Jorge Campos (2) – La Ausencia De Lo Sagrado

Genre:	Jazz, Rock, Latin, Folk, World, & Country
Style:
Year:	2004

Tracklist

		La Ausencia De Lo Sagrado (Viaje)
		Mar
		Ansiedad, Amnesia, Anonimato
		La Cosa Loca
		Estación Paraíso
		Siempre Pensé
		Doimo
		Yo Creí
		Triálogo
		La Ausencia De Lo Sagrado (Aire)
		Mariana
		La Ausencia De Lo Sagrado (Llamas)
		La Ausencia De Lo Sagrado (Canción)
		Cuando Voy Al Trabajo

Amanda Irarrazabal
Backing Vocals
Gina Tantalo
Backing Vocals
Cristian Crisosto
Baritone Saxophone
Juan Carlos Bastidas
Bassoon, Flute
Jorge Campos (2)
Contrabass, Bass [Machi Bass, Fretless And Fretted 4-Strings, 5-Strings Bass, Baby Bass], Talkbox, Cello, Organ, Effects, Piano, Sequencer, Guitar [Nylon 6-String], Vocals, Backing Vocals, Twelve-String Guitar, Synthesizer, Drums, Sitar, Berimbau, Caxixi, Cajón, Tabla, Udu, Recorded By, Mixed By, Design, Producer
Juan Opitz
Cymbal, Bells [Timbres], Metallophone, Rattle, Surdo, Bombo, Effects [Thunder And Lightnings], Recorded By, Producer [Toronto], Mixed By

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2 versions

Image	,	–			In Your Collection, Wantlist, or Inventory	Version Details	Data Quality
	La Ausencia De Lo Sagrado CD, Album	El Templo Rekords – Trk 003	Chile	2004	Chile — 2004	New Submission
	La Ausencia De Lo Sagrado CD, Album, Reissue	Luna Negra – CDLN-35, El Templo Rekords – CDLN-35	Mexico	2007	Mexico — 2007	New Submission

KinesisCD Nov 7, 2021
Edited 3 years ago
referencing La Ausencia De Lo Sagrado (CD, Album, Reissue) CDLN-35
Chilean Jorge Campos is probably the most important and innovative bass player in Latin America (whether or not he still lives there). He has been a long-time member of both Fulano and Congreso. This CD is the 2007 reissue of his 2003 album La Ausencia de lo Sagrado with three live bonus tracks. Campos plays various basses but also adds numerous other instruments including electric guitar and keyboards. A large number of other musicians appear though the lineup varies from track to track. The music is mostly instrumental and the sound palette is much closer to modern King Crimson than to the symphonic bands. Of course Fulano and Congreso are better reference points for those familiar with those two Chilean prog bands. Campos’ music is best described as a blend of ethnic fusion and progressive rock with particular emphasis on innovative bass sounds.

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