Tracklist
Urbanite Rocks | 5:47 | ||
Girl On A GoPed | 5:01 | ||
Return Of The Spooky Driver | 5:01 | ||
Pickpocket | 2:46 | ||
Diode | 4:10 | ||
Doe-Eyed | 3:30 | ||
RiderBrow | 4:15 |
Credits (6)
- Andy VotelDesign
- Martin DesaiMixed By [All Tracks Mixed With]
- Rich Mulhearn*Photography By
- Allen BlandPhotography By [At Central Jewellers With]
- Colin A. FryPhotography By [At Central Jewellers With]
- Andy VotelWritten-By, Producer
Versions
Filter by
7 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
![]() | Styles Of The Unexpected CD, Mini-Album | Twisted Nerve – TNXLCDM007, XL Recordings – TNXLCDM007 | UK | 2000 | UK — 2000 | Recently Edited | |||
![]() | Styles Of The Unexpected 10", Mini-Album | Twisted Nerve – TNXL EP007, XL Recordings – TNXL EP1007 | UK | 2000 | UK — 2000 | Recently Edited | |||
![]() | Styles Of The Unexpected CD, Mini-Album, Promo | Twisted Nerve – TNXLCDM007PR, XL Recordings – TNXLCDM007PR | UK | 2000 | UK — 2000 | New Submission | |||
![]() | Styles Of The Unexpected 10", Mini-Album, White Label, Promo | Twisted Nerve – TNXLEP007PR, XL Recordings – TNXLEP007PR | UK | 2000 | UK — 2000 | New Submission | |||
![]() | Styles Of The Unexpected CD, Mini-Album | Toy's Factory – TFCK 87233 | Japan | 2000 | Japan — 2000 | New Submission | |||
![]() | Styles Of The Unexpected CD, Mini-Album | Twisted Nerve – 8506412, XL Recordings – 8506412 | France | 2000 | France — 2000 | New Submission | |||
![]() | Styles Of The Unexpected CD, Mini-Album | Twisted Nerve – TNXLCDM007, XL Recordings – TNXLCDM007 | 2000 | 2000 | New Submission |
Recommendations
Reviews
- Edited 19 years agoThis is one of the most pleasant half hours of music I have stumbled upon. While primarily a downtempo album, influences of hip-hop (tracks 1 & 4), brit pop (tracks 3 & 7), 1960s twee pop (track 2), and even blues (track 4) seep through, accompanied by the wandering hum of a GoPed an a slightly ominous tone. A lovely EP, with the 2nd and 3rd songs being the ones that catch my ear the most.
Jane Weaver's vocals, too young sounding to be completely sultry, bring to mind a dated lounge where the band in the corner does more for the atmosphere than the smokey wood paneling.
While the title of the third track would seem fitting of a car chase around the English countryside, it starts with oddly placed electronic sounds and a meloncholy piano, sounding as if it is in a large room, played by a lonely musician. Then it picks up with guitars and drums, cymbals charging ahead into a strummed harp and a synth, only to fall back to the meloncholy piano and electronics. This pattern repeats a couple times, not feeling repetitive at all. I'm just confused about the electronic bleepings and bloopings.
The rest of the tracks are lovely, and in no way inferior pieces of music. For whatever reason, those tracks caught me in ways the others didn't. The guest appearance of labelmate Alfie's lead singer, Lee Gorton (who does sound a tad like a mopey Thom Yorke here), doesn't add too much to that particular track, but is of some interest.
Master Release
Edit Master Release
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy94 copies from $0.33