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Bill Evans / Jim HallIntermodulation

Genre:Jazz
Style:Post Bop, Modal
Year:

Tracklist

I've Got You Under My Skin3:20
My Man's Gone Now (From Porgy And Bess)6:50
Turn Out The Stars6:19
Angel Face6:30
Jazz Samba3:06
All Across The City4:45

Credits (7)

Notes

Recorded April 7 and May 10, 1966 at the Van Gelder Studio, Englewood Cliffs, New Jersey.

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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V6-8655 (E)Canada1966Canada1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V-6 8655France1966France1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V6-8655US1966US1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V-8655US1966US1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
    LP, Album, Mono
    Verve Records – V-8655US1966US1966
    New Submission
    Cover of Intermodulation, 1966, VinylIntermodulation
    LP, Mono
    Verve Records – VLP 9145UK1966UK1966
    New Submission
    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V6- 8655Germany1966Germany1966
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    Verve Records – SVLP 9145, Verve Records – SVLP.9145UK1966UK1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V6-8655US1966US1966
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    Cover of Intermodulation, 1966, VinylIntermodulation
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    Verve Records – V-8655US1966US1966
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    Cover of Intermodulation, 1966-03-00, VinylIntermodulation
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    Verve Records – V-8655, Verve Records – V/8655US1966US1966
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    Cover of Intermodulation, 1967, VinylIntermodulation
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    Verve Records – SMV-1084Japan1967Japan1967
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    Cover of Intermodulation, 1977-06-00, VinylIntermodulation
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    Verve Records – MV-2106Japan1977Japan1977
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    Cover of Intermodulation, 1977-06-00, VinylIntermodulation
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    Cover of Intermodulation, 1981, VinylIntermodulation
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    Cover of Intermodulation, 1986-04-00, VinylIntermodulation
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    Verve Records – 833 771-2US1988US1988
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    Verve Records – 833 771-4France1989France1989
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    Jazz Heritage – 513933KUS1995US1995
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    Verve Records – POCJ-2578Japan1998Japan1998
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    Verve Records – UCCU-5143, Verve Records – V6-8655Japan2003Japan2003
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    Verve Records – UCCV-9342, Verve Records – V6-8655Japan2008Japan2008
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    Cover of Intermodulation , 2011-06-22, CDIntermodulation
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    Verve Records – UCCU-6140Japan2011Japan2011
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    Cover of Intermodulation, 2011-11-23, SACDIntermodulation
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    Verve Records – UCGU-9031Japan2011Japan2011
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    Cover of Intermodulation, 2015-05-09, VinylIntermodulation
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    Verve Records – V6-8655Italy2015Italy2015
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    Cover of Intermodulation , 2023-09-20, CDIntermodulation
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    Verve Records – UCCU-6323Japan2023Japan2023
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    Cover of Intermodulation, , VinylIntermodulation
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    Verve Records – 833 771-1NetherlandsNetherlands
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    Verve Records – 833 771-2EuropeEurope
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    Verve Records – MV-1084JapanJapan
    Cover of Intermodulation, , CDIntermodulation
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    Cover of Intermodulation, , CDIntermodulation
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    Verve Records – 833 771-2GermanyGermany
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    Cover of Intermodulation, , CDIntermodulation
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    Verve Records – 833 771-2
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    Cover of Intermodulation, , VinylIntermodulation
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    Verve Records – SMV 1084JapanJapan
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    Recommendations

    Reviews

    • flowerbed's avatar
      flowerbed
      Apart from A Kind Of Blue this is the best album I've heard featuring Bill Evans.
      Jim Hall equally good on here of course. Just lovely, all of it.
      • mfarjalla's avatar
        mfarjalla
        Great follow-up to their previous encounter. As the title indicates it’s a show of mastery between the two. They really do give a masterclass in modulation. There is a melody to the key changes and it really makes you listen to the many competing ideas coming together somehow into a beautiful gestalt. Must have for any Bill or Jim fan.
        • mikeSF_'s avatar
          mikeSF_
          Edited 2 years ago
          This is a wonderful collection of jazz duo dialogues on six lesser known but beautiful pieces, deftly interpreted by two masters of their instruments. Communication is the key here and there is much listening abound.

          The recording is clean but not particularly lively for either instrument, IMO. Hall's tone is typically dark and woody on the ES175, however this could have benefited from some high frequency emphasis on his articulation. The piano is also EQ'd rather mellow, a lost opportunity to achieve some contrast between the two instruments.

          Pressing is very good with no issues at all. Super sturdy, minimalist gatefold sleeve.

          4 stars. Recommended.
          • jasonpeachrick's avatar
            I managed to find this cassette at my local record store for a buck in very lightly listened-to condition. An absolute hidden gem.
            • espydojo's avatar
              espydojo
              could anyone who owns this particular copy comment on the pressing? packaging / sound quality? much appreciated

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              • Avg Rating:4.46 / 5
              • Ratings:265
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