Tracklist
| Theremin | 4:22 | ||
| Replicant | 4:01 | ||
| Shipwreck | 4:46 | ||
| Void | 4:34 | ||
| Hardware Requiem | 4:45 | ||
| Shelter | 4:10 | ||
| Wasteland | 3:50 | ||
| Voices | 4:35 | ||
| Edge Of Dawn | 4:32 | ||
| Speed | 5:16 | ||
| Cryotank Expansion | (26:44) | ||
| Dawn | 7:25 | ||
| Noon | 6:36 | ||
| Dusk | 4:07 | ||
| Night | 7:38 |
Credits (11)
- iNk SampleDesign [Sleeve]
J. Montelius*Lyrics By
E. Simonsson*Music By
Clas NachmansonPerformer- Eskil SimonssonPerformer
- Joakim MonteliusPerformer
Notes
Later reissues came with "Theremin (Club Edit)" from the compilation Electronic Youth Vol. 3 as the last track. The American releases replace the track "Void" with "Painamplifier"
Versions
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13 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | Dreams Of A Cryotank CD, Album | Memento Materia – MEMO011, Memento Materia – MEMO 011 | Sweden | 1994 | Sweden — 1994 | ||||
 | Dreams Of A Cryotank CD, Album | Off Beat – SPV 084-22252 | Germany | 1995 | Germany — 1995 | ||||
 | Dreams Of A Cryotank CD, Album, Reissue | 21st Circuitry – 21C.CD23 | US | 1997 | US — 1997 | ||||
 | Dreams Of A Cryotank CD, Album, Reissue | Off Beat – O-25, Off Beat – SPV 084-22252 | Germany | 1998 | Germany — 1998 | Recently Edited | |||
 | Dreams Of A Cryotank CD, Album, Repress | Off Beat – SPV 084-22252 | Germany | 1998 | Germany — 1998 | New Submission | |||
 | Dreams Of A Cryotank CD, Album, Reissue, EMI MFG. Pressing | Metropolis – MET 139, Metropolis – MET139 | US | 1999 | US — 1999 | ||||
 | Dreams Of A Cryotank CD, Album, Reissue | Synthetic Symphony – SPV 22252 CD | Europe | 2000 | Europe — 2000 | ||||
 | Dreams Of A Cryotank CD, Album, Reissue | Off Beat – SPV 084-22252, Союз – SPV 084-22252 | Russia | 2003 | Russia — 2003 | Recently Edited | |||
 | Dreams Of A Cryotank LP, Album, Limited Edition, Numbered, Picture Disc, Reissue | Emmo.biz – EZR 006 | Germany | 2012 | Germany — 2012 | ||||
 | Dreams Of A Cryotank 12×File, AIFF, Album, Reissue | Dependent (2) – none | Germany | 2020 | Germany — 2020 | Recently Edited | |||
 | Dreams Of A Cryotank 12×File, FLAC, Album, Reissue | Dependent (2) – none | Germany | 2020 | Germany — 2020 | New Submission | |||
 | Dreams Of A Cryotank CD, Album, Reissue, Cinram Olyphant Pressing | Metropolis – MET 139, Metropolis – MET139 | US | US | |||||
 | Dreams Of A Cryotank CD, Album, Repress | Off Beat – SPV 084-22252 | Germany | Germany | New Submission |
Recommendations
Reviews
- Wrong time on Painamplifier. It's listed as 4:16 but it reads 3:06 in a player.
referencing Dreams Of A Cryotank (CD, Album) MEMO011
The first pressing of this album was done with 500 copies only by Celtic Circle Productions / Khazad-Dum Records for Memento Materia as official label before Covenant left to Off Beat Records.referencing Dreams Of A Cryotank (CD, Album) MEMO011
Can someone tell me if the mastering to Swedish CD is same as US or German issue?- Edited 17 years agoThis version of DoaC is almost identical to the original Swedish and German versions, except that the stellar track "Void" was replaced with the trite "Painamplifier". While the former was an excellent example of Covenant's older works, the latter is nothing more than a waste of cd space. It is short, repetitive, and sounds completely out of place in relation to the rest of the tracks - as if it would belong better on a rhythmic noise record than an ebm one. It's too bad the band allowed Metropolis to do this, as it sullies a once-perfect Covenant album. Other than this low point on the American version, DoaC is an amazing album.
referencing Dreams Of A Cryotank (CD, Album) MEMO011
Easily the best effort by Sweden's Covenant. The music is a lot darker and harder than most, if not all, of their releases that came after it. Unlike said newer releases, the music is the focus here, not the vocals and the lyrics. The only track i'm not too fond of is the last one: "Cryotank Expansion". It's just one long pointless "song" (26 minutes of ambient soundscapes) which doesn't really fit the rest of the album. Very good overall though.
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