Little Sister – You're The One

The production on the Stone Flower 7" single is very good. so i wouldn't sweat the 12" edit. have always been able to rock 2 45's to get the mix i wanted.

I sold it to the D.J. in Austria on eBay about 20 years ago. He told me he framed it and I even think he wanted me to inscribe it in some way.

Theres a one-off 12inch Tom Moulton mix of this that was on dubplate but can be found on this comp below - supposedly only one cut by Sly and for Larry Levan

https://www.discogs.com/master/159066-Danny-Krivit-Grass-Roots-Musical-Influences-And-Inspiration

Heres the listing for the plate https://www.discogs.com/release/3310462-Little-Sister-Youre-The-One-Tom-Moulton-Remix
"According to Tom Moulton there is only one copy in existence which has been handed over to Larry Levan in 1976. This copy is now owned by a DJ in Austria.
However it seems that Danny Krivit managed to get this version (probably from tape) and reissued it on his "Grass Roots" compilation in 2001."

Does anybody know why it is single-sided? Was it a promotional copy?

According to Tom Moulton there is only one copy in existence which has been handed over to Larry Levan in 1976. This copy is now owned by a DJ in Austria.
However it seems that Danny Krivit managed to get this version (probably from tape) and reissued it on his "Grass Roots" compilation in 2001.

Hey New Yorkers, you guys where you at? I had to indicate here far away from your history but essential to be announced: An evening at the Sanctury (the legendary babtist church club until 1972) would always finish with the Doors epic "the end". The DJs name there was Francis Grasso and he almost single handedly created what would become disco's sonic hallmarks. DJs before Grasso played whatever was popular at the time. Grasso, on the other hand was playing African music or obscure British imports. Many of the records he championed were funky but definitely not funk. They weren't as aggressive in either attitude or rhythm, and they often sounded as if they were wrapped in a patina or alienation. One of his favourite records was this one: Little Sisters - you're the one, I guess he had two copies and played part two after part one or few times in a row. The record was typically for Grasso's trippy pathetic style. With an almost demonic voice repeating the title phrase over and over again, a deracinated James Brown horn chart, and a heavy, plodding bass line driven groove that quickly reasserts groove's literal meaning as a rut over its metaphorical, rhythmic meaning, the track would presage Stone's move from token poster child for the hippie movement to dark chronicler of the African-American condition at the turn of the 1970's.