album | Elektra – CD 61382 | Canada | 1993 | Canada — 1993 | New Submission | |||
![]() | T.I.M.E. (The Inner Mind's Eye) Cassette, Album SR | Elektra – 9 61382-4, Elektra – 61382-4 | US | 1993 | US — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye CD, Album, Club Edition | Elektra – 9 61382-2 | US | 1993 | US — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye CD, Album, Club Edition | Elektra – 9 61382-2 | US | 1993 | US — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye 2×LP, Album | Elektra – 9 61382-1 | US | 1993 | US — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye 2×LP, Album | Elektra – 9 61382-1 | US | 1993 | US — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye Cassette, Album | Elektra – 9 61382-1 | Canada | 1993 | Canada — 1993 | New Submission | |||
![]() | T.I.M.E. - The Inner Mind's Eye 2×LP, Unofficial Release | Elektra – 61382-1 | Recently Edited | ||||||
![]() | T.I.M.E. - The Inner Mind's Eye CD, Album, Reissue | Elektra – 9 61382-2, Elektra – 61382-2 | US | US | New Submission | ||||
![]() | T.I.M.E. CD, Album, Repress | Elektra – 9 61382-2, Elektra – 61382-2 | US | US | New Submission |
Recommendations
Reviews

Strong and great pressing, printing quality of the cover is not bad like mentioned in notes, not superb but really nice quality, the small "Parental Advisory" logo on corner is lightly fuzzy/clear.
Featured artist on Spontaneous, mistakenly reads as the following three artists - Cool Whip Brittle Lo, L.S., & The Capital. However Leaders of the New School were affiliated with 2 groups Cracker Jax (made up of Cool Whip & Brittle Lo), and Rumpletilskinz (of which L.S. aka The Capital L.S. was involved).
When listening to the performing artist it is clear that Cool Whip Brittle Lo, is actually Cool Whip and Brittle Lo, and that The Capital and L.S., is actually just The Capital L.S.
When listening to the performing artist it is clear that Cool Whip Brittle Lo, is actually Cool Whip and Brittle Lo, and that The Capital and L.S., is actually just The Capital L.S.
Edited 9 years ago
In my books this stone cold blew the balls off any other album that year. The first LP was really just playing around to get enough commercial momentum to drop this leviathan.
Despite their clean image LONS were clearly smoking weed for America on an unprecedented basis, subsequently channelling it all into this last wave of 12bit production, possibly the heaviest to be found on the entire hip hop fossil record, just as many producers were moving to MPC and other more effeminate sampling devices.
Busta, talented though he was, basically became difficult to work with after this, and backed by his newly attained acquaintances in high places, went on to do his own thing. LONS broke up after T.I.M.E. and for one reason or another Charlie Brown disappeared from the scene entirely, leaving the next generation pretty much unaware of his existence.
Despite their clean image LONS were clearly smoking weed for America on an unprecedented basis, subsequently channelling it all into this last wave of 12bit production, possibly the heaviest to be found on the entire hip hop fossil record, just as many producers were moving to MPC and other more effeminate sampling devices.
Busta, talented though he was, basically became difficult to work with after this, and backed by his newly attained acquaintances in high places, went on to do his own thing. LONS broke up after T.I.M.E. and for one reason or another Charlie Brown disappeared from the scene entirely, leaving the next generation pretty much unaware of his existence.