Omar Rodriguez Lopez* – Minor Cuts And Scrapes In The Bushes Ahead
Genre: | Rock |
|---|---|
Style: | Avantgarde, Experimental |
Year: |
Tracklist
| Solenoid Mosque | 0:34 | ||
| Trident Resting On The Pulse | 6:22 | ||
| Work On Motors | 2:03 | ||
| Electrodorphines | 2:44 | ||
| Pawn Shop Blues | 3:00 | ||
| Thankless Serpent | 2:14 | ||
| Devouring A Sibling | 3:54 | ||
| White Paint White Meat | 1:48 | ||
| Sliding In And Out Of A Laceration | 2:57 | ||
| A Pinching Invention | 3:31 | ||
| Atrotecism Fenleon | 1:04 |
Credits (5)
Sonny KayArtwork By [Original Art], Layout, Design
Marcel Rodriguez Lopez*Drums
Omar Rodriguez Lopez*Producer- Omar Rodriguez Lopez*Vocals, Loops [Drum Loops], Sequencer [Sequences], Bass, Synth [Synths], Keyboards, Guitar, Piano, Programmed By
- Omar Rodriguez Lopez*Written-By, Arranged By, Recorded By, Mixed By
Versions
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4 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | Minor Cuts And Scrapes In The Bushes Ahead LP, Album, Blue | Willie Anderson Recordings – WAR11 | Netherlands | 2008 | Netherlands — 2008 | Recently Edited | |||
 | Minor Cuts And Scrapes In The Bushes Ahead CD, Album | Willie Anderson Recordings – WAR11CD, Willie Anderson Recordings – WAR11 | Netherlands | 2008 | Netherlands — 2008 | Recently Edited | |||
 | Minor Cuts And Scrapes In The Bushes Ahead LP, Album | Willie Anderson Recordings – WAR11 | Netherlands | 2008 | Netherlands — 2008 | New Submission | |||
 | Minor Cuts And Scrapes In The Bushes Ahead LP, Album, Reissue | Clouds Hill – CH255 | 2024 | 2024 | New Submission |
Recommendations
Reviews
- Here is some music that Omar made post At the Drive in and prior to forming the Mars Volta, in 2001. Involved on this are Jeremy Michael Ward on vocals (on tracks 6 & 11) and Marcel Rodriguez Lopez on drums.
Most of the album sounds like it is Omar having some fun with mixing and messing around with tapes and recording techniques. It is out-there and may freak some people out. It is not as electronic-sound based as the earlier album realeased with Jeremy Michael Ward, although it touches the point of white-noise at points, and also reaches into the "weird electronic and looped sounds" bag of tricks.
This is recommended for major Omar fans (obsessive?) and to those out there wanting to explore the more experimental side of rock. So, pop it in and rock out in space.
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Recently Edited
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