Tracklist
'88 aka Come Down On Me | |||
'68 aka Only Time | |||
'93 aka Don´t Stop Now | |||
'95 aka Make Things Right | |||
'79 aka The Shouty Track | |||
'75 aka Stay With You | |||
'76 aka The Slow Train | |||
'90 aka A Man Like Me | |||
'64 aka Go |
Versions
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17 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
'64-'95 CD, Album | XL Recordings – IFXLCD 182, Impotent Fury – IFXLCD 182 | UK | 2005 | UK — 2005 | Recently Edited | ||||
'64-'95 CD, Album, Limited Edition, Tri-fold | XL Recordings – IFXLCD182X, Impotent Fury – IFXLCD182X | UK | 2005 | UK — 2005 | |||||
'64-'95 DVD, DVD-Video, Multichannel, PAL, Region 2; Box Set | XL Recordings – IFXLDVD 182, Impotent Fury – IFXLDVD 182 | UK | 2005 | UK — 2005 | |||||
'64-'95 4×10", 33 ⅓ RPM; 10", 33 ⅓ RPM, Single Sided, Etched; Box Set, Album | XL Recordings – IFXLLP182, Impotent Fury – IFXLLP182 | UK | 2005 | UK — 2005 | Recently Edited | ||||
'64-'95 DVD, Promo | XL Recordings – IFXLDVD 182P, Impotent Fury – IFXLDVD 182P | UK | 2005 | UK — 2005 | Recently Edited | ||||
'64-'95 CDr, Album | XL Recordings – none | UK | 2005 | UK — 2005 | New Submission | ||||
'64-'95 CD, Album; DVD, DVD-Video, Multichannel, NTSC | XL Recordings – SRCP 381-2 | Japan | 2005 | Japan — 2005 | Recently Edited | ||||
'64-'95 CD, Album, Slipcase | Союз – IFXLCD 182, XL Recordings – IFXLCD 182 | Russia | 2005 | Russia — 2005 | New Submission | ||||
'64-'95 CD, Album | XL Recordings – IFXLCD 182, Rock Records (Hong Kong) – IFXLCD 182 | Hong Kong | 2005 | Hong Kong — 2005 | New Submission | ||||
'64-'95 CD, Album, O-Case | XL Recordings – IFXLCD 182 | Australia | 2005 | Australia — 2005 | New Submission | ||||
'64-'95 CD, Album | XL Recordings – IFXLCD 182, Universal Records (7) – IFXLCD 182 | Philippines | 2005 | Philippines — 2005 | |||||
'64-'95 CD, Album, Promo, Stereo | XL Recordings – IFXLLP182 | US | 2005 | US — 2005 | New Submission | ||||
'64-'95 CD, Album | XL Recordings – IFXLCD 182, Impotent Fury – IFXLCD 182 | US | 2005 | US — 2005 | |||||
'64-'95 CD, Album | XL Recordings – IFXLCD 182 | Europe | 2005 | Europe — 2005 | New Submission | ||||
'64-'95 CD, Album | XL Recordings – IFXLCD 182, Impotent Fury – IFXLCD 182 | UK | 2005 | UK — 2005 | New Submission | ||||
'64-'95 CD, Album | XL Recordings – SRCP 383 | Japan | 2005 | Japan — 2005 | |||||
'64-'95 CDr, Album, Promo | Playground Music Scandinavia – none | Scandinavia | Scandinavia | New Submission |
Recommendations
Reviews
referencing '64-'95 (4×10", 33 ⅓ RPM, 10", 33 ⅓ RPM, Single Sided, Etched, Box Set, Album) IFXLLP182
Wow! This is so amazing, awesome separation, clear and fun!referencing '64-'95 (4×10", 33 ⅓ RPM, 10", 33 ⅓ RPM, Single Sided, Etched, Box Set, Album) IFXLLP182
Can someone please comment on the mastering? How does this pressing sound? Thank you in advance.referencing '64-'95 (4×10", 33 ⅓ RPM, 10", 33 ⅓ RPM, Single Sided, Etched, Box Set, Album) IFXLLP182
Ooof!
I bought mine about ten years ago from here and it was £20 mint. Thought I’d check back to check reviews and copped the second hand prices…
So while this isn’t as good as most horizons it’s still a pretty good album, not so keen on the faux heavy metal/rock pastiches but the soulful stuff works well. A nice kaleidoscope of styles and moods. Highlights for me are make it right, the first half of ‘go’.- Just remember that this DVD is in PAL format, not NTSC! That means it wont play on standard DVD players in the US without converting the disc.
- Edited 18 years agoLemon Jelly decided to release their last album in a DVD with all their songs animated, with quite haunting results. Do you remember the excellent clip for "Nice weather for ducks"? This is a bit similar, though simpler and a bit on the minimal side. Indeed, most are kind of slideshows, but let me explain track by track: "Come down on me" is the weakest video, a kind of Winamp animation destroyed by two female dancers in a horrible aesthetic; "Only time" shows a chain work of dreams in an animation that could be a bit more developed; "Don't stop now" is a show of geometric shapes raising and lowing towers with the rhythm of the song; "Make things right" - the first really good one - is another slideshow through a colored land in a black landscape, which reminds those kind of pictures you did as a child; "The shouty track" is the funniest video, heavy metal humanoids surrended by dirt and violence; "Stay with you" is at the same time the most beautiful song and video, multicolored waves creating shapes that dance in that hippy sea, like dolphins, ballerinas, tigers, stars....; "Slow train" is quite interesting for the minimal side of it: two or three colors, you can't really see the landscape through the trains are travelling...;"A man like me" is a continous homage to videogames, and the last slideshow, "Go", is quite arty, with two layers of moving pictures of grass, shores or contamination.
And, I don't know exactly why, this at first uneven work has become my favourite album of 2005. Really recommended. My nephews become hypnotized with this, and it's easy to know why. - Edited 19 years ago
referencing '64-'95 (CD, Album) IFXLCD 182
The third album from Lemon Jelly, '64-'95, has some of the high points that made their collection of EPs a standout, but it's also rather uneven. The rock elements of "'88 a.k.a. Come Down On Me" seem a bit overblown, but it's quickly remedied by the calm folk-funk of "'68 a.k.a. Only Time." "'93 a.k.a. Don't Stop Now" reminds me a bit of Josh Wink's early acid work but without the tweaking that made it interesting; instead, the track meanders a bit aimlessly. "'95 a.k.a. Make Things Right" gets things back on the right path, but "'79 a.k.a. The Shouty Track" takes another wrong turn. The housier rhythms and catchy groove of "'75 a.k.a. Stay With You" make it a definite high-point. And "'76 a.k.a. The Slow Train" breaks the "good track, bad track" streak with a track that stands up pretty well, and "'90 a.k.a. A Man Like Me" keeps up the winning streak. Can I, with good conscience, recommend an album where about half the tracks are brilliant and the other half are dire? Sure, if the highs are high enough, and with '64-'93, it's high enough. But just barely.
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