GTS Feat. Loleatta Holloway – What Goes Around Comes Around (Groove That Soul Mix)

Tracklist

		What Goes Around Comes Around (Groove That Soul Long Mix)
		What Goes Around Comes Around (Groove That Soul Mix)
		What Goes Around Comes Around (Instrumental)

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8 versions

Image	,	–			In Your Collection, Wantlist, or Inventory	Version Details	Data Quality
	What Goes Around Comes Around 2×12", 33 ⅓ RPM	BPM King Street Sounds – KSS 1117	US	2000	US — 2000	Recently Edited
	What Goes Around Comes Around (Groove That Soul Mix) 12", 33 ⅓ RPM	Artimage Vinyls – AIV-12040	Japan	2000	Japan — 2000	Recently Edited
	What Goes Around Comes Around 2×12", 33 ⅓ RPM, Promo	BPM King Street Sounds – KSS 1117	US	2000	US — 2000	New Submission
	What Goes Around Comes Around 10×File, FLAC, Stereo, 16-Bit/44.1 kHz	King Street Sounds – BTKSS1117	Worldwide	2000	Worldwide — 2000	New Submission
	What Goes Around Comes Around CD, Maxi-Single	BPM King Street Sounds – KSS 1117CD, Avex Trax – KSS 1117CD, Artimage Vinyls – KSS 1117CD	US	2001	US — 2001	Recently Edited
	What Goes Around Comes Around (Part II) 2×12"	BPM King Street Sounds – KSS 1118	US	2001	US — 2001	Recently Edited
	What Goes Around Comes Around (Part II) 2×12", Promo, 33 ⅓ RPM	BPM King Street Sounds – KSS 1118	US	2001	US — 2001	New Submission
	What Goes Around Comes Around CD, Maxi-Single	Avex Trax – AVCD-30180	Japan	2001	Japan — 2001	Recently Edited

philphila Feb 11, 2021
Edited 4 years ago
referencing What Goes Around Comes Around (2×12", 33 ⅓ RPM, Promo) KSS 1117
Junior's Sensational Mix features the piano riff from Holloway's disco classic Love Sensation at the bridge - hence the title of the remix. I wonder how many club kids in the year 2000 caught on to this? :)
lewisdene Feb 3, 2011
referencing What Goes Around Comes Around (Groove That Soul Mix) (12", 33 ⅓ RPM) AIV-12040
“Listen to Loleatta and let me tell ya something…” opens the no-nonsense diva in sprawling, gloriously dramatic voice on this stellar house music comeback. The most sampled voice in house always manages to breathe palpable depth into the songs she sings, rising above the hectic pace of the percussion; this is again the case. It’s outrageous that anyone with Loleatta’s vocal capabilities should be without a major label deal, but KSS are probably very glad to acquire her services, and we should rejoice in the rare opportunity to hear a genuine glass-shattering belter with new material. The Vasquez/Mind Trap mixes are rather too American house sounding for these more soulful shores, but things catch fire once Ms H gets down to tearing and turning the strong song inside-out with a dynamite performance. Beats aside, the vocals are difficult to fault (there’s even an accapella which I hope someone will pick up upon) making this a golden opportunity to hear a woman with so much diva-esque quality that it hurts.