Tracklist
A New Kind Of Country | 4:10 | ||
Mercy Maybe Mercy | 3:22 | ||
Opus 5 | 8:05 | ||
Beat Me, Daddy, Seven To The Bar | 3:03 | ||
The Tihai | 7:16 | ||
Milo's Theme | 4:26 | ||
Star Children | 3:22 | ||
Homecoming | 3:03 | ||
Seven Up | 3:58 | ||
Zim | 3:58 |
Credits (26)
- Joe Lopez*Alto Saxophone, Soprano Saxophone, Flute
- Joe RoccisanoAlto Saxophone, Soprano Saxophone, Flute
- Ruben LeonAlto Saxophone, Soprano Saxophone, Flute
- John MagruderBaritone Saxophone, Flute, Clarinet, Bass Clarinet
- Dave ParlatoBass
- Frank DeLaRosa*Bass
Notes
Columbia Records created confusion surrounding Shock Treatment by releasing multiple versions of the recording. Ellis attempted to clarify the situation by sending a letter to the “Chords and Discords” forum of Down Beat magazine immediately following the magazine’s review of the album:
“Regarding the review of my record Shock Treatment by Harvey Pekar (DB, Sept. 19), I would like to set the record straight on some little known facts in connection with this album. The copy that was reviewed was one about which I am embarrassed and not proud. The story behind this is as follows:
Upon completion of the album, I did the mixing and editing here in California and then sent the finished product to New York. It wasn’t until the album was already released that I heard a pressing. Much to my horror, I found that without consulting me the whole album had been changed around—rejected masters and unapproved takes were used (not the ones which I had selected and edited), the wrong tunes were on the album, unauthorized splices were made which disturbed the musical flow of some of the compositions (beats were even missing from bars), whole sections were cut out, some of these being the high points of the album. Therefore the liner notes, which were done to the original album, do not agree with what is actually on the album, calling attention to solos and high spots which are not there. I’m surprised that this wasn’t mentioned in the review! Also, the wrong personnel is listed on the jacket. When I discovered what had happened I was, naturally, disturbed and asked Columbia to redo the album. They graciously consented and I was able to change the album back to its original form except that I left Mercy Maybe Mercy, which my producer particularly liked, in place of Zim, which I hope will appear in a future album. Unfortunately, they were not able to call back all the thousands of albums which had already been released. However, they did send a note to the reviewers telling them that the copy which they had received was defective, and to please not review it until they received the corrected copy. It looks as if Down Beat didn’t get that letter. In conclusion, let me state that I have no quarrel with Harvey’s review, but I do wish that he or someone else would review the correct album.”
“Regarding the review of my record Shock Treatment by Harvey Pekar (DB, Sept. 19), I would like to set the record straight on some little known facts in connection with this album. The copy that was reviewed was one about which I am embarrassed and not proud. The story behind this is as follows:
Upon completion of the album, I did the mixing and editing here in California and then sent the finished product to New York. It wasn’t until the album was already released that I heard a pressing. Much to my horror, I found that without consulting me the whole album had been changed around—rejected masters and unapproved takes were used (not the ones which I had selected and edited), the wrong tunes were on the album, unauthorized splices were made which disturbed the musical flow of some of the compositions (beats were even missing from bars), whole sections were cut out, some of these being the high points of the album. Therefore the liner notes, which were done to the original album, do not agree with what is actually on the album, calling attention to solos and high spots which are not there. I’m surprised that this wasn’t mentioned in the review! Also, the wrong personnel is listed on the jacket. When I discovered what had happened I was, naturally, disturbed and asked Columbia to redo the album. They graciously consented and I was able to change the album back to its original form except that I left Mercy Maybe Mercy, which my producer particularly liked, in place of Zim, which I hope will appear in a future album. Unfortunately, they were not able to call back all the thousands of albums which had already been released. However, they did send a note to the reviewers telling them that the copy which they had received was defective, and to please not review it until they received the corrected copy. It looks as if Down Beat didn’t get that letter. In conclusion, let me state that I have no quarrel with Harvey’s review, but I do wish that he or someone else would review the correct album.”
Versions
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11 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
Shock Treatment LP, Album, Stereo | CBS – SS 63 356 | Germany | 1968 | Germany — 1968 | Recently Edited | ||||
Shock Treatment LP, Album, Stereo | Columbia – CS 9668 | US | 1968 | US — 1968 | Recently Edited | ||||
Shock Treatment LP, Album | CBS – S 63356 | UK | 1968 | UK — 1968 | Recently Edited | ||||
Shock Treatment LP, Album | CBS – SS 63 356 | Germany | 1968 | Germany — 1968 | New Submission | ||||
Shock Treatment LP, Album, Santa Maria Pressing | Columbia – CS 9668 | US | 1968 | US — 1968 | New Submission | ||||
Shock Treatment LP, Album | Columbia – CS 9668 | Canada | 1968 | Canada — 1968 | New Submission | ||||
Shock Treatment LP, Album, Stereo | Columbia – CS 9668 | US | 1968 | US — 1968 | New Submission | ||||
Shock Treatment LP, Album, Promo, Stereo | CBS – SS 63 356 | Germany | 1968 | Germany — 1968 | New Submission | ||||
Shock Treatment CD, Album, Reissue | Koch Jazz – KOC-CD-8590 | US | 2001 | US — 2001 | Recently Edited | ||||
Shock Treatment LP, Album, Reissue, Stereo, Terre Haute Pressing | Columbia – CS 9668 | US | US | New Submission | |||||
Shock Treatment LP, Album, Reissue | Columbia – CS 9668 | US | US | New Submission |
Recommendations
Reviews
referencing Shock Treatment (LP, Album, Stereo) CS 9668
I know experimental music is just that but repeat listening has not improved my understanding or comprehension. I like the clear "hard bop"component in the trumpet solos.referencing Shock Treatment (LP, Album, Stereo) CS 9668
A seriously underrated album. Miles Davis vibes meets space age. This is experimental big band.referencing Shock Treatment (LP, Album, Stereo) CS 9668
Isn't this the original (recalled) pressing? It shows the song 'Zim' in the tracklist, which Ellis states was left off the corrected pressing.referencing Shock Treatment (LP, Album, Stereo) CS 9668
Would play these cuts near the end of night shift on a potboiler FM (then KVFM in the Panorama Towers) in the San Fernando Valley...I was an 18 year old tyke who dug good jazz that dug a bit into rock here and there...Don Ellis has fans on both side of the rock AND jazz coins...Crisp and innovative with unique sounds and rhythms, "Shock Treatment" was just that for so many audiophile ears in the day...Did I say tight?referencing Shock Treatment (LP, Album, Stereo) CS 9668
I wouldn't mind hearing the crap album as this one is stunning! Just to make a comparison like ;)referencing Shock Treatment (LP, Album) S 63356
Don Ellis' masterpiece. A fantastic introduction to the late 60's hard bop scene and a perfect example of the big band jazz-funk combination. In parts this is nothing short of genius, in others its simply beautiful.
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